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NTIS 바로가기한국생활과학회지 = Korean journal of human ecology, v.22 no.2, 2013년, pp.315 - 328
The purpose of this study was to analyze on the aesthetic collaboration appeared on the modernism arts and Haute Couture designers in the 20th century as the necessity of analyzing on the pure meaning of collaboration which is a talking point associated with culture of the 21st century. The study wa...
핵심어 | 질문 | 논문에서 추출한 답변 |
---|---|---|
협업하다의 순수한 사전적 의미는? | 협업하다의 순수한 사전적 의미는 ‘공동으로 일하다’, ‘공동으로 연구하다’, ‘합작하다’이며 따라서 ‘협업’의 의미는 ‘공동 연구’, ‘합작’, ‘공정’ 등의 뜻을 내포하고 있다(Sisa Royal English Korean Dictionary, 1996). | |
협업의 순수한 의미는 어떻게 변화되었는가? | 그러나 '협업‘의 순수한 의미는 21세기에는 예술과 예술가, 브랜드와 기업의 모든 측면에서 상업적인 성공을 최종 목적으로 하면서 ’전략적 제휴나 교류’ 의 의미로 변화되었다.(Lee, 2004) 즉 21세기에 언급되는 콜레보레이션의 전략적 의미는 다양한 예술 장르와 예술가들이 각종 브랜드나 기업에 어떠한 감성적인 아이디어를 제공하여 그로 인한 ‘고부가가치 창출’이라는 관점이 무엇보다도 중요하게 인식되고 있다. | |
폴 포와레는 어떤 선의 흐름을 선호하였는가? | 패션의 야수주의자인 폴 포와레는 예술의 ‘wild beast’와 같은 똑같은 강렬한 방법으로 색상의 힘(the power of color)에매료되었다(Colin McDowell, 1984). 포와레는 야수주의화가들의 순수한 색채와 비구조적인 선의 흐름을 선호하였다. 그에게 결정적인 영향력은 1910년 파리에서 공연한디아길레프의 발레 뤼세(Ballet Russes: 20세기초 디아길레프가 제작한 러시아 발레 시리즈) [Scheherazade]의의상 디자인을 한 박스트(Leon Bakst:1866-1924)와 마찬가지로 그의 작품에 나타난 오리엔탈리즘(Orientalism)이었으며 포와레도 자신의 디자인에 오리엔탈리즘을 적용하였고 예술양식의 모든 요소들도 패션에 그대로 접목하였다(Addressing the Century, 1998). |
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