This study analyzed the structural conditions and conditions of the digital music industry in both Korea and China. From a comparative sociological point of view, it was intended to understand the specific differences between the two countries and to present development plans for each country based ...
This study analyzed the structural conditions and conditions of the digital music industry in both Korea and China. From a comparative sociological point of view, it was intended to understand the specific differences between the two countries and to present development plans for each country based on them.
First of all, compare the current situation of digital music industry in South Korea and China. In 2018, the sales volume of digital music in South Korea was 1,745.3 billion won, accounting for 28.6% of the highest proportion in all music industries, an increase of 5.6% compared with the previous year. In 2019, China's digital music market was 11.56 billion yuan, an increase of 51.1% year-on-year, and by 2020, the digital music market is expected to reach 16.65 billion yuan. On the other hand, the Korean online music market was based on the legal system, while China focused on the market's own coordination. Korea's digital music copyright laws are quite complete, but China's legislation related to digital music copyrights is insufficient.
Second, a SWOT analysis was conducted on the digital music industry of both countries, and the problems of the internal and external environments facing the digital music industry of both countries were compared and analyzed in detail. In other words, the situation of each country was compared and analyzed in four aspects: strength, weakness, opportunity, and threat.
Third, based on comparative sociological analysis of the digital music industry in Korea and China, a plan for the development of the digital music industry in both countries was presented. In Korea, actively pioneering overseas markets, strengthening digital music platforms, strengthening integration of streaming media technology and music platforms/ expanding virtual reality cultural services, building a comprehensive Hallyu platform with global influence, diversifying Hallyu music genres, and nurturing talents. And so on. In the case of China, emphasis was placed on expanding digital music pay users, establishing a rational profit distribution system, improving the quality of Chinese original music, nurturing human resources, innovation in science and technology, and strengthening cultural education.
This study analyzed the structural conditions and conditions of the digital music industry in both Korea and China. From a comparative sociological point of view, it was intended to understand the specific differences between the two countries and to present development plans for each country based on them.
First of all, compare the current situation of digital music industry in South Korea and China. In 2018, the sales volume of digital music in South Korea was 1,745.3 billion won, accounting for 28.6% of the highest proportion in all music industries, an increase of 5.6% compared with the previous year. In 2019, China's digital music market was 11.56 billion yuan, an increase of 51.1% year-on-year, and by 2020, the digital music market is expected to reach 16.65 billion yuan. On the other hand, the Korean online music market was based on the legal system, while China focused on the market's own coordination. Korea's digital music copyright laws are quite complete, but China's legislation related to digital music copyrights is insufficient.
Second, a SWOT analysis was conducted on the digital music industry of both countries, and the problems of the internal and external environments facing the digital music industry of both countries were compared and analyzed in detail. In other words, the situation of each country was compared and analyzed in four aspects: strength, weakness, opportunity, and threat.
Third, based on comparative sociological analysis of the digital music industry in Korea and China, a plan for the development of the digital music industry in both countries was presented. In Korea, actively pioneering overseas markets, strengthening digital music platforms, strengthening integration of streaming media technology and music platforms/ expanding virtual reality cultural services, building a comprehensive Hallyu platform with global influence, diversifying Hallyu music genres, and nurturing talents. And so on. In the case of China, emphasis was placed on expanding digital music pay users, establishing a rational profit distribution system, improving the quality of Chinese original music, nurturing human resources, innovation in science and technology, and strengthening cultural education.
주제어
#Digital Music Digital Music Industry SWOT analysis Industrial Development Strategy IRP(Intellectual Property Rights)
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