최소 단어 이상 선택하여야 합니다.
최대 10 단어까지만 선택 가능합니다.
다음과 같은 기능을 한번의 로그인으로 사용 할 수 있습니다.
NTIS 바로가기服飾 = Journal of the Korean Society of Costume, v.65 no.8, 2015년, pp.77 - 94
김지예 (성균관대학교 의상학과) , 서승희 (성균관대학교 의상학과)
Much western philosophical thinking is constrained by ocularcentrism. Hence, multi-sensory experiences hold the most prominent position in contemporary art, and visual tactility, where feelings of touch through sight, become a powerful medium of expression in fashion. This study analyzes visual tact...
핵심어 | 질문 | 논문에서 추출한 답변 |
---|---|---|
생리학적 의미에서 촉각은 무엇인가? | 생리학적 의미에서 촉각은 직접적인 신체적 접촉에 의한 일차적 피부 감각의 하나이다. 시각, 청각, 후각, 미각이 눈, 귀, 코, 입이라는 구체적이고 한정된 감각 기관을 갖는데 비해, 촉각은 온몸을 감싸고 있는 피부를 감각 기관으로 한다. | |
Deleuze & Guattari(2001)는 눈이 어떠한 기능을 가진다고 하였는가? | Deleuze & Guattari(2001)가 눈은 시각적 기능 이외에 촉각적 기능을 가진다고 서술한 것과 같이, 눈을 통하여 느끼는 간접적인 촉각적 경험 역시 예술을 이해하는 매개가 된다. 미술사가 Berenson(2000)은 미술 작품에 내재한 촉각적 상상력(tactile imagination)을 가장 중요한 요소로 강조한 바 있는데, 이는 조형 예술을 기존의 시각 중심적 관점 뿐 아니라, 눈으로 느끼는 시각적 촉각(Visual Tactility)의 관점에서도 해석할 수 있음을 의미한다. | |
패션 분야에서 시각적 촉각에 대하여 주목할 만한 이유는 무엇인가? | 재현을 거부한 형태, 고전적 범주에서 확장된 소재, 관습적 틀에서 벗어난 색, 여기에 기술의 접목은 예기치 못한 조합을 이루며 눈으로 느끼는 촉각적 경험을 가능하게 한다. 이에 소수의 패션 디자이너들은 시각적 촉각의 요소를 채택하는 전략을 통하여 예술적 창의성을 표현하는 한편, 시각적 촉각이 유발 하는 다양한 연상 작용을 활용하여 소비자의 구매를 유도한다. 따라서 시각적 촉각은 예술과 상업의 양면적 가치가 혼재되어 있는 패션 분야에서 더욱이 주목할 만하며, 이에 관한 연구도 다각적으로 이루어져야 한다. |
Benjamin, W. (2005). Illuminations: essays and reflections. (S. W. Park, Trans.). Seoul, Republic of Korea: Mineumsa. (Original work published 1969)
Benjamin, W. (2007). Das kunstwerk im zeitalter seiner techischen reproduzierbarkeit. (S. M. Choi, Trans.). Seoul, Republic of Korea: Gil. (Original work published 1963)
Berenson, B. (2000). Florentine painters. (S. K. Choi, Trans.). Seoul, Republic of Korea: Hanmyung. (Original work published 1923)
Bolton, A., Sundsboe, S., Blanks, T. & Frankel, S. (2011). Alexander mcQueen: savage beauty. New York, U.S.: Metropolitan Museum of Art.
Choi, K. W. (2005). Good design. Seoul, Republic of Korea: Gilbut Publications.
Chu, S. H. & Kim, Y. I. (2002). A study on the color and texture of fashion fabrics. Journal of the Korean Society of Clothing and Textiles, 26(2), 193-204.
Day, J. (2013). Line color form: the language of art and design. New York, U.S.: Skyhorse Publishing.
Deleuze, G. (2008). Francis Bacon logique de la sensation. (T. H. Ha, Trans.). Seoul, Republic of Korea: Minumsa. (Original work published 1981)
Deleuze, G. & Guattari, F. (2001). Mille plateaux: capitalisme et schizophrenie, tome 2. (J. I. Kim, Trans.). Seoul, Republic of Korea: Saemulkyul. (Original work published 1979)
Duncum, P. & Lee, Y. J. (2011). Return of haptic. Journal of Research in Art Education, 12(2), 149-162.
Fisher, J. (1997). Relational sense: towards a haptic aesthetics. Parachute: Contemporary Art Magagine, 87(3), 4-11.
Gilloch, G (2005), Myth and metropolis: Walter Benjamin and the city. (M. W. Roh, Trans.). Paju, Republic of Korea: hyohyung. (Original work published 1997)
Gleason, K. (2012). Alexander mcQueen: evolution. New York, U.S.: Race Point Publishing.
Google (n.d.). Bottle cap. Retrieved from http://www.amazon.com/Chrome-Bottle-Silver-Bottlecaps-Colored/dp/B006MWT4H0
Graves, M. (1975). Art of color and design. (M. S. Bae, Trans.). Seoul, Republic of Korea: Ewha woman's university publications. (Original work published 1951)
Hammer, M. (2013). Francis bacon: phaidon focus. London, United Kingdom: Phaidon Press.
Huh, J. A. (2009). Nano as an imaginative science and visual paradigm shift. Design Convergence Study, 8(2), 3-16.
Hume, M. (1996, August). Scissorhands, Harpers and Queen, 82.
Hunt, A. (1996). Governance of the consuming passions: history of sumptuaryy law. New York, U.S.: Palgrave Macmillan.
Hesselgren, S. (1998). Man's perception of man-made environment: an architectural theory. (K. H. Park & J. J. Kim, Trans.). Seoul, Republic of Korea: Kimoondang. (Original work published 1975)
Je, M. H. & Oh, Y. J. (2011). A study on the effect of visual tactility in user interface design of Smart Phone. Journal of Korean Society of Media and Arts, 9(1), 119-135.
Ji, S. H. (2002). Psychology of visual arts and design [시각 예술과 디자인의 심리학]. Seoul, Republic of Korea: Mineumsa.
Jin, J. K. (2003). Contemporary aesthetics lecture [진중권의 현대미학 강의]. Seoul, Republic of Korea: Artbooks.
Jin, J. K. (2004). Aesthetics odyssey3 [미학 오디세이3]. Seoul, Republic of Korea: Humanist.
Jin, J. K. (2011). The story of western art: modernism [진중권의 서양미술사 모더니즘편]. Seoul, Republic of Korea: Humanist.
Kim, E. J. (2009, July 28). Fried egg candle. Retrieved from http://media.jungle.co.kr/cat_magazine_special/detail_view.asp?master_idx304&pagenum1&temptype5&page15&code&menu_idx302&main_menu_idx2&sub_menu_idx26&all_flag1
Kim, J. H. (2003). Design element [디자인 원론]. Seoul, Republic of Korea: Bubseo Publications.
Kim, J. Y. & Lee, H. J. (2005). A Study on Hybrid Trend upon Alexander McQueen's Work. The Research Journal of the Costume Culture, 13(2), 300-313.
Kim, M. J. J. (2001). A study on the human sensibility measurement technology of texture coordination. Journal of the Korea Fashion & Costume Design Association, 3(1), 47-55.
Kim, S. K. (2004). Study on graphic expression utilizing visual tactility (Master's thesis, Ewha woman's university, Seoul, Republic of Korea). Retrieved from http://www.riss.kr/search/detail/DetailView.do?p_mat_typebe54d9b8bc7cdb09&control_no02727eb9751db5e5#redirect
Kim, S. Y. (2008). The Grotesque in the Work of Alexander McQueen. Journal of the Korean Society of Costume, 58(8), 106-119.
Kim, Y. H. (2005). Etude sur la theorie de l'art chez deleuze. Studies in Philosophy East-West, 36(0), 159-174.
Knox, K. (2010). Alexander mcQueen: genius of a generation. London, United Kingdom: A & C Black.
Kwon, E. S. (2002). Color and synaestesia [색채와 공감각]. In Y. G. Kwon (Ed.), Future that is color [색이 만드는 미래] (pp. 42-50). Seoul, Republic of Korea: Kukje Books.
Kwon, H. J. (2002). Study on the relationship between visual tactility and color emotion : with emphasis on the development of web-based assessment tool (Master's thesis, Korea Advanced Institute of Science and Technology, Taejon, Republic of Korea). Retrieved from http://www.riss.kr/search/detail/DetailView.do?p_mat_typebe54d9b8bc7cdb09&control_no21204e3578ae54e5#redirect
Kwon, H. S. & Keum, Y. J. (2008). Characteristics of avant-garde deconstruction-ism expressed in Alexander McQueen's Design. Journal of Fashion Business, 12(2), 100-116.
Lee, J. H. & Roh, Y. S. (2012). A Study on the Formative Character of Maximalism Shown in the Works of Alexander McQueen. The Research Journal of the Costume Culture, 62(6), 165-181.
Lee, K. H. (2007), A study on the interaction between visual perception and the body in contemporary painting space. Journal of science of Art & Design, 11(0), 109-152.
Lee, S. & Du Preez, W. (2005). Fashioning the future: tomorrow's wardrobe. London, United Kingdom: Thames & Hudson.
Libby, W. C. (1981). Color and the structural sense. (Y. J. Lee, Trans.). Seoul, Republic of Korea: Mijinsa. (Original work published 1974)
Lim, S. W. (2013). Aktualitat der vergessenen moglichkeiten angesichts walter benjamins kunstwerkessays. Zeitschrift fur deutschsprachige Kultur & Literatur, 22(0), 93-118.
Lindgren, M. (2011). The Perception of Fashion: Alexander McQueen. Centre for Fashion Studies, 1-67.
Mcluhan, M. (2002). Understanding media: the extensions of man. (S. K. Kim, Trans.). Seoul, Republic of Korea: Mineumsa. (Original work published 1964)
Marks, L. U. (1998). Video haptics and erotics. Screen, 39(4), 331-348.
Menkes, S. (2015, March 16). Suzy Menkes: Alexander McQueen Savage Beauty Review. Retrieved from http://www.vogue.co.uk/suzy-menkes/2015/03/suzy-menkes-on-alexander-mcqueen-savage-beauty
Metmuseum.org (n.d.). Alexander mcQueen 2005 S/S. Retrieved from http://blog.metmuseum.org/alexandermcqueen/ensemble-its-only-a-game-1/
Moholy-Nagy, L. (2005). The new vision: fundamentals of Bauhaus design, painting, sculpture, and architecture (4th ed.). New York, U.S.: Dover Publications.
Moon, E. B. (2010). color design textbook [색채 디자인 교과서]. Paju, Republic of Korea: Ahn graphics.
Musee-rodin (n.d.). The hand of god. Retrieved from http://www.musee-rodin.fr/en/collections/sculptures/hand-god
Ndc (n.d.). Juice Box. Spiegel. Retrieved from http://www.ndc.co.jp/hara/en/works/2014/08/haptic.html
Nike (n.d.). Soccer Ad. Retrieved from http://news.nike.com/nike-football-soccer
Oh, C. R. (2003). Theory of formative arts [조형예술원론]. Busan, Republic of Korea: Dong-a university publications.
Osterwold, T. (2003). Pop art. London, United Kingdom:Taschen.
Park, K. W. & Park, M. Y. (2008). A study on package design shape using visual tactility: focused on the domestic drinks market. Journal of the Korean Society of Design Culture, 14(3), 201-210.
Park, M. Y. & Joh, H. (2013). A study on the library of 'the name of the rose' as a haptic space. Korean Institute of Interior Design Journal, 22(2), 100-111.
Paterson, M. (2007). The senses of touch: haptics, affects and technologies. New York, U.S.: Berg Publications.
Roh, E. K. & Ryu, H. S. (2005). Visual texture image and preference of men's suit fabrics. Korean Journal of The Science of Emotion & Sensibility, 8(2), 117-128.
Sauvagnargues, A. (2009). Deleuze et l'art. (J. H. Lee, Trans.). Paju, Republic of Korea: Youlhwhadang. (Original work published 2005)
Segye (2005, ovember 24). Lipstick ad. Retrieved from http://www2.segye.com/Articles/News/Article.asp?aid20051122000279
Shim, H. R. (2003). Die grossstadt als der neue spielraum und das neue kunsterlebnis bei walter benjamin. A semiannually Journal of Philosophical Thought in Korea, 14(1), 225-250.
Smith, M. M. (2010). Sensory history. (S. H. Kim, Trans.). Seoul, Republic of Korea: Subook. (Original work published 2007)
Style.com (n.d.-a). Alexander mcQueen 2002 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2002-ready-to-wear/alexander-mcqueen/collection/9
Style.com (n.d.-b). Alexander mcQueen 2008 S/S. Retrieved from http://www.vogue.com/fashion-shows/fall-2009-ready-to-wear/alexander-mcqueen/slideshow/collection#45
Style.com (n.d.-c). Alexander mcQueen 2008 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2008-ready-to-wear/alexander-mcqueen/collection/52
Style.com (n.d.-d). Alexander mcQueen 2007 F/W. Retrieved from http://www.style.com/slideshows/fashion-shows/fall-2007-ready-to-wear/alexander-mcqueen/collection/20
Style.com (n.d.-e). Alexander mcQueen 2001 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2001-ready-to-wear/alexander-mcqueen/collection/24
Style.com (n.d.-f). Alexander mcQueen 2008 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2008-ready-to-wear/alexander-mcqueen/details/7
Style.com (n.d.-g). Alexander mcQueen 2009 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2009-ready-to-wear/alexander-mcqueen/collection/11
Style.com (n.d.-h). Alexander mcQueen 2001 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2001-ready-to-wear/alexander-mcqueen/collection/76
Style.com (n.d.-i). Alexander mcQueen 2009 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2009-ready-to-wear/alexander-mcqueen/collection/39
Svendsen, L. (2013). Fashion: a philosophy. (S. Y. Doh, Trans.). Seoul, Republic of Korea: MID. (Original work published 2006)
Victoria and Albert Museum (n.d.-a). Cuirass. Retrieved from http://www.vam.ac.uk/museumofsavagebeauty/mcq/cuirass-back-plate/
Victoria and Albert Museum (n.d.-b). Mussel bodice. Retrieved from http://www.vam.ac.uk/museumofsavagebeauty/mcq/mussel-bodice/
Vasarely (n.d.). Vega-Ball. Retrieved from http://www.vasarely.com/site/site.htm
Vernerpanton (n.d.). Spiegel. Retrieved from http://www.vernerpanton.com/vp_fabric/fabric.html
Watt, J. (2014). Alexander mcqueen: fashion visionary (2nd.). London, United Kingdom: Goodman Books.
Wilson, A. (2015). Alexander McQueen: Blood Beneath the Skin. New York, U.S.: Scribner.
*원문 PDF 파일 및 링크정보가 존재하지 않을 경우 KISTI DDS 시스템에서 제공하는 원문복사서비스를 사용할 수 있습니다.
출판사/학술단체 등이 한시적으로 특별한 프로모션 또는 일정기간 경과 후 접근을 허용하여, 출판사/학술단체 등의 사이트에서 이용 가능한 논문
※ AI-Helper는 부적절한 답변을 할 수 있습니다.