The Characteristics of space are determined by several factors; however, the element that determines the physical characteristic of floors, walls, and ceiling is the structure. This study constructs a wall to analyze the direct effect that the layout of an exhibition wall has on the element of the w...
The Characteristics of space are determined by several factors; however, the element that determines the physical characteristic of floors, walls, and ceiling is the structure. This study constructs a wall to analyze the direct effect that the layout of an exhibition wall has on the element of the wall followed by the structural process and visibility of descriptive analysis and examples of art museums that the shift from a perceptional wall to an experiential wall affected circulation. For elements and formation methods of the wall, first, it is made up of open and closed type exhibition spaces, and it can give abundance in qualitative space rather than a quantitative aspect. Secondly, the directivity of space changes according to the development of the visible axis, thus, directly affects the change in visibility. Thirdly, the difference between spatial structure and visual structure is the difference between the visual axis and spatial structure. The wall formation type followed by the combination method, the simple visible structure, which is the type that possesses the simple combination (Room, Zone, Cluster), repeatedly uses the same size of units of space that is orderly and has few spatial axes and the classification of simple type and simple cluster type, which has few visible axes, also exists. Also, with the complex structure of the maze type it displays the reiterated form of the cluster, which is the space with disorderly combination and has much visible axes and spatial axes. Also, these can be divided into three types: 1) Maze Cluster Type, 2) Cross Road Type, and 3) Open Flexible Type. These wall types lead the various changes in circulation, and even each of the arrangement qualities of the exhibitions should be researched according to its exhibition place type.
The Characteristics of space are determined by several factors; however, the element that determines the physical characteristic of floors, walls, and ceiling is the structure. This study constructs a wall to analyze the direct effect that the layout of an exhibition wall has on the element of the wall followed by the structural process and visibility of descriptive analysis and examples of art museums that the shift from a perceptional wall to an experiential wall affected circulation. For elements and formation methods of the wall, first, it is made up of open and closed type exhibition spaces, and it can give abundance in qualitative space rather than a quantitative aspect. Secondly, the directivity of space changes according to the development of the visible axis, thus, directly affects the change in visibility. Thirdly, the difference between spatial structure and visual structure is the difference between the visual axis and spatial structure. The wall formation type followed by the combination method, the simple visible structure, which is the type that possesses the simple combination (Room, Zone, Cluster), repeatedly uses the same size of units of space that is orderly and has few spatial axes and the classification of simple type and simple cluster type, which has few visible axes, also exists. Also, with the complex structure of the maze type it displays the reiterated form of the cluster, which is the space with disorderly combination and has much visible axes and spatial axes. Also, these can be divided into three types: 1) Maze Cluster Type, 2) Cross Road Type, and 3) Open Flexible Type. These wall types lead the various changes in circulation, and even each of the arrangement qualities of the exhibitions should be researched according to its exhibition place type.
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문제 정의
The focus of the study is the visual importance and the qualitative evaluation of art museums that center their quality of exhibition on the wall.
가설 설정
1) Open and closed type exhibition spaces can give abundance in qualitative space rather than a quantitative aspect.
2) The directivity of space changes according to the development of the visible axis, thus, directly affects the change in visibility.
3) The difference between spatial structure and visual structure is the difference between the visual axis and spatial structure. The wall formation type followed by the simple visible structure combination method, which is the type that possesses the simple combination (Room, Zone, Cluster), repeatedly uses the same size of units of space that is orderly and has few spatial axes.
제안 방법
First, this study investigates the change of art museums, characteristics of display space and modern art museum wall display, and the significance of exhibition walls.
In order to explain these details, this study quantitatively evaluates the axis through the space syntax, analyzes the visibility of openness and isolation through the death map, and analyzes the tracking circulation in the existing thesis.
Secondly, this study descriptively illustrates the comparison between open surfaces and closed surfaces according to its elements and components, the visibility and directivity of space, and the difference between the spatial structure and visual structure in wall construction.
Thirdly, this study arranges the relationship between visibility and circulation according to the different combinations of wall structures.
This research analyzed an example with a descriptive approach according to the qualities and combination methods of the wall in order to deal with the visual importance and qualitative parts of walls of art museums that are wall-focused with the established conditions of the wall.
This study constructs a wall to analyze the direct effect that the layout of an exhibition wall has on the element of the wall, followed by the structural process and visibility of descriptive analysis. This study will also present examples of art museums that the shift from a perceptional wall to an experiential wall affected circulation.
참고문헌 (13)
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Psarra, Sophia, Wineman Jean and Xu, Ying (2007), "TRACING THE MODERN:space, narrative and exploration in the Museum of Modern Art", New York, Proceedings, 6th International Space Syntax Symposium, Istanbul
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