Dancheong (the Korean traditional multicolored paintwork on wooden buildings) is a formative art which conveys the thoughts, emotions, and characters of the Koreans.
In a broad sense, dancheong originally referred to colorful artifacts and buildings, but its meaning has been reduced to painting wo...
Dancheong (the Korean traditional multicolored paintwork on wooden buildings) is a formative art which conveys the thoughts, emotions, and characters of the Koreans.
In a broad sense, dancheong originally referred to colorful artifacts and buildings, but its meaning has been reduced to painting wooden buildings in colors. Dancheong is painted to cover the coarseness of the wooden buildings, to prevent the natural erosion of buildings, and also to ornament them elegantly.
The Korean traditional dancheong with a long history has been handed down to the present through the Three Kingdom Period, the Goryeo Dynasty, and the Joseon Dynasty.
The philosophical background of dancheong is based on the Philosophy of Yin-Yang and Five Elements, Buddhism, and Confucianism. The styles of dancheong are divided into four: gachil (ground coloring) dancheong, geutgi dancheong (making lines in white, black or any color on the ground color), moro dancheong (painting simple patterns at both ends of the wood) and geum dancheong (painting not only simple patterns at the both ends of the wood but brilliant patterns in the middle of the wood). The characteristics of the Korean traditional dancheong are the followings: alternative use of warm and cold colors, clear distinction of the boundaries, and color gradation in the middle of the wood.
In the first place, gachil dancheong (ground coloring) uses a reddish color and grayish green as the main colors, making a serene and simple atmosphere. Geutgi dancheong makes lines in Indian ink, chalk, and any color on the grayish green ground coat. Moro dancheong paints colors such as yellowish red, sky blue, yellow green, a reddish color, and blue green in turn on the grayish green ground coat in the middle of the wood. Both the ends of the wood have scale patterns and wave patterns with a second stroke of painting in a lighter color than the first stroke. Geum dancheong has the most complicated patterns like a bamboo basket with three or four strokes of painting, which is the most exuberantly styled dancheong of all.
Based on its understanding and research of the coloring principle of the Korean traditional dancheong, this study focuses on its availability for painting from various perspectives.
The work intends to express a space where people feel positive and alive, by arranging inanimate objects such as bags, boxes, and porcelains along with living things such as plants, flowers and fish though it appears unrealistic.
Dancheong (the Korean traditional multicolored paintwork on wooden buildings) is a formative art which conveys the thoughts, emotions, and characters of the Koreans.
In a broad sense, dancheong originally referred to colorful artifacts and buildings, but its meaning has been reduced to painting wooden buildings in colors. Dancheong is painted to cover the coarseness of the wooden buildings, to prevent the natural erosion of buildings, and also to ornament them elegantly.
The Korean traditional dancheong with a long history has been handed down to the present through the Three Kingdom Period, the Goryeo Dynasty, and the Joseon Dynasty.
The philosophical background of dancheong is based on the Philosophy of Yin-Yang and Five Elements, Buddhism, and Confucianism. The styles of dancheong are divided into four: gachil (ground coloring) dancheong, geutgi dancheong (making lines in white, black or any color on the ground color), moro dancheong (painting simple patterns at both ends of the wood) and geum dancheong (painting not only simple patterns at the both ends of the wood but brilliant patterns in the middle of the wood). The characteristics of the Korean traditional dancheong are the followings: alternative use of warm and cold colors, clear distinction of the boundaries, and color gradation in the middle of the wood.
In the first place, gachil dancheong (ground coloring) uses a reddish color and grayish green as the main colors, making a serene and simple atmosphere. Geutgi dancheong makes lines in Indian ink, chalk, and any color on the grayish green ground coat. Moro dancheong paints colors such as yellowish red, sky blue, yellow green, a reddish color, and blue green in turn on the grayish green ground coat in the middle of the wood. Both the ends of the wood have scale patterns and wave patterns with a second stroke of painting in a lighter color than the first stroke. Geum dancheong has the most complicated patterns like a bamboo basket with three or four strokes of painting, which is the most exuberantly styled dancheong of all.
Based on its understanding and research of the coloring principle of the Korean traditional dancheong, this study focuses on its availability for painting from various perspectives.
The work intends to express a space where people feel positive and alive, by arranging inanimate objects such as bags, boxes, and porcelains along with living things such as plants, flowers and fish though it appears unrealistic.
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