소설, 물러서서 응시하는 힘
한신대학교 대학원
문예창작학과
노 현 수
소설은 실제 현실을 바탕으로 소설가가 재창조한 이야기이다. 실제 현실을 닮았지만 실제 현실이 아닌 허구이다. 실제 현실에서 일어날 것 같은 개연성 있는 허구이다. 그렇다면 소설가는 실제 현실을 어떻게 인식하고 어떤 시선으로 바라보아야 하는가, 라는 의문에서 본 논문은 시작한다.
서론에서는 실제 현실과 소설적 현실의 ‘틈’에 대해 살펴본다. 소설가는 현실에 존재하지 않는 그 무언가를...
소설, 물러서서 응시하는 힘
한신대학교 대학원
문예창작학과
노 현 수
소설은 실제 현실을 바탕으로 소설가가 재창조한 이야기이다. 실제 현실을 닮았지만 실제 현실이 아닌 허구이다. 실제 현실에서 일어날 것 같은 개연성 있는 허구이다. 그렇다면 소설가는 실제 현실을 어떻게 인식하고 어떤 시선으로 바라보아야 하는가, 라는 의문에서 본 논문은 시작한다.
서론에서는 실제 현실과 소설적 현실의 ‘틈’에 대해 살펴본다. 소설가는 현실에 존재하지 않는 그 무언가를 찾는 주인공을 설정하여 새로운 세계를 의도적으로 창조한다. 이때 작용하는 메커니즘을 이중성이란 개념을 통해 살펴볼 것이다.
다음으로 ‘현실, 부정과 긍정’에서는 소설가가 실제 현실을 인식하는 방법에 대해 다룬다. 부정이 그 자체로 역동적인 힘을 가졌음을 전제하고 긍정으로 전환하기 위해서는 어떤 방법이 있는지 고찰할 것이다. 또한 소설『돈키호테』에서 세르반테스가 실제 현실을 긍정하기 위해 어떤 소설적 장치들을 사용했는지 살펴보고 나의 소설「기억의 침몰」과 비교할 것이다.
그 다음으로 ‘멈춤, 혹은 물러섬’에서는 실제 현실을 있는 그대로 인식하기 위한 소설가의 태도를 언급한다. 소설가가 멈춰서 물러설 때 비로소 자유로운 시선으로 현실을 전체적으로 관조할 수 있다는 것을『그리스인 조르바』를 통해 살펴볼 것이다. 그리고 나의 소설「관찰자」에서 등장하는 ‘나의 행동을 지켜보는 또 다른 나의 존재’의 의미를 고찰할 것이다.
마지막으로 ‘낯설게 응시, 창조’에서는 새로움을 만들어내는 기본원리에 대해 탐구할 것이다. 차이나는 반복, 낯설게 하기, 부정의 힘 등이 새로운 소설적 현실을 창조한다.『광장』에서 주인공이 중립국을 선택한 이유와 자살의 결말을 나의 소설「그림자를 만지다」와 비교하면서 자기가 부정했던 것을 긍정하지만 그 이전과는 다른 것임을 보여줄 것이다.
소설은 소설가가 주제의식을 가지고 의도적으로 창조한 것이다. 소설가는 정지, 또는 한 발 물러선 자리에서 다르게 말하면 소설가의 판단이 배제된 상태에서 있는 그대로의 현실을 직시해야 한다. 그런 후 실제 현실이 부정된 낯선 세계를 응시하는 자세를 가져야만 새로운 세계를 창조할 수 있다. 이렇게 창조된 세계에서 희망과 가능성을 발견할 수 있을 것이다.
소설, 물러서서 응시하는 힘
한신대학교 대학원
문예창작학과
노 현 수
소설은 실제 현실을 바탕으로 소설가가 재창조한 이야기이다. 실제 현실을 닮았지만 실제 현실이 아닌 허구이다. 실제 현실에서 일어날 것 같은 개연성 있는 허구이다. 그렇다면 소설가는 실제 현실을 어떻게 인식하고 어떤 시선으로 바라보아야 하는가, 라는 의문에서 본 논문은 시작한다.
서론에서는 실제 현실과 소설적 현실의 ‘틈’에 대해 살펴본다. 소설가는 현실에 존재하지 않는 그 무언가를 찾는 주인공을 설정하여 새로운 세계를 의도적으로 창조한다. 이때 작용하는 메커니즘을 이중성이란 개념을 통해 살펴볼 것이다.
다음으로 ‘현실, 부정과 긍정’에서는 소설가가 실제 현실을 인식하는 방법에 대해 다룬다. 부정이 그 자체로 역동적인 힘을 가졌음을 전제하고 긍정으로 전환하기 위해서는 어떤 방법이 있는지 고찰할 것이다. 또한 소설『돈키호테』에서 세르반테스가 실제 현실을 긍정하기 위해 어떤 소설적 장치들을 사용했는지 살펴보고 나의 소설「기억의 침몰」과 비교할 것이다.
그 다음으로 ‘멈춤, 혹은 물러섬’에서는 실제 현실을 있는 그대로 인식하기 위한 소설가의 태도를 언급한다. 소설가가 멈춰서 물러설 때 비로소 자유로운 시선으로 현실을 전체적으로 관조할 수 있다는 것을『그리스인 조르바』를 통해 살펴볼 것이다. 그리고 나의 소설「관찰자」에서 등장하는 ‘나의 행동을 지켜보는 또 다른 나의 존재’의 의미를 고찰할 것이다.
마지막으로 ‘낯설게 응시, 창조’에서는 새로움을 만들어내는 기본원리에 대해 탐구할 것이다. 차이나는 반복, 낯설게 하기, 부정의 힘 등이 새로운 소설적 현실을 창조한다.『광장』에서 주인공이 중립국을 선택한 이유와 자살의 결말을 나의 소설「그림자를 만지다」와 비교하면서 자기가 부정했던 것을 긍정하지만 그 이전과는 다른 것임을 보여줄 것이다.
소설은 소설가가 주제의식을 가지고 의도적으로 창조한 것이다. 소설가는 정지, 또는 한 발 물러선 자리에서 다르게 말하면 소설가의 판단이 배제된 상태에서 있는 그대로의 현실을 직시해야 한다. 그런 후 실제 현실이 부정된 낯선 세계를 응시하는 자세를 가져야만 새로운 세계를 창조할 수 있다. 이렇게 창조된 세계에서 희망과 가능성을 발견할 수 있을 것이다.
Novel, the Power of Standing Back and Staring
Hanshin University
Graduate of Creative Writing
Hyeon-Soo, Noh
A novel is a recreated story based on actual reality by a novelist. It is a plausible fiction that is likely to happen in real life. This paper begins wi...
Novel, the Power of Standing Back and Staring
Hanshin University
Graduate of Creative Writing
Hyeon-Soo, Noh
A novel is a recreated story based on actual reality by a novelist. It is a plausible fiction that is likely to happen in real life. This paper begins with the questions of how the novelist should recognize the actual reality in order to acquire the characteristics of literature and what perspective should decide the choice of protagonist.
The introduction examines the 'gap' between actual reality and novel reality. A novelist intentionally creates a new world by setting the protagonist who is looking for something that does not exist in reality. This paper makes a close study on the mechanism that works in the setting through the concept of literature.
‘Reality, Negation and Affirmation’ deals with how novelists perceive actual reality. Assuming that negation has a dynamic power in itself, this paper considers how to turn it into affirmation. This paper also looks at some novel devices used by Cervantes to affirm reality in the novel Don Quixote and compares it to my novel, The Submergence of Memory.
Next, 'Stopping or Retreating' mentions the novelist's attitude to recognize reality as it is. This paper looks through "Greek Zorba" to consider that a novelist could stand out as a standstill and contemplate reality as a whole with a free perspective. This paper considers the meaning of ‘my different existence who watches my behavior’ appearing in my novel Observer.
Finally, ‘Staring at Strangeness and Creation’ explores the basic principles of creating newness. The different repetition, strangeness, and the power of negation creates a new novel reality. This paper compares the blue square, which is the ideal space pursued by the main character in ‘The Square’, with my novel ‘Touch the Shadow’ and it will show that it is different from before by affirming the negation.
A novel is a creation intentionally made with a theme consciousness by a novelist. The novelist must face the reality as it is in the state of stopping, or one step back, in other words, without the novelist's judgment. Then novelists can create a whole new world when they have an attitude to gaze at a strange world where actual reality is denied. This is the power of staring and standing back to find hope and possibilities in this created world.Novel, the Power of Standing Back and Staring
Hanshin University
Graduate of Creative Writing
Hyeon-Soo, Noh
A novel is a recreated story based on actual reality by a novelist. It is a plausible fiction that is likely to happen in real life. This paper begins with the questions of how the novelist should recognize the actual reality in order to acquire the characteristics of literature and what perspective should decide the choice of protagonist.
The introduction examines the 'gap' between actual reality and novel reality. A novelist intentionally creates a new world by setting the protagonist who is looking for something that does not exist in reality. This paper makes a close study on the mechanism that works in the setting through the concept of literature.
‘Reality, Negation and Affirmation’ deals with how novelists perceive actual reality. Assuming that negation has a dynamic power in itself, this paper considers how to turn it into affirmation. This paper also looks at some novel devices used by Cervantes to affirm reality in the novel Don Quixote and compares it to my novel, The Submergence of Memory.
Next, 'Stopping or Retreating' mentions the novelist's attitude to recognize reality as it is. This paper looks through "Greek Zorba" to consider that a novelist could stand out as a standstill and contemplate reality as a whole with a free perspective. This paper considers the meaning of ‘my different existence who watches my behavior’ appearing in my novel Observer.
Finally, ‘Staring at Strangeness and Creation’ explores the basic principles of creating newness. The different repetition, strangeness, and the power of negation creates a new novel reality. This paper compares the blue square, which is the ideal space pursued by the main character in ‘The Square’, with my novel ‘Touch the Shadow’ and it will show that it is different from before by affirming the negation.
A novel is a creation intentionally made with a theme consciousness by a novelist. The novelist must face the reality as it is in the state of stopping, or one step back, in other words, without the novelist's judgment. Then novelists can create a whole new world when they have an attitude to gaze at a strange world where actual reality is denied. This is the power of staring and standing back to find hope and possibilities in this created world.
Novel, the Power of Standing Back and Staring
Hanshin University
Graduate of Creative Writing
Hyeon-Soo, Noh
A novel is a recreated story based on actual reality by a novelist. It is a plausible fiction that is likely to happen in real life. This paper begins with the questions of how the novelist should recognize the actual reality in order to acquire the characteristics of literature and what perspective should decide the choice of protagonist.
The introduction examines the 'gap' between actual reality and novel reality. A novelist intentionally creates a new world by setting the protagonist who is looking for something that does not exist in reality. This paper makes a close study on the mechanism that works in the setting through the concept of literature.
‘Reality, Negation and Affirmation’ deals with how novelists perceive actual reality. Assuming that negation has a dynamic power in itself, this paper considers how to turn it into affirmation. This paper also looks at some novel devices used by Cervantes to affirm reality in the novel Don Quixote and compares it to my novel, The Submergence of Memory.
Next, 'Stopping or Retreating' mentions the novelist's attitude to recognize reality as it is. This paper looks through "Greek Zorba" to consider that a novelist could stand out as a standstill and contemplate reality as a whole with a free perspective. This paper considers the meaning of ‘my different existence who watches my behavior’ appearing in my novel Observer.
Finally, ‘Staring at Strangeness and Creation’ explores the basic principles of creating newness. The different repetition, strangeness, and the power of negation creates a new novel reality. This paper compares the blue square, which is the ideal space pursued by the main character in ‘The Square’, with my novel ‘Touch the Shadow’ and it will show that it is different from before by affirming the negation.
A novel is a creation intentionally made with a theme consciousness by a novelist. The novelist must face the reality as it is in the state of stopping, or one step back, in other words, without the novelist's judgment. Then novelists can create a whole new world when they have an attitude to gaze at a strange world where actual reality is denied. This is the power of staring and standing back to find hope and possibilities in this created world.Novel, the Power of Standing Back and Staring
Hanshin University
Graduate of Creative Writing
Hyeon-Soo, Noh
A novel is a recreated story based on actual reality by a novelist. It is a plausible fiction that is likely to happen in real life. This paper begins with the questions of how the novelist should recognize the actual reality in order to acquire the characteristics of literature and what perspective should decide the choice of protagonist.
The introduction examines the 'gap' between actual reality and novel reality. A novelist intentionally creates a new world by setting the protagonist who is looking for something that does not exist in reality. This paper makes a close study on the mechanism that works in the setting through the concept of literature.
‘Reality, Negation and Affirmation’ deals with how novelists perceive actual reality. Assuming that negation has a dynamic power in itself, this paper considers how to turn it into affirmation. This paper also looks at some novel devices used by Cervantes to affirm reality in the novel Don Quixote and compares it to my novel, The Submergence of Memory.
Next, 'Stopping or Retreating' mentions the novelist's attitude to recognize reality as it is. This paper looks through "Greek Zorba" to consider that a novelist could stand out as a standstill and contemplate reality as a whole with a free perspective. This paper considers the meaning of ‘my different existence who watches my behavior’ appearing in my novel Observer.
Finally, ‘Staring at Strangeness and Creation’ explores the basic principles of creating newness. The different repetition, strangeness, and the power of negation creates a new novel reality. This paper compares the blue square, which is the ideal space pursued by the main character in ‘The Square’, with my novel ‘Touch the Shadow’ and it will show that it is different from before by affirming the negation.
A novel is a creation intentionally made with a theme consciousness by a novelist. The novelist must face the reality as it is in the state of stopping, or one step back, in other words, without the novelist's judgment. Then novelists can create a whole new world when they have an attitude to gaze at a strange world where actual reality is denied. This is the power of staring and standing back to find hope and possibilities in this created world.
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