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NTIS 바로가기The Research Journal of the Costume Culture = 복식문화연구, v.26 no.3, 2018년, pp.327 - 345
정예랑 (한양대학교 의류학과) , 이연희 (한양대학교 의류학과) , 윤정아 (한양대학교 의류학과)
This study analyzes characteristics related to Kineticism found in different kinds of displays and arts in order to contemplate modern window displays. The standard of analysis is based on kinetic arts pioneer George Rickey's six display factors. Projection features and movements were categorized in...
핵심어 | 질문 | 논문에서 추출한 답변 |
---|---|---|
최초의 디스플레이는 어떠하였는가? | 최초의 디스플레이는 사람과 사람 간의 물물교환이 원시적 형태의 거래를 위해서 가져온 물건들을 교환하고자 진열하는 정도였다. 이러한 물물교환에 참여하는 사람들이 많아지기 시작했고, 공급과 수요가 생기면서 자연스럽게 시장이 형성되었다(Park, Lee, Ha, Kim, & Jeong, 1997). | |
키네티시즘이 반영된 디스플레이 공간은 어떤 지향성을 제시하는가? | 윈도우 디스플레이에서 느끼는 아름다움뿐만 아니라, 움직임을 통해 소비자의 관심과 흥미를 끌어냄으로써 소비자와 기업의 관계변화를 가져오는데 그 의미가 있다. 이와 같은 키네티시즘이 반영된 디스플레이 공간은 기능성과 심미적 경험의 대상으로서 디스플레이라는 개념을 뛰어넘어 창작, 예술의 주체를 체험하는 적극적인 지향성을 제시할 것이다(Oh, 2003). | |
패션 윈도우 디스플레이에 있어서 키네티시즘은 어떤 의미가 있는가? | 패션 윈도우 디스플레이에 있어서 키네티시즘은 어떠한 형태로든 소비자와 관계를 맺고 있다. 윈도우 디스플레이에서 느끼는 아름다움뿐만 아니라, 움직임을 통해 소비자의 관심과 흥미를 끌어냄으로써 소비자와 기업의 관계변화를 가져오는데 그 의미가 있다. 이와 같은 키네티시즘이 반영된 디스플레이 공간은 기능성과 심미적 경험의 대상으로서 디스플레이라는 개념을 뛰어넘어 창작, 예술의 주체를 체험하는 적극적인 지향성을 제시할 것이다(Oh, 2003). |
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