초록

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Abstract ▼ AI-Helper

It is a study on Wong Kar-wai who has been creating new atmosphere in the Hongkong cinema after mid-1980s as an author. There are some view points about his films such as genre cinema, national allegory, and sexuality. They are great in explaining his some films, but can not together his whole films...

It is a study on Wong Kar-wai who has been creating new atmosphere in the Hongkong cinema after mid-1980s as an author. There are some view points about his films such as genre cinema, national allegory, and sexuality. They are great in explaining his some films, but can not together his whole films. The essence of his films is from such an aesthetic basis that can construct with lyric method not narrative. He could be explain as an analogy, a poet. It has been expressed by creation of images and rhythm of BGM. However, his films never restore to aesthetics. They have the agonies on universal human being, so called uncertainty of beings and pseudo family, and they also articulate with groping space and time of Hongkong as a subject position. For explaining multi relative items such as genre and author, universality and speciality, aesthetics and ideology, lyrics and narrative, it gives his films an key word, ‘struggling field’.

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