Represent the current era of the modern capitalist society, according to the flow of the fast times in the geupgeuphada top. So for his hard, the reason for the existence of such a social climate or lose their chance of being obtained through the frustration and failure is typical.
So come on th...
Represent the current era of the modern capitalist society, according to the flow of the fast times in the geupgeuphada top. So for his hard, the reason for the existence of such a social climate or lose their chance of being obtained through the frustration and failure is typical.
So come on their own a chance to sayuhal is bound to be very confusing. But indirectly through the arts, but we found ourselves a chance you can get. And contemporary art and away we do not.
Therefore, this study appears in the art, primitive artists were looking for opportunities to indirect early departure from the current of modern dance, contemporary dance continues to be a problem is when the human spirituality, the question of human existence and how they appear today's contemporary dance paper aimed at reviewing the work of contemporary dance Shashwaltz's "Körper", Park ho bin's the "Bait fish tail ", and the Sidi Larbi Cherkaoui of the "Foi" was selected and analyzed.
These works of contemporary dance, contemporary dance works by analyzing the types shown in the human world through the problem of human existence in contemporary dance and contemporary dance works that do appear in the world is throwing what looked topic. This work appears in three of the world trend of presenting characteristics are as follows.
First, the contemporary dance works that do not recognize the existence and the possibility of lost human form, Aspects of human form emerged.
Second, the contemporary dance piece 3 in the world of existential philosophy kiereukegoreu dangyejung aesthetic aspects of the world stage was active.
Third, contemporary dance works through the work in the course of my being aware of the error comes as fears emerged.
Fourth, the contemporary dance works were appearing in the various aspects of the world.
As mentioned above, the audience for contemporary dance presented by the existence of the human aspects of issues tied to their own and built a new reason neolhyeogal you can get a moment of introspection. Various aspects of human existence and work of contemporary dance to the audience now acts as throwing a buzzword in the social features of contemporary dance can be an artistic Meaning. Thus, the existence of contemporary dance works dealing with aspects of artistic meaning is as follows.
First, the audience for contemporary dance works that can be recognized through the world.
Shashwaltz's "Körper" the 'body movements and the search for the essence' ambitious agency containing the 'three-part body - "Körper", "S", "noBody"' in each scene of the first works of the human spirit has lost looks staged. That is only a representation of the human body investigated. As a result, the audience saying he Shashwaltz body while searching for the human spirit can not be reduced to existence is consciously or unconsciously, and inconvenience is aware. That is the reason human beings can do is acknowledge that the premise is. This audience doemyida feel their existence.
Park ho bin's "Bait fish tail" to find the missing half of their sex (性) in the direction of the dance has a long spiritual journey is a work with deconstructive tendencies. We Park ho bin's "Bait fish tail" on the Asian community through the Social Science Building and honest about human sexuality, to feel the collision of a sagogwan. The audience, each of these conflicts will come to them differently. It is the audience to think about their own individual because it is different. The existence of individual reasons for that is the difference. And this is premised on the existence hameul. Without the audience thinking about their topic of Park ho bin hard to accept.
Sidi Larbi Cherkaoui works "Foi" since the modern era to acknowledge God's presence through the absence of development in modern society yirwowat can heal, but the absence of what would pass hameul. The reasons for the absence of God each of us the freedom of individuals but of contemporary issues can not be separated from my life. For me to understand this now, or in order to understand my relationship with God and understand his priority is hamyi. To understand his existential philosophy, and it is the main goal.
Second, the reason the audience through contemporary dance works should get the opportunity.
The audience while watching a contemporary dance works have questions. Rohan Tanztheater material, especially for daily work with the tendency to see ever more so when. Tanztheater audience ever work with the tendency of life and different from the obvious audience of individuals, but will be forthcoming in a dramatic presentation for any anxiety. When these fears get the audience deulyeoteul access to work is throwing a buzzword. That the existence of their relationship and work through in dramatic doubts on the subject, and it works the audience into an active position is an opportunity to reflect on the commitment. Finding an audience question about this subject myself by thinking of the mokyijiman audience through their own lives is to get something different. That is the relationship between himself and his work to get through the moment of reason will be. In the process, when you want to go and have a question that the audience understand the existentialist philosophy and the question of if you will help to steer.
Thus the work of modern dance through the audience to reflect on their lives will be affected in any instrument that gives you prepared. Speaking in existential philosophy, or the possibility that adult humans can be existential sense to us. This is an opportunity. If so, the story of human materials must choreograph a contemporary dance choreographer should be conscious of the responsibility. In other words, contemporary dance choreographer to do the creative work needs to be aware of the existence and the need is as follows.
First, the problem of human existence and the choreographer for their continued existence is the basis of the question.
Contemporary dance choreographer when dealing with the human story of the existentialist philosophy of the material can be one of the criteria. Does not even recognize the existence of their choreographer of the dance stuff in the drawer with the clean up is not. For example, we're looking for something when tossed in a drawer if you find something that is not easy. Presently, the hassle of digging to find the back of this will be. But contemporary dance choreographer, and if they correctly recognized the existence hameul messy to determine the framework of thinking, because the criteria can be difficult to approach as they are looking for munchies will be subject, and then when you find the material already in the works by Converted by selecting the material through a framework of thought evolved into themes, because if there will be a very easily accessible.
Second, the quest for human beings to the audience as deonjimeu more fundamental question about human beings that can lead to communication can reach work.
The choreographer and the audience is the same. The audience has not been organized in the contemporary dance choreographer when he saw a complex work piece to be gained in the question are also complex jeokyige. Jimyeo the intricate work of art that is inaccessible is difficult to conduct. Various artists, especially of something, and body movements, dance to the audience, the difficulty of the attributes can come, the choreographer does not clean up the difficulties of a different class of difficulty is adding up.
This paper appears in contemporary dance through research on human beings on the value of contemporary dance can be a new instrument will be recognized. This contemporary dance works by throwing a topic for people as individuals can recognize the existence of some further work and their relationships, or the world and their relationship to the frame of the reason may be neolhyeogal. Widened in the course of such a framework for thinking through, we can develop a more mature human being. Development of such instruments can arrange the existence of a contemporary dance artist known for his understanding of the subject jeongridoe work was composed within the framework of thinking is dagaseoya audience. And contemporary dance artists to develop a more mature as a human instrument of reason and must be prepared for the role of a messenger. Because contemporary dance artists as an artist than to strength for human beings with potential because it is.
Represent the current era of the modern capitalist society, according to the flow of the fast times in the geupgeuphada top. So for his hard, the reason for the existence of such a social climate or lose their chance of being obtained through the frustration and failure is typical.
So come on their own a chance to sayuhal is bound to be very confusing. But indirectly through the arts, but we found ourselves a chance you can get. And contemporary art and away we do not.
Therefore, this study appears in the art, primitive artists were looking for opportunities to indirect early departure from the current of modern dance, contemporary dance continues to be a problem is when the human spirituality, the question of human existence and how they appear today's contemporary dance paper aimed at reviewing the work of contemporary dance Shashwaltz's "Körper", Park ho bin's the "Bait fish tail ", and the Sidi Larbi Cherkaoui of the "Foi" was selected and analyzed.
These works of contemporary dance, contemporary dance works by analyzing the types shown in the human world through the problem of human existence in contemporary dance and contemporary dance works that do appear in the world is throwing what looked topic. This work appears in three of the world trend of presenting characteristics are as follows.
First, the contemporary dance works that do not recognize the existence and the possibility of lost human form, Aspects of human form emerged.
Second, the contemporary dance piece 3 in the world of existential philosophy kiereukegoreu dangyejung aesthetic aspects of the world stage was active.
Third, contemporary dance works through the work in the course of my being aware of the error comes as fears emerged.
Fourth, the contemporary dance works were appearing in the various aspects of the world.
As mentioned above, the audience for contemporary dance presented by the existence of the human aspects of issues tied to their own and built a new reason neolhyeogal you can get a moment of introspection. Various aspects of human existence and work of contemporary dance to the audience now acts as throwing a buzzword in the social features of contemporary dance can be an artistic Meaning. Thus, the existence of contemporary dance works dealing with aspects of artistic meaning is as follows.
First, the audience for contemporary dance works that can be recognized through the world.
Shashwaltz's "Körper" the 'body movements and the search for the essence' ambitious agency containing the 'three-part body - "Körper", "S", "noBody"' in each scene of the first works of the human spirit has lost looks staged. That is only a representation of the human body investigated. As a result, the audience saying he Shashwaltz body while searching for the human spirit can not be reduced to existence is consciously or unconsciously, and inconvenience is aware. That is the reason human beings can do is acknowledge that the premise is. This audience doemyida feel their existence.
Park ho bin's "Bait fish tail" to find the missing half of their sex (性) in the direction of the dance has a long spiritual journey is a work with deconstructive tendencies. We Park ho bin's "Bait fish tail" on the Asian community through the Social Science Building and honest about human sexuality, to feel the collision of a sagogwan. The audience, each of these conflicts will come to them differently. It is the audience to think about their own individual because it is different. The existence of individual reasons for that is the difference. And this is premised on the existence hameul. Without the audience thinking about their topic of Park ho bin hard to accept.
Sidi Larbi Cherkaoui works "Foi" since the modern era to acknowledge God's presence through the absence of development in modern society yirwowat can heal, but the absence of what would pass hameul. The reasons for the absence of God each of us the freedom of individuals but of contemporary issues can not be separated from my life. For me to understand this now, or in order to understand my relationship with God and understand his priority is hamyi. To understand his existential philosophy, and it is the main goal.
Second, the reason the audience through contemporary dance works should get the opportunity.
The audience while watching a contemporary dance works have questions. Rohan Tanztheater material, especially for daily work with the tendency to see ever more so when. Tanztheater audience ever work with the tendency of life and different from the obvious audience of individuals, but will be forthcoming in a dramatic presentation for any anxiety. When these fears get the audience deulyeoteul access to work is throwing a buzzword. That the existence of their relationship and work through in dramatic doubts on the subject, and it works the audience into an active position is an opportunity to reflect on the commitment. Finding an audience question about this subject myself by thinking of the mokyijiman audience through their own lives is to get something different. That is the relationship between himself and his work to get through the moment of reason will be. In the process, when you want to go and have a question that the audience understand the existentialist philosophy and the question of if you will help to steer.
Thus the work of modern dance through the audience to reflect on their lives will be affected in any instrument that gives you prepared. Speaking in existential philosophy, or the possibility that adult humans can be existential sense to us. This is an opportunity. If so, the story of human materials must choreograph a contemporary dance choreographer should be conscious of the responsibility. In other words, contemporary dance choreographer to do the creative work needs to be aware of the existence and the need is as follows.
First, the problem of human existence and the choreographer for their continued existence is the basis of the question.
Contemporary dance choreographer when dealing with the human story of the existentialist philosophy of the material can be one of the criteria. Does not even recognize the existence of their choreographer of the dance stuff in the drawer with the clean up is not. For example, we're looking for something when tossed in a drawer if you find something that is not easy. Presently, the hassle of digging to find the back of this will be. But contemporary dance choreographer, and if they correctly recognized the existence hameul messy to determine the framework of thinking, because the criteria can be difficult to approach as they are looking for munchies will be subject, and then when you find the material already in the works by Converted by selecting the material through a framework of thought evolved into themes, because if there will be a very easily accessible.
Second, the quest for human beings to the audience as deonjimeu more fundamental question about human beings that can lead to communication can reach work.
The choreographer and the audience is the same. The audience has not been organized in the contemporary dance choreographer when he saw a complex work piece to be gained in the question are also complex jeokyige. Jimyeo the intricate work of art that is inaccessible is difficult to conduct. Various artists, especially of something, and body movements, dance to the audience, the difficulty of the attributes can come, the choreographer does not clean up the difficulties of a different class of difficulty is adding up.
This paper appears in contemporary dance through research on human beings on the value of contemporary dance can be a new instrument will be recognized. This contemporary dance works by throwing a topic for people as individuals can recognize the existence of some further work and their relationships, or the world and their relationship to the frame of the reason may be neolhyeogal. Widened in the course of such a framework for thinking through, we can develop a more mature human being. Development of such instruments can arrange the existence of a contemporary dance artist known for his understanding of the subject jeongridoe work was composed within the framework of thinking is dagaseoya audience. And contemporary dance artists to develop a more mature as a human instrument of reason and must be prepared for the role of a messenger. Because contemporary dance artists as an artist than to strength for human beings with potential because it is.
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