The one who brought the most epoch-making changes on stained glass art was the American Artist, Lows Comfort Tiffany(1848-1933). He and his own companies - Tiffany Glass Company, Tiffany Glass & Decorating Company, and Tiffany Studios - produced many of ecclesiastical and secular stained glass windo...
The one who brought the most epoch-making changes on stained glass art was the American Artist, Lows Comfort Tiffany(1848-1933). He and his own companies - Tiffany Glass Company, Tiffany Glass & Decorating Company, and Tiffany Studios - produced many of ecclesiastical and secular stained glass windows, and that windows commonly called as "Tiffany Windows". Through the investigation of these Tiffany Windows, I could find the origins of liberty of express and use on modern stained glass. So, Tiffany and his stained glass work became the most revolutionary turning point since the Middle Ages. This essay is study for influences of Louis Comfort Tiffany"s painitng traits and his artistic goal to the changes of stained glass" expression and technical methods. Because Tiffany could make a realistic description with leaded glass as like as his paintings. Tiffany developed new stained glass materials and techniques, then depicting realistic pictorial images with glass could be realized. So, Tiffany Windows could express realistic color, natural shading and gradation, calligraphic outline and drawing, texture and perspective. And these pictorial expressions were related to the development of opalescent glass-"Favrille", mottled glass, drapery glass, copper-foil technique and plating. For Tiffany, stained glass was not the traditional glass art medium, but the new pictorial plastic art medium to complete his artistic goal. That is the "absolute synthesis of color and light" as Dr. Joan Elliott Price pointed. Dr. Price claimed that Tiffany was the Colorist painter and he Knew the M. E. Chevrel"s Law of Simultaneous Contrast and the Ogden Rood"s chromatic theory. So Tiffany tried to illustrate the "Colored Light" by painting, but that was hard to paint. Because any of paints couldn"t realistically represent the transmission and the reflection effect of light by itself. Therefore, Tiffany took an interest in glass and stained glass art. Because the colored glass was the only material that represent "color-light" by itself. As like this, Tiffany regarded stained glass as painting, and so he joined his painting traits and techniques to the stained glass. To depict pictorial effect, Tiffany changed traditional stained glass materials and methods. Tiffany used leading as outline or drawing, and he replaced deceiving enamel painting by genuinely inherent colored glass effect. These revolutionary changes approved that stained glass could express pictorial illusion successfully. At last, Tiffany"s concept of stained glass as the pictorial plastic art medium brought about the secularization of stained glass and new themes-still-life, landscape, and floral landscape. In addition, Tiffany applied an electronic lighting to the stained glass. That new lighting system helped the stained glass get liberty of place and time. And so far, stained glass could be installed anywhere, enjoyed anytime, and created as an art object. In conclusion, Tiffany"s stained glass windows provided the basis of the modern stained glass art as the plastic art medium.
The one who brought the most epoch-making changes on stained glass art was the American Artist, Lows Comfort Tiffany(1848-1933). He and his own companies - Tiffany Glass Company, Tiffany Glass & Decorating Company, and Tiffany Studios - produced many of ecclesiastical and secular stained glass windows, and that windows commonly called as "Tiffany Windows". Through the investigation of these Tiffany Windows, I could find the origins of liberty of express and use on modern stained glass. So, Tiffany and his stained glass work became the most revolutionary turning point since the Middle Ages. This essay is study for influences of Louis Comfort Tiffany"s painitng traits and his artistic goal to the changes of stained glass" expression and technical methods. Because Tiffany could make a realistic description with leaded glass as like as his paintings. Tiffany developed new stained glass materials and techniques, then depicting realistic pictorial images with glass could be realized. So, Tiffany Windows could express realistic color, natural shading and gradation, calligraphic outline and drawing, texture and perspective. And these pictorial expressions were related to the development of opalescent glass-"Favrille", mottled glass, drapery glass, copper-foil technique and plating. For Tiffany, stained glass was not the traditional glass art medium, but the new pictorial plastic art medium to complete his artistic goal. That is the "absolute synthesis of color and light" as Dr. Joan Elliott Price pointed. Dr. Price claimed that Tiffany was the Colorist painter and he Knew the M. E. Chevrel"s Law of Simultaneous Contrast and the Ogden Rood"s chromatic theory. So Tiffany tried to illustrate the "Colored Light" by painting, but that was hard to paint. Because any of paints couldn"t realistically represent the transmission and the reflection effect of light by itself. Therefore, Tiffany took an interest in glass and stained glass art. Because the colored glass was the only material that represent "color-light" by itself. As like this, Tiffany regarded stained glass as painting, and so he joined his painting traits and techniques to the stained glass. To depict pictorial effect, Tiffany changed traditional stained glass materials and methods. Tiffany used leading as outline or drawing, and he replaced deceiving enamel painting by genuinely inherent colored glass effect. These revolutionary changes approved that stained glass could express pictorial illusion successfully. At last, Tiffany"s concept of stained glass as the pictorial plastic art medium brought about the secularization of stained glass and new themes-still-life, landscape, and floral landscape. In addition, Tiffany applied an electronic lighting to the stained glass. That new lighting system helped the stained glass get liberty of place and time. And so far, stained glass could be installed anywhere, enjoyed anytime, and created as an art object. In conclusion, Tiffany"s stained glass windows provided the basis of the modern stained glass art as the plastic art medium.
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