The age of romanticism emphasized the subjective ideal of every individual instead of the clarity and rationality that had previously been pursued by the French Revolution, the Napoleonic Wars and the Industrial Revolution. In addition, as innovations in large - scale manufacturing have led to the w...
The age of romanticism emphasized the subjective ideal of every individual instead of the clarity and rationality that had previously been pursued by the French Revolution, the Napoleonic Wars and the Industrial Revolution. In addition, as innovations in large - scale manufacturing have led to the widespread use of piano, and advanced emotional expression of the piano, romanticists have loved the piano as a means of expressing emotions. In particular, Chopin recreated the ballade by introducing the ballad, which was limitd to poetry and vocal music, into an instrumental work for the piano for the first time. Throughout his overall piano pieces, he created his own unique music world not bound to the traditional form of classicism.
Chopin's musical technique is rhythmic change through the use of hemiola with accents on weak beats or grouping of the two hands, chopin's work mostly accompanied by songs with lyrical theme melody through the influence of the Cantabile technique, the free chromatic sate, sign for enharmonic change, free mode, contrapunta structure, the use of a pedal for tempto rubato, abundant chord and tone.
Based on these treats, this paper analyzed Chopin‘s ballade No. 1 Op. 23. Ballade No. 1 Op. 23 is the closest to the sonata form of Chopin's four ballades, beginning with the poetry of a narrative atmosphere, with the first theme being narrated and the second being a lyrical melody. Main melody songs of the first and second topics are developed in a transformational manner, and these two themes are applied not only to the main subject section but also to the passage section or closing section, which plays a connected role.
As the developing section comes, more fabulaous and things unrelated to main subject are present, and the seond thme first appears before the first them which is the cahracteristic of Chopin‘s ballade as a unique form of Sonata free from conventional classic Sonata form.
Based on the historical background of the age of Romanticism, this paper attempts to understand the characteristics of various musical technique of Chopin, which appeared in the music of Virtuoso pianist and composer. Also, on the understanding of the work through the analysis of No. 1 Op. 23 in four ballads composed during Chopin‘s heyday, this paper tends to be condusive to the performers playing the piano by studying this piece of music.
The age of romanticism emphasized the subjective ideal of every individual instead of the clarity and rationality that had previously been pursued by the French Revolution, the Napoleonic Wars and the Industrial Revolution. In addition, as innovations in large - scale manufacturing have led to the widespread use of piano, and advanced emotional expression of the piano, romanticists have loved the piano as a means of expressing emotions. In particular, Chopin recreated the ballade by introducing the ballad, which was limitd to poetry and vocal music, into an instrumental work for the piano for the first time. Throughout his overall piano pieces, he created his own unique music world not bound to the traditional form of classicism.
Chopin's musical technique is rhythmic change through the use of hemiola with accents on weak beats or grouping of the two hands, chopin's work mostly accompanied by songs with lyrical theme melody through the influence of the Cantabile technique, the free chromatic sate, sign for enharmonic change, free mode, contrapunta structure, the use of a pedal for tempto rubato, abundant chord and tone.
Based on these treats, this paper analyzed Chopin‘s ballade No. 1 Op. 23. Ballade No. 1 Op. 23 is the closest to the sonata form of Chopin's four ballades, beginning with the poetry of a narrative atmosphere, with the first theme being narrated and the second being a lyrical melody. Main melody songs of the first and second topics are developed in a transformational manner, and these two themes are applied not only to the main subject section but also to the passage section or closing section, which plays a connected role.
As the developing section comes, more fabulaous and things unrelated to main subject are present, and the seond thme first appears before the first them which is the cahracteristic of Chopin‘s ballade as a unique form of Sonata free from conventional classic Sonata form.
Based on the historical background of the age of Romanticism, this paper attempts to understand the characteristics of various musical technique of Chopin, which appeared in the music of Virtuoso pianist and composer. Also, on the understanding of the work through the analysis of No. 1 Op. 23 in four ballads composed during Chopin‘s heyday, this paper tends to be condusive to the performers playing the piano by studying this piece of music.
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#Chopin Chopin Ballade No. 1 Ballade Chopin Ballade Virtuoso Pianist Piano music romanticism free sonata form
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