존 듀이의 미적경험 이론이 우리나라 중·고등학교 음악교육에 주는 시사점 탐구 A study on the Implications of John Dewey's Aesthetic Experience Theory for Music Education in Middle and High School in South Korea원문보기
본 연구는 '학교의 교육 목표는 성장에 있다' 는 것에 집중하여 , 우리나라 중*고등학교 음악교육의 특징과 문제점에 대해서 철학적으로 분석하고, 음악교과의 본질적 특성인 '미적경험'이 인간의 성장과 어떤 관련이 있는지 음악적 감성 역량과 문화적 공동체 역량 중심으로 제시 하였다. 본 연구의 목적은 음악교육의 목적인 심미적 경험이 개인의 성장을 도모하고 획득된...
본 연구는 '학교의 교육 목표는 성장에 있다' 는 것에 집중하여 , 우리나라 중*고등학교 음악교육의 특징과 문제점에 대해서 철학적으로 분석하고, 음악교과의 본질적 특성인 '미적경험'이 인간의 성장과 어떤 관련이 있는지 음악적 감성 역량과 문화적 공동체 역량 중심으로 제시 하였다. 본 연구의 목적은 음악교육의 목적인 심미적 경험이 개인의 성장을 도모하고 획득된 미적경험이 개인의 성장에만 머무르지 않고 예비사회구성원으로서 공동체역량을 함양하고 사회적기여로 까지 이어져야 한다는 것에 있다.듀이(Dewey)는 나와 다른 사람들과 소통하고 사회적 기여가 습관화되는 사회봉사활동은 지적*도덕적 성장에 있어서 매우 중요하며, 행복의 관건으로 보았다.우리나라 중*고등학교 음악교육은 이러한 관점에서 첫째, 음악교육으로 획득된 미적경험이 개인의 성장과 행복을 도모하고,둘째, 예비사회구성원으로서 개인의 미적경험이 시회봉사활동, 사회적 기여로 이어질 수 있는 교육, 즉 '학교와 사회가 연결되는 교육' 에 관한 연구가 적극적으로 이루어져야 할 것이다.
본 연구는 '학교의 교육 목표는 성장에 있다' 는 것에 집중하여 , 우리나라 중*고등학교 음악교육의 특징과 문제점에 대해서 철학적으로 분석하고, 음악교과의 본질적 특성인 '미적경험'이 인간의 성장과 어떤 관련이 있는지 음악적 감성 역량과 문화적 공동체 역량 중심으로 제시 하였다. 본 연구의 목적은 음악교육의 목적인 심미적 경험이 개인의 성장을 도모하고 획득된 미적경험이 개인의 성장에만 머무르지 않고 예비사회구성원으로서 공동체역량을 함양하고 사회적기여로 까지 이어져야 한다는 것에 있다.듀이(Dewey)는 나와 다른 사람들과 소통하고 사회적 기여가 습관화되는 사회봉사활동은 지적*도덕적 성장에 있어서 매우 중요하며, 행복의 관건으로 보았다.우리나라 중*고등학교 음악교육은 이러한 관점에서 첫째, 음악교육으로 획득된 미적경험이 개인의 성장과 행복을 도모하고,둘째, 예비사회구성원으로서 개인의 미적경험이 시회봉사활동, 사회적 기여로 이어질 수 있는 교육, 즉 '학교와 사회가 연결되는 교육' 에 관한 연구가 적극적으로 이루어져야 할 것이다.
Education is not about whether to prepare students for the future or not. If education is for "growth," it should naturally help individual students realize their current possibilities gradually and become fitter to solve future problems. "Growth" is not completed suddenly at an unex...
Education is not about whether to prepare students for the future or not. If education is for "growth," it should naturally help individual students realize their current possibilities gradually and become fitter to solve future problems. "Growth" is not completed suddenly at an unexpected moment but leads one to the future consistently(Dewey/translated by Lee hong-woo ,2007 :113). Focusing on the fact that "The goal of school education is the growth of students," this study set out to conduct philosophical analysis of music education in middle and high school in South Korea for its characteristics and problems and examine relations between "aesthetic experience," an essential feature of the music subject, and human growth around musical emotional and cultural community competencies. The experience or aesthetic experience argued by Dewey is awareness full of joy and delight or something aesthetic containing awareness full of despair and delight in it(Dewey/translated by Park Cheol-hong, 2016). Human experiences are not segmented or isolated but complete ones connected between the preceding ones and the following ones. In other words, human experiences are for "cumulative growth." If the goals of music education are to allow students to learn the beauty of music, promote their individual growth, and encourage them to enjoy their active participation, the educational methods and content of the music subject should cover the followings based on Dewey's later philosophy: first, they should conduct an inquiry into the ways that "qualitative thought," a unique thinking ability to human beings, enriches human life through aesthetic experience, an essence of music education; and secondly, they need to discuss the competencies of learners that take active part as the community members in constant changes, growth, and transactions. That is, they should provide specific information about the ways that music education is linked to the society instead of school education separating school from the society. The present study aimed to demonstrate that aesthetic experience as an objective of music education should promote individual growth and that acquired "aesthetic experience" should help individuals cultivate their community competency as preliminary members of society and lead to their "social contributions" instead of remaining at the individual growth level. The study secured its theoretical validity in the following ways: first, music education linking school to society was proposed based on Dewey's aesthetic experience theory in his later philosophy of Art as Experience and the literature analysis and philosophical criticism in previous studies. Secondly, the objectives and content of the music subject under the Revised Curriculum of 2015 were analyzed in the literature to show that the value of the subject lied in assistance for individual students' "growth" in their "interactions" rather than the delivery and acquisition of knowledge. Finally, the study covered the process of students taking active part through social service activities and growing as preliminary members of society through case analysis through case analysis with a focus on musical emotional and cultural community competencies of the six competencies in the music subject. These findings demonstrate clearly that aesthetic experience has impacts on "individual growth and happiness." Here, the investigator focused on the need for acquired individual aesthetic experience to lead to "social contributions" as part of democratic citizens' roles as members of society instead of remaining as "an experience" or being concluded in individual happiness. With a focus on these educational goals, the study proposed the following directions for music education in middle and high school in the nation based on John Dewey's aesthetic experience theory: first, students need to have profound insights into "aesthetic experience" that is a unique thinking ability to human beings in order to cultivate the competencies needed to live a happy life throughout entire life as members of society; and secondly, there is a need for education to promote the further "growth" of acquired individual aesthetic experience through social service activities. Dewey argued that social service activities, which promote communication with others and make a social contribution a habit, should hold huge significance in intellectual and moral growth and saw them as the key point of happiness. In these aspects, music education in middle and high school in the nation should conduct active researches on "music education linking school to society" or education toⅰ) promote individual growth and happiness with aesthetic experience acquired through music education and ⅱ) translate the aesthetic experiences of individuals as preliminary members of society into social service activities and social contributions.
Education is not about whether to prepare students for the future or not. If education is for "growth," it should naturally help individual students realize their current possibilities gradually and become fitter to solve future problems. "Growth" is not completed suddenly at an unexpected moment but leads one to the future consistently(Dewey/translated by Lee hong-woo ,2007 :113). Focusing on the fact that "The goal of school education is the growth of students," this study set out to conduct philosophical analysis of music education in middle and high school in South Korea for its characteristics and problems and examine relations between "aesthetic experience," an essential feature of the music subject, and human growth around musical emotional and cultural community competencies. The experience or aesthetic experience argued by Dewey is awareness full of joy and delight or something aesthetic containing awareness full of despair and delight in it(Dewey/translated by Park Cheol-hong, 2016). Human experiences are not segmented or isolated but complete ones connected between the preceding ones and the following ones. In other words, human experiences are for "cumulative growth." If the goals of music education are to allow students to learn the beauty of music, promote their individual growth, and encourage them to enjoy their active participation, the educational methods and content of the music subject should cover the followings based on Dewey's later philosophy: first, they should conduct an inquiry into the ways that "qualitative thought," a unique thinking ability to human beings, enriches human life through aesthetic experience, an essence of music education; and secondly, they need to discuss the competencies of learners that take active part as the community members in constant changes, growth, and transactions. That is, they should provide specific information about the ways that music education is linked to the society instead of school education separating school from the society. The present study aimed to demonstrate that aesthetic experience as an objective of music education should promote individual growth and that acquired "aesthetic experience" should help individuals cultivate their community competency as preliminary members of society and lead to their "social contributions" instead of remaining at the individual growth level. The study secured its theoretical validity in the following ways: first, music education linking school to society was proposed based on Dewey's aesthetic experience theory in his later philosophy of Art as Experience and the literature analysis and philosophical criticism in previous studies. Secondly, the objectives and content of the music subject under the Revised Curriculum of 2015 were analyzed in the literature to show that the value of the subject lied in assistance for individual students' "growth" in their "interactions" rather than the delivery and acquisition of knowledge. Finally, the study covered the process of students taking active part through social service activities and growing as preliminary members of society through case analysis through case analysis with a focus on musical emotional and cultural community competencies of the six competencies in the music subject. These findings demonstrate clearly that aesthetic experience has impacts on "individual growth and happiness." Here, the investigator focused on the need for acquired individual aesthetic experience to lead to "social contributions" as part of democratic citizens' roles as members of society instead of remaining as "an experience" or being concluded in individual happiness. With a focus on these educational goals, the study proposed the following directions for music education in middle and high school in the nation based on John Dewey's aesthetic experience theory: first, students need to have profound insights into "aesthetic experience" that is a unique thinking ability to human beings in order to cultivate the competencies needed to live a happy life throughout entire life as members of society; and secondly, there is a need for education to promote the further "growth" of acquired individual aesthetic experience through social service activities. Dewey argued that social service activities, which promote communication with others and make a social contribution a habit, should hold huge significance in intellectual and moral growth and saw them as the key point of happiness. In these aspects, music education in middle and high school in the nation should conduct active researches on "music education linking school to society" or education toⅰ) promote individual growth and happiness with aesthetic experience acquired through music education and ⅱ) translate the aesthetic experiences of individuals as preliminary members of society into social service activities and social contributions.
주제어
#존듀이 미적경험 성장 음악교육과정 음악적미적경험 공동체역량 사회적기여 Dewey aesthetic experience growth music curriculum musical aesthetic experience community competency social contribution
학위논문 정보
저자
남미화
학위수여기관
창원대학교
학위구분
국내석사
학과
교육학과
지도교수
김기민
발행연도
2020
총페이지
vi, 85장
키워드
존듀이 미적경험 성장 음악교육과정 음악적미적경험 공동체역량 사회적기여 Dewey aesthetic experience growth music curriculum musical aesthetic experience community competency social contribution
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