초록

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Abstract ▼ AI-Helper

An art of any genre borrows texts from other texts. A genius may create his or her own uniqueness, however, except such a rare case, reference of text in art is nothing new. This paper will focus on the parody of modern films referring to classic films. The original selected from the classic film is...

An art of any genre borrows texts from other texts. A genius may create his or her own uniqueness, however, except such a rare case, reference of text in art is nothing new. This paper will focus on the parody of modern films referring to classic films. The original selected from the classic film is the ‘Odessa step’ sequence from Battleship Potempkin(1925) by a Russian director Eisenstein. The analysis of this sequence is meaningful in that it embodies the ‘conflict montage’ and ‘pathos’, which are the major aesthetic elements of the director. The sequence is also one of the most frequently represented sequences among classic films in modern films. The research aim to reveal the meanings of classic films within the contemporary stream and also the various meanings derived from the modern films, which parodied texts from classic films by comparing the original scene and the recreated scene. Eventually, the study is to examine modern films after its 100 years of history since the Lumiere Brothers by taking a close look at the classic and modern films, and the parody.

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