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NTIS 바로가기Fashion & textile research journal = 한국의류산업학회지, v.16 no.6, 2014년, pp.835 - 848
전여선 (중앙대학교 예술대학 디자인학부 패션디자인전공) , 김영삼 (중앙대학교 예술대학 디자인학부 패션디자인전공)
This study investigated the relationship between inner characteristics manifested through the characteristics of artistic styles and formativeness manifested through external expressions of architectural styles in the early Medieval Period and early Renaissance Period. The method applied to this stu...
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핵심어 | 질문 | 논문에서 추출한 답변 |
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중세 초기의 문화는 어떠하였는가? | 교회가 가진 기본적인 도덕적 종교적 개념, 문화적 전통, 보편적 조직은 훨씬 더 고도로 활발했던 로마제국의 문명에서 기원했기 때문에(Power, 2000), 봉건 제도보다 오랜 것이었다. 중세 초기의 문화는 비잔틴 문화와 밀접한 관련이 있으며 비잔틴 제국의 문화는 단적으로 표현하자면 로마 제국의 정치적 전통 위에 그리스 문화와 기독교 사상, 여기에 동방적인 요소가 절충 및 융합하여 독자적인 양식으로 창조된 것이라 할 수 있다(Yim, 2003). 또한 기독교의 정신이 모든 문화에 영향을 끼쳐 복식에도 그대로 나타나게 되었다. | |
마르크스주의 역사가는 왜 르네상스를 유사혁명으로 보았는가? | 첫째, 전통적인 지역학적 관점에서 바라보는 르네상스는 약 15세기에 이탈리아가 중심이 되어 전 유럽으로 새로운 패러다임이 확산된 흐름이라고 보는 것이다(Kim, 1998). 둘째, 도시 국가로서의 정치적 발전으로 볼 때, 패러다임 전환기의 르네상스 중심지는 이탈리아가 주요한 도시국가로 분석되고 있다 (Power, 2000). 셋째, 경제학적 관점에서 본 르네상스의 중심지로서의 이탈리아는 대외적인 상업은 수출 산업의 육성을 수반하였다는 것이었다(Burckhardt, 1905/2008). 이처럼 패러다임 전환기에 있어서 르네상스는 중세의 암흑기를 마감하고 예술과 문화의 선구로서 새로운 양식의 전환을 이끌어 나갔다는 점에서 의의가 있다고 할 수 있다. | |
예술적 패러다임의 전환은 무엇인가? | 특히 예술적 패러다임은 예술이라는 영역을 문화적 이데올로기(Ideology)로 보고 이를 문화사회학적 이론으로 접근할 수 있다는 점에서 전체 구성체인 패러다임과 그 가치를 공유한다고 할 수 있겠다. 이처럼 예술양식과 문화를 역동적 변동성이라는 측면에서 볼 때, 예술적 패러다임의 전환은 유동적 역사 속에 예술의 큰 흐름이 사회문화의 테두리 안에서 변화하기 시작하여 정착되어지는 양상을 의미한다고 볼 수 있다. |
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