This is a study on the application of a dialectic way of thinking in terms of design methods, and has contents about the formation of new visual and the ways of process that are triggered by cognitive introspection. A ccordingly, the study has its purposes in interpretation and recommendation of new...
This is a study on the application of a dialectic way of thinking in terms of design methods, and has contents about the formation of new visual and the ways of process that are triggered by cognitive introspection. A ccordingly, the study has its purposes in interpretation and recommendation of new methodological systems around dialectic principles and ways of thinking on the works of the Dutch Architecture Exhibition carried out in Korea in 2013, with the theme of "Reuse" among the aspects expanding since the reflexive modernization. Firstly, the basic features of Dutch designs were connected to dialectic ways of thinking. After studying the basic concepts of dialectics from Greek philosophies to Kant, Hegel, Marx and Benjamin, the aspects of applying them onto creative works such as art, architecture and design were methodologically systematized. Through this process, it was confirmed that the existing concepts are newly rearranged rationally, logically and scientifically based on dialectic ways of thinking rather than subjectively or emotionally. From the study of the 12 art works, it was confirmed that the value of use and potential obstacles have been used as a design solution. Also, the process which is juxtaposed with the result by itself has been expressed and causes the alienation effect. Therefore, such dialectic ways of thinking was organized into a procedural flow of contradictory recognition on situations, drive due to negativity, mutual penetration, mutual transformation, abstraction, verbalizing and creation of new concepts, and it was confirmed that such finding was valid in securing creative possibilities as 'New Uses' rather than 'Re-uses'.
This is a study on the application of a dialectic way of thinking in terms of design methods, and has contents about the formation of new visual and the ways of process that are triggered by cognitive introspection. A ccordingly, the study has its purposes in interpretation and recommendation of new methodological systems around dialectic principles and ways of thinking on the works of the Dutch Architecture Exhibition carried out in Korea in 2013, with the theme of "Reuse" among the aspects expanding since the reflexive modernization. Firstly, the basic features of Dutch designs were connected to dialectic ways of thinking. After studying the basic concepts of dialectics from Greek philosophies to Kant, Hegel, Marx and Benjamin, the aspects of applying them onto creative works such as art, architecture and design were methodologically systematized. Through this process, it was confirmed that the existing concepts are newly rearranged rationally, logically and scientifically based on dialectic ways of thinking rather than subjectively or emotionally. From the study of the 12 art works, it was confirmed that the value of use and potential obstacles have been used as a design solution. Also, the process which is juxtaposed with the result by itself has been expressed and causes the alienation effect. Therefore, such dialectic ways of thinking was organized into a procedural flow of contradictory recognition on situations, drive due to negativity, mutual penetration, mutual transformation, abstraction, verbalizing and creation of new concepts, and it was confirmed that such finding was valid in securing creative possibilities as 'New Uses' rather than 'Re-uses'.
변증법은 동일률(同一律)을 근본원리로 하는 형식논리와 달리 모순(矛盾)을 근본원리로 하여 사물의 운동을 설명하려고 하는 논리이다. 과거 그리스 시대 철학자 제논으로부터 소크라테스, 플라톤 등에 의해 진리를 인식하기 위한 방법으로 활용되었으며 칸트는 인간 이성이 빠지기 쉬운 잘못된 추론(推論), 즉 ‘선험적 가상(假象)’의 잘못을 폭로하고 비판하는 ‘가상의 논리학’의 입장에서 진리를 인식하기 위해 직, 간접적으로 유효한 기술 및 방법으로 활용하였다.
)의 3단계적 전개로 인식론과 존재론으로서 변증법을 체계화 하였다. 변증적 사유의 디자인적 의의는 논리실증주의, 분석철학, 구조주의, 현상학, 해석학적 방법들과 달리 세계와 대상들의 관계를 운동과 변화에 의한 생성의 입장에서 바라보기에 특히 도전과 실험, 극복이내재된 창발적 사유 고양에 적합하다는 점이다. 변증법은 연관되어 있으면서 연관되어 있지 않다는 모순으로 사물의 존재방식을 파악(개별·특수·보편의 관계)하고, 각각의 부분은 항상 절대적인 것이 아니라 상대적으로 독립하여 있음을 파악할 것을 주장한다.
변증법에서도 디자인 작업들의 형식과 내용에 모순들이 내재되어 있는데, 이 모순관계들이 갖는 의의는?
변증법의 입장에서 디자인 행위에는 주어진 조건과 대상자체, 그리고 지금까지 진행된 디자인 작업들의 형식과 내용에도 이미 모순들이 내재되어있다고 할 수 있다. 그런데 바로 이 모순관계로부터 생성되는 새로운 개념과 실천의 특징은 전제된 조건의 모순을 전복시키기 위해 긴밀하고 역동적인 사유를 전개한다는 점이다. 필연에 의지하는 연역(演繹, deduction)이나, 경험과 개연에 의지하는 귀납(歸納, induction), 퍼스(Charles S.
참고문헌 (15)
강대석 편저, 독일관념철학과 변증법, 한길사, 1988
김홍중, 발터 벤야민의 파상력에 대한 연구, 한국사회학회 사회학대회논문집, 2006
디이터 반트슈나이더, 변증법이론의 근본구조, 이재성 역, 다산글방, 2002
마이크 사이먼 토마스, Dutch Design: A History, University of Chicago Press, 2008
문무경, 드록디자인 활동에서의 네덜란드 방식에 관한 연구, 한국기초조형학회논문집 Vol.18 No.3, 2012
미하엘 볼프, 모순이란 무엇인가, 김종기 역, 동녘, 1997
박우수, 변증술과 논리학: 그 개념의 역사, 한국수사학회 학술저널, 2004
박영태, 성찰적 근대화이후 건축의 전복적 미메시스 표현특성에 대한 연구, 홍익대 박론, 2013
손주영, 디자인 이코노클리즘, 그 병증법적 발전, 한국디자인학회 학술발표대회논문집 Vol.2011 No.10, 2011
아론 베츠키, False Flat: Why Dutch Design is so Goo, PAHIDON, 2008
AI-Helper
※ AI-Helper는 부적절한 답변을 할 수 있습니다.