최소 단어 이상 선택하여야 합니다.
최대 10 단어까지만 선택 가능합니다.
다음과 같은 기능을 한번의 로그인으로 사용 할 수 있습니다.
NTIS 바로가기한국의류학회지 = Journal of the Korean Society of Clothing and Textiles, v.42 no.5, 2018년, pp.823 - 838
정다운 (서울대학교 생활과학연구소) , 하지수 (서울대학교 의류학과)
The article surveys the technique and characteristics of contemporary fashion exhibitions in terms of fashion museography and fashion curation. The article reviewed both a literature study on the history of fashion exhibition focused on the display technique as well as a case study of domestic and i...
핵심어 | 질문 | 논문에서 추출한 답변 |
---|---|---|
최근 패션 전시의 경향은 어떠한가? | 본 연구는 패션 그 자체를 향유하기 위한 패션 전시, 그래서 패션 커뮤니케이션의 주요 매체가 되는 최근의 패션 전시를 연구대상으로 삼아 논의를 진행한다. 최근 패션 전시의 경향을 살펴보면 세계적인 디자이너의 회고 전시, 패션 문화에 대한 전시 등 주제의 범위가 넓고, 연출 기법에서도 다양한 시도가 나타나고 있다. 럭셔리 패션 하우스에서도 패션 전시를 고급스러운 마케팅 수단으로 활용하는 추세다. | |
과거 패션 전시는 옷을 무엇으로 취급했는가? | 패션 전시는 현대에 들어 패션 산업과 예술 문화가 맞닿는 특수 영역으로 인정받으며 새롭게 주목받고 있다.현대 패션 전시는 과거와는 달리 더 이상 옷을 유물 문화재로서 보존의 대상으로만 취급하지 않는다. 본 연구는 패션 그 자체를 향유하기 위한 패션 전시, 그래서 패션 커뮤니케이션의 주요 매체가 되는 최근의 패션 전시를 연구대상으로 삼아 논의를 진행한다. | |
왜 19세기에 패션성은 배제되었는가? | 당대의 예술과 패션을 분리하는 태도는 프랑스의 철학자 질 리포베츠키(Gilles Lipovetsky)의주장을 통해 이해할 수 있다. 리포베츠키는 예술은 영원하지만 패션은 일시적인 대상으로 구분하고, 예술은 엘리트를 위한 패션은 대중을 위한 존재로 보았으며, 옷을덧없고 경박한 존재로 간주하였다. 이러한 인식과 차별적인 분위기에서 패션성은 배제되고 유물론적 관점의복식 박물관학이 성장하였다. |
Abraham, A. R. (2015, August 14). Why Are Fashion Blockbusters More Popular Than Art Exhibitions and What Can We Do About It? artnet news. Retrieved July 13, 2016, from https://news.artnet.com/market/savage-beauty-matisse-cut-outs-curator-art-fashion-blockbuster-exhibition-324701
Ahn, I. H., & Park, S. E. (2010). A case study on interpretation of costume objects of museum - Centering on Joseon Dynasty family rite costume in the National Folk Museum of Korea -. Journal of the Korean Society of Design Culture, 16(2), 312-323.
Alexander McQueen Wedding Dress Inspiration from the Savage Beauty Exhibition. (2011, May 5). Wedding Inspirasi. Retrieved August 8, 2018, from http://www.weddinginspirasi.com/2011/05/05/alexander-mcqueen-wedding-dressinspiration-from-the-savage-beauty-exhibition-historical-royal-and-romantic-looks/
Aulia, W. (2017, December 26). Take A Peek Inside Max Mara COATS! Exhibition In Seoul With Yiyun Kang. BAZAAR. Retrieved August 8, 2018, from http://www.harpersbazaar.com.sg/fashion/fashion-news-trends/korean-artist-max-mara-museum-in-seoul/
Breward, C. (2008). Between the museum and the academy: Fashion research and its constituencies. Fashion Theory, 12(1), 83-93. doi:10.2752/175174108X269568
Cater, E. (2015, January 9). COPENHAGEN: Fur: An Issue of Life and Death. WGSN Insider. Retrieved April 1, 2018, from https://www.wgsn.com/blogs/copenhagen-fur-an-issue-of-life-and-death/
Chanel: Mademoiselle Prive Seoul. (2017, June 22). BAGAHOLICBOY. Retrieved August 8, 2018, from https://bagaholicboy.com/2017/06/chanel-mademoiselle-prive-seoul/
Clark, J., & de la Haye, A. (2014). Exhibiting fashion: Before and after 1971. New Haven, CT: Yale University Press.
Crewe, L. (2016). Placing fashion: Art, space, display and the building of luxury fashion markets through retail design. Progress in Human Geography, 40(4), 511-529. doi:10.1177/0309132515580815
Cumming, V. (2004). Understanding fashion history. New York, NY: Costume and Fashion Press.
de la Haye, A., & Clark, J. (2008). One object: Multiple interpretations. Fashion Theory, 12(2), 137-169. doi:10.2752/175174108X298962
DeGregorio, W. (2015). The architecture of woman. Fashion Theory, 19(4), 491-503. doi:10.1080/1362704X.2015.1058038
Evans, C. (2001). The enchanted spectacle. Fashion Theory, 5(3), 271-310. doi:10.2752/136270401778960865
Frisa, M. L. (2008). The curator's risk. Fashion Theory, 12 (2), 171-180. doi:10.2752/175174108X298971
G. G. (2011, May 12). Alexander McQueen; Savage beauty, dark nature. The Economist. Retrieved June 15, 2018, from https://www.economist.com/prospero/2011/05/12/savage-beauty-dark-nature
Gallery Two - En Plein Air. (n.d.). THE MET. Retrieved April 1, 2018, from https://www.metmuseum.org/exhibitions/listings/2013/impressionism-fashion-modernity/gallery-two
Han, B. R. (2017). Fashion exhibition as art marketing-Based on museum types-. Unpublished master's thesis, Sungkyunkwan University, Seoul.
Hong, S. Y. (2011). A study on Korean costume relics in the collection at the National Museum of Denmark. Unpublished master's thesis, Sungkyunkwan University, Seoul.
Horsley, J. (2014). Re-presenting the body in fashion exhibitions. International Journal of Fashion Studies, 1(1), 75-96. doi:10.1386/infs.1.1.75_1
Horsley, J. (2015a). A fashion "Museographie": The delineation of innovative presentation modes at ModeMuseum, Antwerp. Fashion Theory, 19(1), 43-66. doi:10.2752/175174115X14113933306789
Horsley, J. (2015b). Embedding the personal: The construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. Unpublished doctoral dissertation, University of the Arts London, London.
Kim, E. Y. (2015). A study on the significance in the exhibition industry of the textile and fashion. Unpublished master's thesis, Hongik University, Seoul.
Kim, S. H. (2017, June 25). 럭셔리 브랜드가 미술관으로 가는 이유 [Luxury brands reaches out museum]. JoongAng Sunday. Retrieved September 8, 2017, from https://news.joins.com/article/21696942
Koda, H., & Glasscock, J. (2014). The costume institute at the Metropolitan Museum of Art: an evolving history. In M. R. Melchior & B. Svensseon (Eds.), Fashion and museums: Theory and practice (pp. 21-32). London and New York: Bloomsbury.
Ku, J. Y. (2005). 전통복식유물의 전시 및 활용방안에 관한 연구 -서울 소재 전통복식관련 박물관을 중심으로- [A study on the exhibition and utilization of traditional costume relics-Focused on Korean traditional costume in museums, Seoul-]. Unpublished master's thesis, Sookmyung Women's University, Seoul.
Kwon, Y. H. (2017). A study on plans for development of textiles-fashion industrial fairs in South Korea - Focused on PIS (Preview in Seoul) -. Unpublished master's thesis, Hanyang University, Seoul.
Martin, R., & Koda, H. (1993). Diana Vreeland: Immoderate style. New York, NY: The Metropolitan Museum of Art.
McNeil, P. (2008). "We're not in the fashion business": Fashion in the museum and the academy. Fashion Theory, 12 (1), 65-81. doi:10.2752/175174108X269559
Mears, P. (2008). Exhibiting Asia: The global impact of Japanese fashion in museums and galleries. Fashion Theory, 12(1), 95-119. doi:10.2752/175174108X269586
Melchior, M. R. (2015). Fur - An issue of life and death. Fashion Theory, 19(4), 483-490. doi:10.1080/1362704X.2015.1058048
Milbank, C. R. (2014). The fashion connection. Fashion Theory, 18(4), 409-418. doi:10.2752/175174114X13996533399955
Oh, S. I. (2017, December, 23) [STYLE] 루이지 마라모티 막스마라 회장 "방대한 패션 아카이브가 우리의 저력" [[STYLE] Max Mara CEo Luigi Maramotti "Massive fashion archives are the power of the brand"]. Joongang Sisa Magazine. Retrieved Aug 8, 2018, from http://jmagazine.joins.com/forbes/view/319473
Palmer, A. (2008). Untouchable: Creating desire and knowledge in museum costume and textile exhibitions. Fashion Theory, 12(1), 31-63. doi:10.2752/175174108X268136
Park, J. H., & Ham, Y. J. (2014). The exhibition of modern fashion in museum. Jornal of Korea Design Forum, 42, 449-460. doi:10.21326/ksdt.2014.42.041
Park, S. Y. (2017). The study on status of contemporary art and fashion art collaboration by the types - Focused on merchandising and exhibition planning -. Unpublished master's thesis, Hongik University, Seoul.
Petrov, J. (2012). Cross-purposes: Museum display and material culture. CrossCurrents, 62(2), 219-234. doi:10.1111/j.1939-3881.2012.00231.x
Steele, V. (1998). A museum of fashion is more than a clothesbag. Fashion Theory, 2(4), 327-335. doi:10.2752/136270498779476109
Steele, V. (2008). Museum quality: The rise of the fashion exhibition. Fashion Theory, 12(1), 7-30. doi:10.2752/175174108X268127
Steele, V. (2013). Alexander McQueen: Savage beauty. Fashion Theory, 17(4), 419-430. doi:10.2752/175174113X13673474643129
Stevenson, N. J. (2008). The fashion retrospective. Fashion Theory, 12(2), 219-235. doi:10.2752/175174108X300003
Taylor, M. (2005). Culture transition: Fashion's cultural dialogue between commerce and art. Fashion Theory, 9(4), 445-459. doi:10.2752/136270405778051112
Teunissen, J. (2014). Understanding fashion through the museum. In M. R. Melchior & B. Svensseon (Eds.), Fashion and museums: Theory and practice (pp. 33-45). London: and New York: Bloomsbury.
The unexpected journey at the heart of Louis Vuitton. (2017). Louis Vuitton. Retrieved April 1, 2018, from https://eu.louisvuitton.com/eng-e1/heritage-savoir-faire/lvseoulvvv#
Vacca, F. (2014). Knowledge in memory: Corporate and museum archives. Fashion Practice, 6(2), 273-288.
Wanted. (2016, October 27). Saillard approached Louis Vuitton project with 'a sense of fantasy'. Wanted. Retrieved October 29, 2017, from https://wantedonline.co.za/art-design/2016-07-06-olivier-saillard/
Woo, Y. T., & Cho, S. I. (2017, July 11). 욕망의 패션, 예술과 만나다. [Desirable fashion meets arts]. Sedaily. Retrieved December 1, 2017, from http://www.sedaily.com/NewsView/1OIFM5VHSD
Yeom, E. J. (2012). Brand identity expressions in space-design of fashion-brand museums. Unpublished master's thesis, Sookmyung Women's University, Seoul.
Yun, U. J. (1997). A study of Korean costume in the collection of overseas museums. Unpublished doctoral dissertation, Sejong University, Seoul.
*원문 PDF 파일 및 링크정보가 존재하지 않을 경우 KISTI DDS 시스템에서 제공하는 원문복사서비스를 사용할 수 있습니다.
Free Access. 출판사/학술단체 등이 허락한 무료 공개 사이트를 통해 자유로운 이용이 가능한 논문
※ AI-Helper는 부적절한 답변을 할 수 있습니다.