This thesis will observe imaging technique through modernistic poetry expressing unconsciousness through metaphors and metonymy. Such a process
attempts to translate psychoanalytic text on how to express through art with extremely personal unconsciousness on the assumption of universality based...
This thesis will observe imaging technique through modernistic poetry expressing unconsciousness through metaphors and metonymy. Such a process
attempts to translate psychoanalytic text on how to express through art with extremely personal unconsciousness on the assumption of universality based on creative imagination. In other words, it studies whether unconsciousness formed in a purely personal dimension can secure the possibility of its existence within the text through the process of translation. Because literature is a product of creative imagination and unconsciousness, it too has its roots in imagination. These are judged to be related with imaging technique grounded on visibility.
For this, in Chapter II, observation will be conducted on the sign system of metaphors and metonymy rooted in unconsciousness. The sign system in unconsciousness will be a basic standard for the translation of modernistic poetry with avant-garde characteristics that this thesis aims to seek. The structure of metaphors and metonymy will be observed based on the world of unconsciousness grounded on imaginary, symbolic and real, as suggested by Jacque Lacan. In addition, attention will be paid to imaging technique as being the one that expresses the structure of metaphors and metonymy. This includes techniques such as collage, montage, plan sequence, depaysement, etc. which are applied to the analyzing of paintings, movies and photo images. These techniques will seem to be of mutual complementary and complex aspects in text translation. Accordingly, modern poetry tinted with tendencies towards avant-garde modernismcan be identified to be semantically combined by diversified and complicated imaging techniques with poetical content. Such a mutually complementary and harmonious creation technique is judged to be important for comprehending the aspect of unconsciousness situated on the foundation of creative imagination. And as a result, through the imaging technique, the principal agent in modernistic art will be expected to be embodied in text as the imaginative, critical and idealistic principal body with retrogression, resistance and dissolution in the world of unconsciousness.
In the main subject in Chapter III, the principal body will be observed to have imaginative, critical and idealistic aspects through the world of unconsciousness as the photo images appearing in modern poetry are combined and revealed through the imaging technique. Thus, analysis was conducted by combining the
nonsense poetry of Kim Chun-su with painted images, the raw image poems of Oh Kyu-Won with movie images and the non-object poems of Lee Seung-hoon with photo images.
Firstly, formal techniques with marginalized sense toward history central to juxtaposition, reiteration and metastasis of painting collage or images was observed to be semantically combined. Observation will be done on the principal agent showing an imaginative aspect that becomes regressive to imaginary as a result. In addition, any appraisal will be warned that the crabbed poems of Kim Chun-su cause difficult comprehension of context or meaning of poetic words. Semantic analysis was attempted regarding the poems of Kim Chun-su that have been assessed even in an unconditional experimental nature, and avant-garde and formalistic poems biased to defamiliarization. Thus, analysis of all texts to be dealt with in this study was aimed at valuable assessment on image expression techniques rooted in semantic translation. In 1.1), recognition of the real condition of the principal agent will be surveyed through poems with motives of myths, ordinaries and historic figures in poems like "Cheoyong", "Ho", "Sabada", etc. In 1.2), identification work of retrogression of the principal agent will be taken which attempts to enter into the imaginary while semantically interpreting the crabbedness of the poems of Kim Chun-su through semantic association with formal expression technique through dissolution of sign on the meaning of "Hanul Subak". In 1.3), narcissism will be experienced in the poems of Kim Chun-su by the text with meaning opened through juxtaposition and reiteration of images (montage). In this, a survey will be conducted on the poems of Kim Chun-su associated with the paintings of Chagal and Rouault as their original text.
In the analysis of movie images, the thinking structure of nonidentity equivalent to the imaging technique will be surveyed. In the metaphorical thinking structure, performing figure can be verified for the thinking structure of metonymy taking mise en scene (or plan sequence) as a form. The principal agent shows a sense of persistent challenge and resistance against imaginary in metonymic language and here explicates occupation by an ambition for critical principal agent toward imaginary that cannot perpetually be entered. Particularly, for the poems of Oh Kyu-won to take never-ending research of language that has been mean-spirited from the initial stage becomes a basis for metonymic thinking structure on the phenomenon that raw image along with movie image seeks. Its metonymic structure will be found to have formed an unconscious system criticizing the reification of modern industrial society in order to restore purity of language. In 2.1), a survey will be conducted on the criticism of civilized reality and poetic language along with montage appearing in the poetry collections "Distinct Affair" and "Pilgrimage". In 2.2), observation will be done on the unconsciousness of the poetic principal agent resisting against existing literary concepts by transforming and distorting the formal genre of the poem. In 2.3), the expanding process will be surveyed from the view point of poetic space through fulfillment of metonymy of mise en scene getting away from the metaphors of montage.
In the analysis of photo images, as psychopathic ambitious illusion by fission of principal agent occupies the internal world that the poetic principal agent seeks, formal technique pivoted by depaysement for expressing such unusual illusion has played an important role. And the world of Lee Seung-hoon borrowing photo images by Punctum makes it possible to positively transform and distort the poetic space to divide the imperfect principal agent, and it will eventually be found in a negative sense to have been prevailing that leads to nothing beyond the space of exoteric and open meaning. Accordingly, there will be meeting with idle amusement of idealistic principal body hovering permanently around the vicinity of the real through tenacious pursuit for the internal world rejecting retrogression to, or ambition for the imaginative world. In 3.1), the dissolution sense of poems of Lee Seung-hoon about time and space through his poems like "Thing A" and "Calling Name" will be surveyed. In 3.3), observation will be done on the text of open meaning of Lee Seung-hoon's poems, eventually extinguishing the position of the principal agent through visual substitution object taking pop art as original text.
In 4), expanded translation of text produced through a combination of visual perception with mental perception through association of imaging techniques mainly applied for images of paintings, movies and photos with the unconscious world of the principal agent.
This study has made an attempt at a new method of analysis of modernistic art through imaging techniques. It has tried to derive and analyze the characteristics of imaging techniques expressing the unconscious world of the principal agent for combined translation of visual and mental perceptions named harmony of form and content in art. Such expanded translation of text will somewhat help people to newly understand avant-garde of modernistic art that has been biased to formalism for some time.
This thesis will observe imaging technique through modernistic poetry expressing unconsciousness through metaphors and metonymy. Such a process
attempts to translate psychoanalytic text on how to express through art with extremely personal unconsciousness on the assumption of universality based on creative imagination. In other words, it studies whether unconsciousness formed in a purely personal dimension can secure the possibility of its existence within the text through the process of translation. Because literature is a product of creative imagination and unconsciousness, it too has its roots in imagination. These are judged to be related with imaging technique grounded on visibility.
For this, in Chapter II, observation will be conducted on the sign system of metaphors and metonymy rooted in unconsciousness. The sign system in unconsciousness will be a basic standard for the translation of modernistic poetry with avant-garde characteristics that this thesis aims to seek. The structure of metaphors and metonymy will be observed based on the world of unconsciousness grounded on imaginary, symbolic and real, as suggested by Jacque Lacan. In addition, attention will be paid to imaging technique as being the one that expresses the structure of metaphors and metonymy. This includes techniques such as collage, montage, plan sequence, depaysement, etc. which are applied to the analyzing of paintings, movies and photo images. These techniques will seem to be of mutual complementary and complex aspects in text translation. Accordingly, modern poetry tinted with tendencies towards avant-garde modernismcan be identified to be semantically combined by diversified and complicated imaging techniques with poetical content. Such a mutually complementary and harmonious creation technique is judged to be important for comprehending the aspect of unconsciousness situated on the foundation of creative imagination. And as a result, through the imaging technique, the principal agent in modernistic art will be expected to be embodied in text as the imaginative, critical and idealistic principal body with retrogression, resistance and dissolution in the world of unconsciousness.
In the main subject in Chapter III, the principal body will be observed to have imaginative, critical and idealistic aspects through the world of unconsciousness as the photo images appearing in modern poetry are combined and revealed through the imaging technique. Thus, analysis was conducted by combining the
nonsense poetry of Kim Chun-su with painted images, the raw image poems of Oh Kyu-Won with movie images and the non-object poems of Lee Seung-hoon with photo images.
Firstly, formal techniques with marginalized sense toward history central to juxtaposition, reiteration and metastasis of painting collage or images was observed to be semantically combined. Observation will be done on the principal agent showing an imaginative aspect that becomes regressive to imaginary as a result. In addition, any appraisal will be warned that the crabbed poems of Kim Chun-su cause difficult comprehension of context or meaning of poetic words. Semantic analysis was attempted regarding the poems of Kim Chun-su that have been assessed even in an unconditional experimental nature, and avant-garde and formalistic poems biased to defamiliarization. Thus, analysis of all texts to be dealt with in this study was aimed at valuable assessment on image expression techniques rooted in semantic translation. In 1.1), recognition of the real condition of the principal agent will be surveyed through poems with motives of myths, ordinaries and historic figures in poems like "Cheoyong", "Ho", "Sabada", etc. In 1.2), identification work of retrogression of the principal agent will be taken which attempts to enter into the imaginary while semantically interpreting the crabbedness of the poems of Kim Chun-su through semantic association with formal expression technique through dissolution of sign on the meaning of "Hanul Subak". In 1.3), narcissism will be experienced in the poems of Kim Chun-su by the text with meaning opened through juxtaposition and reiteration of images (montage). In this, a survey will be conducted on the poems of Kim Chun-su associated with the paintings of Chagal and Rouault as their original text.
In the analysis of movie images, the thinking structure of nonidentity equivalent to the imaging technique will be surveyed. In the metaphorical thinking structure, performing figure can be verified for the thinking structure of metonymy taking mise en scene (or plan sequence) as a form. The principal agent shows a sense of persistent challenge and resistance against imaginary in metonymic language and here explicates occupation by an ambition for critical principal agent toward imaginary that cannot perpetually be entered. Particularly, for the poems of Oh Kyu-won to take never-ending research of language that has been mean-spirited from the initial stage becomes a basis for metonymic thinking structure on the phenomenon that raw image along with movie image seeks. Its metonymic structure will be found to have formed an unconscious system criticizing the reification of modern industrial society in order to restore purity of language. In 2.1), a survey will be conducted on the criticism of civilized reality and poetic language along with montage appearing in the poetry collections "Distinct Affair" and "Pilgrimage". In 2.2), observation will be done on the unconsciousness of the poetic principal agent resisting against existing literary concepts by transforming and distorting the formal genre of the poem. In 2.3), the expanding process will be surveyed from the view point of poetic space through fulfillment of metonymy of mise en scene getting away from the metaphors of montage.
In the analysis of photo images, as psychopathic ambitious illusion by fission of principal agent occupies the internal world that the poetic principal agent seeks, formal technique pivoted by depaysement for expressing such unusual illusion has played an important role. And the world of Lee Seung-hoon borrowing photo images by Punctum makes it possible to positively transform and distort the poetic space to divide the imperfect principal agent, and it will eventually be found in a negative sense to have been prevailing that leads to nothing beyond the space of exoteric and open meaning. Accordingly, there will be meeting with idle amusement of idealistic principal body hovering permanently around the vicinity of the real through tenacious pursuit for the internal world rejecting retrogression to, or ambition for the imaginative world. In 3.1), the dissolution sense of poems of Lee Seung-hoon about time and space through his poems like "Thing A" and "Calling Name" will be surveyed. In 3.3), observation will be done on the text of open meaning of Lee Seung-hoon's poems, eventually extinguishing the position of the principal agent through visual substitution object taking pop art as original text.
In 4), expanded translation of text produced through a combination of visual perception with mental perception through association of imaging techniques mainly applied for images of paintings, movies and photos with the unconscious world of the principal agent.
This study has made an attempt at a new method of analysis of modernistic art through imaging techniques. It has tried to derive and analyze the characteristics of imaging techniques expressing the unconscious world of the principal agent for combined translation of visual and mental perceptions named harmony of form and content in art. Such expanded translation of text will somewhat help people to newly understand avant-garde of modernistic art that has been biased to formalism for some time.
주제어
#Modernism Principal Agent Unconsciousness Metaphor Metonymy Collage Montage Plan Sequence Punctum Dissolution Expansion of Meaning Painting Movie Photo Intermediality
※ AI-Helper는 부적절한 답변을 할 수 있습니다.