(이전원문누락) 그의 음악적 특성에는 이밖에도 새소리리듬, 리듬적 카논 조옮김이 한정된 선법이 있다. 그의 음악적 업적은 후에 그의 제자이기도 한 P. Boulez와 K. Stock hausen에게 영향을 주었다. 그는 무수한 신비와 영감에 찬 작품들을 남겼고, 그의 음악의 광활한 넓이와 깊이는 이제부터 지속적으로 탐구되고 파헤쳐져야 할 것이다. 메시앙의 음악세계가 그의 죽음과 더불어 종말을 고했다고 볼 수는 없기 때문이다....
(이전원문누락) 그의 음악적 특성에는 이밖에도 새소리리듬, 리듬적 카논 조옮김이 한정된 선법이 있다. 그의 음악적 업적은 후에 그의 제자이기도 한 P. Boulez와 K. Stock hausen에게 영향을 주었다. 그는 무수한 신비와 영감에 찬 작품들을 남겼고, 그의 음악의 광활한 넓이와 깊이는 이제부터 지속적으로 탐구되고 파헤쳐져야 할 것이다. 메시앙의 음악세계가 그의 죽음과 더불어 종말을 고했다고 볼 수는 없기 때문이다.
(이전원문누락) 그의 음악적 특성에는 이밖에도 새소리리듬, 리듬적 카논 조옮김이 한정된 선법이 있다. 그의 음악적 업적은 후에 그의 제자이기도 한 P. Boulez와 K. Stock hausen에게 영향을 주었다. 그는 무수한 신비와 영감에 찬 작품들을 남겼고, 그의 음악의 광활한 넓이와 깊이는 이제부터 지속적으로 탐구되고 파헤쳐져야 할 것이다. 메시앙의 음악세계가 그의 죽음과 더불어 종말을 고했다고 볼 수는 없기 때문이다.
Olivier Messiaen, one of the greatest composers in the twentieth century, had expanded his music world without being involved in any music coterie. As he extended his music realm, he had been influenced by the ancient Greek music, Debussy and Scrabin who are the initiator of the mondern music, Hindu...
Olivier Messiaen, one of the greatest composers in the twentieth century, had expanded his music world without being involved in any music coterie. As he extended his music realm, he had been influenced by the ancient Greek music, Debussy and Scrabin who are the initiator of the mondern music, Hindu rythm, exotic elements, birdsing and what not. Still, he didn't exhaust his catholic faith which had been a basis of his creative impetus in spite of a host of influence a fore mentioned. It is difficult to deny that at the bottom of his music there always remain the factors of his catholic belief. That's the reason why he is called a neo-mysticism. This paper intends to analyze neumes rythmiques, the take-off point of his musique serier by the tool of his mode of expression, His musical characteristics are as neumes rythmiques represents the creation of tune arrangement standardized by the sixteeth note, added value grown by repetition, chord incresing the resonance effects and the fixed dayamic. He took advantage of the enlargement and abridgement of rythm and the unreversible rythm as well. Messiaen classified groups as A, B and C ; A and C group with the added value ; B group the compounded form of co13age in rythm, pitch dynamic and attack already established by the 19 neumes. However, this paper doesn't deal with the those characteristics in his music ; bird sing ; and rythmic canon ; and the mode limited in the tune transformation. His achievement later gave a great impact on his disciple P. Boulez and K Stock hausen. He has left works filled with the vast myth and inspiration and therefore from now on, the extensive width and depth of his music has to be studied and further investigated. Because there is no reason to believe that Messiaen's music world has ended with his death.
Olivier Messiaen, one of the greatest composers in the twentieth century, had expanded his music world without being involved in any music coterie. As he extended his music realm, he had been influenced by the ancient Greek music, Debussy and Scrabin who are the initiator of the mondern music, Hindu rythm, exotic elements, birdsing and what not. Still, he didn't exhaust his catholic faith which had been a basis of his creative impetus in spite of a host of influence a fore mentioned. It is difficult to deny that at the bottom of his music there always remain the factors of his catholic belief. That's the reason why he is called a neo-mysticism. This paper intends to analyze neumes rythmiques, the take-off point of his musique serier by the tool of his mode of expression, His musical characteristics are as neumes rythmiques represents the creation of tune arrangement standardized by the sixteeth note, added value grown by repetition, chord incresing the resonance effects and the fixed dayamic. He took advantage of the enlargement and abridgement of rythm and the unreversible rythm as well. Messiaen classified groups as A, B and C ; A and C group with the added value ; B group the compounded form of co13age in rythm, pitch dynamic and attack already established by the 19 neumes. However, this paper doesn't deal with the those characteristics in his music ; bird sing ; and rythmic canon ; and the mode limited in the tune transformation. His achievement later gave a great impact on his disciple P. Boulez and K Stock hausen. He has left works filled with the vast myth and inspiration and therefore from now on, the extensive width and depth of his music has to be studied and further investigated. Because there is no reason to believe that Messiaen's music world has ended with his death.
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#OLIVIER MESSIAEN NEUMES RYTHMIQUES분석 올리비에 메시앙 네우마 리트미크
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