This study analyzed the status of support funding of Korean Culture and Arts Committee and Seoul Foundation for Arts and Culture having a support program for young choreographers in order to suggest a proper funding for young choreographers and operational direction for the opening of the Korean wav...
This study analyzed the status of support funding of Korean Culture and Arts Committee and Seoul Foundation for Arts and Culture having a support program for young choreographers in order to suggest a proper funding for young choreographers and operational direction for the opening of the Korean wave of dancing arts in the cultural prosperity period. For this purpose, this study figured out the strengths and weaknesses of the support system for young choreographers as below.
In the first place, the strengths of the support fund for young choreographers by Korean Culture and Arts Committee and Seoul Foundation for Arts and Culture are as below.
Firstly, the official title of the support project for young choreographer by Korean Culture and Arts Committee is the Next Generation Artist Concentration Project. Among the current programs, Overseas Resident Program that might be beneficial to young choreographers is related to the Next Generation Artist Concentration Project. Accordingly, it was proved that Korean Culture and Arts Committee endeavored to diversify support projects for the young generation.
Secondly, the support fund for the creative activity of young choreographers is very desirable in that it contributes to the globalization of dancing culture in the cultural prosperity period.
Nonetheless, the programs have weaknesses as below.
Firstly, the scale of support fund for young choreographer is very insufficient. The size of fund is not actually for many young choreographers and it is still insufficient to improve poor environments of young choreographers who are vulnerable to give up dancing due to economic reasons.
Secondly, the support projects for young choreographers are not diversified. As for the support project carried out by Korean Culture and Arts Committee, while it is operated together with Residence Program, it is not attracting various creative activities. Likewise, since the support fund for Seoul Foundation for Arts and Culture is operated for promising artist support projects, it needs more diversified types of projects to promote young choreographers.
Based on the above analysis, the proposal for the secure of fund and operational direction for young choreographer support project can be made as below.
Firstly, the size of current choreographer development project is very poor. And, it does not secure creative activities of the young generation for future dancing art due to the lack of various support projects. Accordingly, it is required to expand support fund and to diversify support projects.
Secondly, as the current choreographer development support projects are mainly carried by annual projects, it cannot be said projects for sustainable choreographer development in the long-term perspective. Therefore, a long-term project operation is required to develop young choreographers.
Thirdly, the current choreographer support projects used to focus on artistic creation activities and training programs. However, to develop choreographers, more diversified activities as well as artistic creation activities and training programs are recommended for the development of more creative choreographers. Therefore, it is necessary to operate fusion and convergence programs with other academic disciplines such as other arts, science and humanities.
This study analyzed the status of support funding of Korean Culture and Arts Committee and Seoul Foundation for Arts and Culture having a support program for young choreographers in order to suggest a proper funding for young choreographers and operational direction for the opening of the Korean wave of dancing arts in the cultural prosperity period. For this purpose, this study figured out the strengths and weaknesses of the support system for young choreographers as below.
In the first place, the strengths of the support fund for young choreographers by Korean Culture and Arts Committee and Seoul Foundation for Arts and Culture are as below.
Firstly, the official title of the support project for young choreographer by Korean Culture and Arts Committee is the Next Generation Artist Concentration Project. Among the current programs, Overseas Resident Program that might be beneficial to young choreographers is related to the Next Generation Artist Concentration Project. Accordingly, it was proved that Korean Culture and Arts Committee endeavored to diversify support projects for the young generation.
Secondly, the support fund for the creative activity of young choreographers is very desirable in that it contributes to the globalization of dancing culture in the cultural prosperity period.
Nonetheless, the programs have weaknesses as below.
Firstly, the scale of support fund for young choreographer is very insufficient. The size of fund is not actually for many young choreographers and it is still insufficient to improve poor environments of young choreographers who are vulnerable to give up dancing due to economic reasons.
Secondly, the support projects for young choreographers are not diversified. As for the support project carried out by Korean Culture and Arts Committee, while it is operated together with Residence Program, it is not attracting various creative activities. Likewise, since the support fund for Seoul Foundation for Arts and Culture is operated for promising artist support projects, it needs more diversified types of projects to promote young choreographers.
Based on the above analysis, the proposal for the secure of fund and operational direction for young choreographer support project can be made as below.
Firstly, the size of current choreographer development project is very poor. And, it does not secure creative activities of the young generation for future dancing art due to the lack of various support projects. Accordingly, it is required to expand support fund and to diversify support projects.
Secondly, as the current choreographer development support projects are mainly carried by annual projects, it cannot be said projects for sustainable choreographer development in the long-term perspective. Therefore, a long-term project operation is required to develop young choreographers.
Thirdly, the current choreographer support projects used to focus on artistic creation activities and training programs. However, to develop choreographers, more diversified activities as well as artistic creation activities and training programs are recommended for the development of more creative choreographers. Therefore, it is necessary to operate fusion and convergence programs with other academic disciplines such as other arts, science and humanities.
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