The development of modern industry and the production of new materials of architecture have recognized as an important aspect. This study intended to discuss about the meaning of main elements of the architecture materials, its implications for properties, and, highlighted meaning of the properties ...
The development of modern industry and the production of new materials of architecture have recognized as an important aspect. This study intended to discuss about the meaning of main elements of the architecture materials, its implications for properties, and, highlighted meaning of the properties of modern interior design. The purpose of this study is to analyze the case studies of Place and Physical materials of synaesthesia of modern architecture as well as modern architecture is not only concentrated in the visual aspect but also the larger ramifications of sensory. Synesthesia in architectural space can be called experiential existence that built in the space of human perception and based on the human emotion that targeted by physical architectural space. Accordingly, these case studies are to consider about how the materials being passed by any effect in a modern interior space presented, In order to find the essential meaning in modern interior space, this studies focused on Swiss architect Peter Zumthor's cases. Following analyze of Peter Zumthor's place of architectural space and materials, this study structured by the six kinds of synesthesia characters. First, time and remember to infer changes, Second, traditional and regional ingredients involve the substitution of one empirical space, Third, non-materiality through the neutralization, Fourth, auditory memory through the embodiment of everydayness, Fifth, trail through the sense of smell for the presence, Sixth, the relationship of natural and industrial products. Peter Zumthor's characteristics of these works are result of factors on the synesthetic relationship with the human response to architecture, the five senses, memories, experiences, and temperature. Also it is a synesthetic result of all human emotion to clarify of the architecture materials and non-material mediums by which light by a compound.
The development of modern industry and the production of new materials of architecture have recognized as an important aspect. This study intended to discuss about the meaning of main elements of the architecture materials, its implications for properties, and, highlighted meaning of the properties of modern interior design. The purpose of this study is to analyze the case studies of Place and Physical materials of synaesthesia of modern architecture as well as modern architecture is not only concentrated in the visual aspect but also the larger ramifications of sensory. Synesthesia in architectural space can be called experiential existence that built in the space of human perception and based on the human emotion that targeted by physical architectural space. Accordingly, these case studies are to consider about how the materials being passed by any effect in a modern interior space presented, In order to find the essential meaning in modern interior space, this studies focused on Swiss architect Peter Zumthor's cases. Following analyze of Peter Zumthor's place of architectural space and materials, this study structured by the six kinds of synesthesia characters. First, time and remember to infer changes, Second, traditional and regional ingredients involve the substitution of one empirical space, Third, non-materiality through the neutralization, Fourth, auditory memory through the embodiment of everydayness, Fifth, trail through the sense of smell for the presence, Sixth, the relationship of natural and industrial products. Peter Zumthor's characteristics of these works are result of factors on the synesthetic relationship with the human response to architecture, the five senses, memories, experiences, and temperature. Also it is a synesthetic result of all human emotion to clarify of the architecture materials and non-material mediums by which light by a compound.
건축의 진정한 목적은 건물 자체로서의 건축이 아닌 공간을 만드는 것이라 할 수 있다. 현대적 의미의 장소는 의미가 부여된 공간이라고 해석할 수 있다. 즉, 장소는 경험을 통한 감성에 대한 의미가 형성되면서 만들어진다.
스위스 건축가 피터 줌터의 사례 대상으로한 연구의 방법은 무엇인가?
연구의 방법은 첫째, 고전 건축 공간에서 현대 건축에 이르기까지 나타난 재료의 물성 표현에 대해 시대적으로 어떻게 변화하였는지 고찰해본다. 둘째, 장소성의 의미와 특성을 알아보며 건축 공간과의 관계성을 밝혀본다. 셋째, 건축 공간에서의 감성적 측면을 오감(시각, 청각, 촉각, 후각, 미각)의 관점으로 분석하여 공간과 감성의 관계를 살펴본다. 넷째, 현대 건축 공간의 장소성과 물성 표현의 사례 분석을 통해 현대 공간에서 나타나는 다양한 물성 표현의 특징을 살펴보며 물성이 내포한 공감각은 어떤 것이 있으며, 장소성의 특징을 내재한 물성에 대한 본질적인 의미를 논의해본다.
건축의 진정한 목적은 무엇인가?
건축의 진정한 목적은 건물 자체로서의 건축이 아닌 공간을 만드는 것이라 할 수 있다. 현대적 의미의 장소는 의미가 부여된 공간이라고 해석할 수 있다.
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