14세기~18세기 병풍의 사용자는 왕실과 사대부층에 한정되어 있었다. 그러나 19세기에는 중인이라는 새로운 소비층이 등장한다. 그리고 20세기에는 전문 인쇄사의 등장으로 생산이 더욱 늘어났고 21세기에는 수입품까지 합세하여 저렴한 병풍이 민간에까지 공급된다.
병풍의 공급은 시간이 지날수록 늘었지만 소비는 20세기 이후부터 점차 감소한다. 병풍보다 뛰어난 장식재의 등장과 주거생활이 좌식에서 입식으로 바뀌는 등 사회변화로 말미암아 사용할 필요성이 줄어들었기 때문이다.
병풍은 사회변화와 계층에 따라 선택적으로 소비된다. 14세기~18세기에는 왕실과 사대부층에 의해 감상용으로 소비되었고 19세기에는 중인에 의해 장식용으로 많이 소비되었다. 그리고 20세기에는 의례용으로, 21세기에는 전통적인 분위기를 연출하는 소품으로 많이 소비되고 있다.
생산과 소비방식에 따라 병풍의 예술적 위상과 가치는 일정하지 않고 차이가 있다. 14세기~18세기와 19세기 병풍은 전문가에 의한 수작업 제작 등의 특징으로 말미암아 예술품으로서의 위상과 가치가 높았다. 그러나 21세기에는 비전문가에 의한 기계작업 제작 등의 특징으로 말미암아 예술품으로서의 위상과 가치는 예전만큼 높지 않다.
14세기~18세기 병풍의 사용자는 왕실과 사대부층에 한정되어 있었다. 그러나 19세기에는 중인이라는 새로운 소비층이 등장한다. 그리고 20세기에는 전문 인쇄사의 등장으로 생산이 더욱 늘어났고 21세기에는 수입품까지 합세하여 저렴한 병풍이 민간에까지 공급된다.
병풍의 공급은 시간이 지날수록 늘었지만 소비는 20세기 이후부터 점차 감소한다. 병풍보다 뛰어난 장식재의 등장과 주거생활이 좌식에서 입식으로 바뀌는 등 사회변화로 말미암아 사용할 필요성이 줄어들었기 때문이다.
병풍은 사회변화와 계층에 따라 선택적으로 소비된다. 14세기~18세기에는 왕실과 사대부층에 의해 감상용으로 소비되었고 19세기에는 중인에 의해 장식용으로 많이 소비되었다. 그리고 20세기에는 의례용으로, 21세기에는 전통적인 분위기를 연출하는 소품으로 많이 소비되고 있다.
생산과 소비방식에 따라 병풍의 예술적 위상과 가치는 일정하지 않고 차이가 있다. 14세기~18세기와 19세기 병풍은 전문가에 의한 수작업 제작 등의 특징으로 말미암아 예술품으로서의 위상과 가치가 높았다. 그러나 21세기에는 비전문가에 의한 기계작업 제작 등의 특징으로 말미암아 예술품으로서의 위상과 가치는 예전만큼 높지 않다.
Users in Byeongpung(folding screen) in the 14th-18th century had been limited to Royal family and Sadaebu(ruling scholar-officials) class. However, the new consumption class called Jungin(中人) appear in the 19th century. And, production further increased due to appearance of the special printing comp...
Users in Byeongpung(folding screen) in the 14th-18th century had been limited to Royal family and Sadaebu(ruling scholar-officials) class. However, the new consumption class called Jungin(中人) appear in the 19th century. And, production further increased due to appearance of the special printing company in the 20th century. Also, the cheap Byeongpung(屛風) is supplied even to the people by the combined import products in the 21st century. The supply of Byeongpung(folding screen) swelled further as time passed, but consumption has gradually reduced since the 20th century. That is because its necessity for use decreased due to a social change such as the advent of decoration materials more excellent than Byeongpung, and as a change in housing life from eating the bread of idleness to a stand-up meal. Byeongpung is selectively consumed depending on a social change and class. It was consumed by Royal family and Sadaebu class for appreciation in the 14th-18th century, and was expended much by Jungin(中人) for decoration in the 19th century. And, Byeongpung was used for ceremony in the 20th century, and is being consumed much as accessory that produces traditional atmosphere in the 21st century. Depending on a method in production and consumption, the artistic stature and value are not consistent, and have difference. Byeongpung(folding screen) in the 14th-18th century and in the 19th century was high in stature and value as artifacts thanks to the characteristic such as manual manufacture by a specialist. However, owing to the characteristic such as mechanical-work manufacture by non-specialist in the 21st century, the stature and value as artifacts are not high as much as before.
Users in Byeongpung(folding screen) in the 14th-18th century had been limited to Royal family and Sadaebu(ruling scholar-officials) class. However, the new consumption class called Jungin(中人) appear in the 19th century. And, production further increased due to appearance of the special printing company in the 20th century. Also, the cheap Byeongpung(屛風) is supplied even to the people by the combined import products in the 21st century. The supply of Byeongpung(folding screen) swelled further as time passed, but consumption has gradually reduced since the 20th century. That is because its necessity for use decreased due to a social change such as the advent of decoration materials more excellent than Byeongpung, and as a change in housing life from eating the bread of idleness to a stand-up meal. Byeongpung is selectively consumed depending on a social change and class. It was consumed by Royal family and Sadaebu class for appreciation in the 14th-18th century, and was expended much by Jungin(中人) for decoration in the 19th century. And, Byeongpung was used for ceremony in the 20th century, and is being consumed much as accessory that produces traditional atmosphere in the 21st century. Depending on a method in production and consumption, the artistic stature and value are not consistent, and have difference. Byeongpung(folding screen) in the 14th-18th century and in the 19th century was high in stature and value as artifacts thanks to the characteristic such as manual manufacture by a specialist. However, owing to the characteristic such as mechanical-work manufacture by non-specialist in the 21st century, the stature and value as artifacts are not high as much as before.
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