In the 20th century, one can enjoy music from any time period or music from any culture, anytime and anywhere due to the rapid distribution of sound systems, fast transportation, mass communication and broad cultural exchanges. Therefore, this time period of music becomes pan-period, pan-cultural or...
In the 20th century, one can enjoy music from any time period or music from any culture, anytime and anywhere due to the rapid distribution of sound systems, fast transportation, mass communication and broad cultural exchanges. Therefore, this time period of music becomes pan-period, pan-cultural or out-historical; in other words, the present music isn't separate from the past one. Of course, this phenomenon is not only limited to music but also happening to all 20th century cultures and cultural aspects. In short, this is a common peculiarity in all the cultures. The term, Post Modernism, was first used after the Second World War and fully rose in the 70's and 80's. At first, its use was limited to literature. In fact, it was mostly literary men that artistically formed, and they, literal critics and literati, also systemized it. However, it was gradually used not only in literature but also in music, paintings, architecture, plays, movies and all art fields. Post-Modernism leads all kinds of art including music into plural and public mood. In returnm it gets into a criticism on quality with pluralistic and public characterisitics. However, from the view point of Post-Modernism, Musical value mainly depends on situations, so the argument on its quality could be presented in many directions under pluralistic situations. Therefore, it's no point saying or choosing which is good or bad. In other words, from the viewpoint of Post Modernism, we should look at this relatively. Also one can produce any images in whatever shapes and figures due to the development of skills and high technology. Therefore, it it very probable that art belongs to technolgy. It is very fast and overflowingly produced, reproduced, and distributed through the electronic technology mechanism. At the same time, these images and sounds have thousands and millions of copies, different from the precious art piece. From this structure, a cultural enterprise naturally produced standardized consumptive cultures aiming at pursuit of profits, and men degraded to the public through consuming this cultural production. In this aspect, which this society is a consumer society, we can't ignore the importance of popular culture and popularity. The central motive of Post Modernism is to strictly distinguish high-class culture and low-grade one that have accomplished through Modernism, to go against the locks between all art genres, to borrow styles and images from differnt ages and cultures and combine them. Another distinciton is to resist the strict control that has built by modernism's culture and ideas. Also it is to destroy the incapability to communicate with highly professional cultures and get ride of the border between life and culture. This study is aimed to find out what relatonship the flow of culture has, upon comparison with the characteristics of Post-Modernism, and what influences Post-Modernism makes on music. Among them, I'd particularly like to find the phases of Post-Modernism through Crossover music, which is popular, consumptive and more than two types-blended, in order to help to understand the present condition of art.
In the 20th century, one can enjoy music from any time period or music from any culture, anytime and anywhere due to the rapid distribution of sound systems, fast transportation, mass communication and broad cultural exchanges. Therefore, this time period of music becomes pan-period, pan-cultural or out-historical; in other words, the present music isn't separate from the past one. Of course, this phenomenon is not only limited to music but also happening to all 20th century cultures and cultural aspects. In short, this is a common peculiarity in all the cultures. The term, Post Modernism, was first used after the Second World War and fully rose in the 70's and 80's. At first, its use was limited to literature. In fact, it was mostly literary men that artistically formed, and they, literal critics and literati, also systemized it. However, it was gradually used not only in literature but also in music, paintings, architecture, plays, movies and all art fields. Post-Modernism leads all kinds of art including music into plural and public mood. In returnm it gets into a criticism on quality with pluralistic and public characterisitics. However, from the view point of Post-Modernism, Musical value mainly depends on situations, so the argument on its quality could be presented in many directions under pluralistic situations. Therefore, it's no point saying or choosing which is good or bad. In other words, from the viewpoint of Post Modernism, we should look at this relatively. Also one can produce any images in whatever shapes and figures due to the development of skills and high technology. Therefore, it it very probable that art belongs to technolgy. It is very fast and overflowingly produced, reproduced, and distributed through the electronic technology mechanism. At the same time, these images and sounds have thousands and millions of copies, different from the precious art piece. From this structure, a cultural enterprise naturally produced standardized consumptive cultures aiming at pursuit of profits, and men degraded to the public through consuming this cultural production. In this aspect, which this society is a consumer society, we can't ignore the importance of popular culture and popularity. The central motive of Post Modernism is to strictly distinguish high-class culture and low-grade one that have accomplished through Modernism, to go against the locks between all art genres, to borrow styles and images from differnt ages and cultures and combine them. Another distinciton is to resist the strict control that has built by modernism's culture and ideas. Also it is to destroy the incapability to communicate with highly professional cultures and get ride of the border between life and culture. This study is aimed to find out what relatonship the flow of culture has, upon comparison with the characteristics of Post-Modernism, and what influences Post-Modernism makes on music. Among them, I'd particularly like to find the phases of Post-Modernism through Crossover music, which is popular, consumptive and more than two types-blended, in order to help to understand the present condition of art.
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