초록

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Abstract ▼ AI-Helper

This study is focused on how a diaspora composer Isang Yun had composed his social participating work which was subjected to the social situation in Korea. Especially this study explains the social background and the compositional techniques of his last work, Engel in Flammen mit Epilog. There were ...

This study is focused on how a diaspora composer Isang Yun had composed his social participating work which was subjected to the social situation in Korea. Especially this study explains the social background and the compositional techniques of his last work, Engel in Flammen mit Epilog. There were many young people who had burned themselves or had jumped down after burning themselves in order to clamor for "the overthrow of a government", "the emancipation of labor", "the democratization of Korea", and so on. Yun named the burning youth as the angel in flames and he reproduced it in music. Independently from Engel in Flammen, furthermore, he created the other work, Epilog, which representing the sound which those angels would be listening to in their after lives. As Yun had applied in his other social participating work, he leaded his music to assign a symbolic meaning to a special note. He used a Hauptton leading to the special note. A harp is used to describe an angel in flames, a soprano soloist to symbolize the sacrificed mother, and a chorus of female voices is used to sing the spirit of the young people.

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