Up to now, this researcher searched features of nationalism music & various countries' nationalism musics of 19C and musical background & features of Grieg in chapters of I, II, III, IV, and analyzed 'piano sonata Op.7'.
It is indicated that sonata e minor Op.7 is a work composed by Grieg in his e...
Up to now, this researcher searched features of nationalism music & various countries' nationalism musics of 19C and musical background & features of Grieg in chapters of I, II, III, IV, and analyzed 'piano sonata Op.7'.
It is indicated that sonata e minor Op.7 is a work composed by Grieg in his early days when he showed interest in nationalism, and Norwegian national timbre is well harmonized to the form of traditional music. As its feature, harmony uses simple structure and chromatic scale with dominant in tonic and frequent transition is indicated, and melody has stepwise and ascending progress in harmonic progress and indicates romantic and Norwegian atmosphere well by using major & minor scale, Norwegian traditional scale, and church modes.
It is also indicated that rhythm uses Halling which is Norwegian folk dancing music rhythm of 2 beat system to whole music by repeating.
Also, it is indicated that tonality uses parallel key, tonic key, and transition based on e minor and develops consistent structure by using repetition of theme melody and variation.
This music is composed of total 4 movements, which the first movement has a sonata form, the second has variation form or ternary form, the third has compound ternary form, and the fourth has sonata form like the first movement.
The first movement is composed of 3 parts such as recapitulation, development, and exposition, which is changed as various forms such as frequent key change in recapitulation, use of secondary dominant, and chromatic scale progression, its theme melody shows soft and romantic color using broken chord in development, and its accompaniment form is shown to no. 3 by modification.
In harmony, the first and the second themes in exposition is parallel key relation of traditional sonata form, development is begun with e minor like exposition, and exposition is beginning with e minor which is same composition like exposition as traditional sonata form.
The second movement is composed of A-B-A', and emotional theme melody is shown by showing soft and strong theme melody with slow beat of andante and by controlling the use of compound harmony. It is shown by various modifications with sixteenth note of segmented rhythm as a and b of theme melody is shown in A part, and it shows folk color with chromatic scale progression, beat change of secondary dominant, and dynamics due to simple harmony progression and theme repetition.
The third movement is composed of Minuet-Trio-Minuet, makes harmonic progression than melodic progression of the second movement, and shows unifying atmosphere as a whole by only showing the change of short melody between beat and composition rather than big change of theme melody.
And it also shows extended harmonic progression by using 11 chord and 13 chord which are chords by thirds.
The fourth movement has sonata form like the first, and uses the percussion rhythm of introduction. Also, the first and the second themes of exposition has parallel key relation like the first movement but the second theme shows the different color sense with other traditional sonata form which has different beginning point of initial sound as E major.
Like above, it is indicated that 'piano sonata Op. 7' shows Norwegian color by using various rhythms having nationalism of Grieg and ethical melody, but in form, it uses European traditional patterns.
Up to now, this researcher searched features of nationalism music & various countries' nationalism musics of 19C and musical background & features of Grieg in chapters of I, II, III, IV, and analyzed 'piano sonata Op.7'.
It is indicated that sonata e minor Op.7 is a work composed by Grieg in his early days when he showed interest in nationalism, and Norwegian national timbre is well harmonized to the form of traditional music. As its feature, harmony uses simple structure and chromatic scale with dominant in tonic and frequent transition is indicated, and melody has stepwise and ascending progress in harmonic progress and indicates romantic and Norwegian atmosphere well by using major & minor scale, Norwegian traditional scale, and church modes.
It is also indicated that rhythm uses Halling which is Norwegian folk dancing music rhythm of 2 beat system to whole music by repeating.
Also, it is indicated that tonality uses parallel key, tonic key, and transition based on e minor and develops consistent structure by using repetition of theme melody and variation.
This music is composed of total 4 movements, which the first movement has a sonata form, the second has variation form or ternary form, the third has compound ternary form, and the fourth has sonata form like the first movement.
The first movement is composed of 3 parts such as recapitulation, development, and exposition, which is changed as various forms such as frequent key change in recapitulation, use of secondary dominant, and chromatic scale progression, its theme melody shows soft and romantic color using broken chord in development, and its accompaniment form is shown to no. 3 by modification.
In harmony, the first and the second themes in exposition is parallel key relation of traditional sonata form, development is begun with e minor like exposition, and exposition is beginning with e minor which is same composition like exposition as traditional sonata form.
The second movement is composed of A-B-A', and emotional theme melody is shown by showing soft and strong theme melody with slow beat of andante and by controlling the use of compound harmony. It is shown by various modifications with sixteenth note of segmented rhythm as a and b of theme melody is shown in A part, and it shows folk color with chromatic scale progression, beat change of secondary dominant, and dynamics due to simple harmony progression and theme repetition.
The third movement is composed of Minuet-Trio-Minuet, makes harmonic progression than melodic progression of the second movement, and shows unifying atmosphere as a whole by only showing the change of short melody between beat and composition rather than big change of theme melody.
And it also shows extended harmonic progression by using 11 chord and 13 chord which are chords by thirds.
The fourth movement has sonata form like the first, and uses the percussion rhythm of introduction. Also, the first and the second themes of exposition has parallel key relation like the first movement but the second theme shows the different color sense with other traditional sonata form which has different beginning point of initial sound as E major.
Like above, it is indicated that 'piano sonata Op. 7' shows Norwegian color by using various rhythms having nationalism of Grieg and ethical melody, but in form, it uses European traditional patterns.
주제어
#음악학
#E. Grieg
#Piano Sonata Op.7
#그리그
#Grieg
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