In the Performance Arts, the dancer or the musician performs the physical training on the training on the musical performances as like his own one part. However, in the case of Play, the director or theorizer and actors or theatre form the response on the necessity on actor training, but it can be k...
In the Performance Arts, the dancer or the musician performs the physical training on the training on the musical performances as like his own one part. However, in the case of Play, the director or theorizer and actors or theatre form the response on the necessity on actor training, but it can be known by the questionnaire exeucted in the subject of Theatre in Chunhbuk and Junnam including Pusan which it is not done so actually. Many persons recognize its importance on the actor training since 1900's after, and have shown the theory on the training method of various acting. That is to say, Stanislavsky System, Bio-Mecanics of Meyerhold, Compromise Principles of Vakhtanghov, Method Performance of Lee Strasberg and Performance Training Method of Grotowski etc. So, this study examines and considers the training method of Stanislavsky, that of Meyerhold and that of Grotowski among the performance training method suggested up to now since the birth of initial actor, and considers the actual training conditions of play actor who acts in Chungbuk and Junnam including Pusan, and the necessity of Performance Training why the performance training must be done, and also examines on which there is the method which can be easily met around our livings as the performance training is not difficult and special. As its results, if the contents on this study is summarized. Firstly, many persons already recognize the importance on the training of actor. Secondly, it is the continuous work which the actor must develop himself through the mental and physical training, which he performs the acting, and thus is not done suddenly, but must be made through the long period as like the artist belonging to other scopes. Thirdly, the special training is not required for the performance trining but can be done anywhere around us, and thus it does not require much time. For accomplishing these purposes, this study suggests the actor training methods through the game as the method which can be easily done in the living. The actual method of actor training suggested by this study largely divides into 5 types, and firstly, Ready Exercise including the physical training before the starting of actual games, secondly, games for view power which the actor can develop the ability as he watches, hears and pays attention to. thirdly, games for the attentions which he can not be out of the performance even in the short times. fourthly, games for increasing the imagination which the situations in the play book is made as the actual situations. fifthly, even if the play book is analyzed and understood, we have suffered from the difficulties in the actual experssion, and thus it is divided into the games which increases the expression which can supplement it. And, the appendix 1 has the table of character analysis necessary to the character-making of actor and the appendix 2 has the cast selection table which becomes the basis in the selection of actor by the director.
In the Performance Arts, the dancer or the musician performs the physical training on the training on the musical performances as like his own one part. However, in the case of Play, the director or theorizer and actors or theatre form the response on the necessity on actor training, but it can be known by the questionnaire exeucted in the subject of Theatre in Chunhbuk and Junnam including Pusan which it is not done so actually. Many persons recognize its importance on the actor training since 1900's after, and have shown the theory on the training method of various acting. That is to say, Stanislavsky System, Bio-Mecanics of Meyerhold, Compromise Principles of Vakhtanghov, Method Performance of Lee Strasberg and Performance Training Method of Grotowski etc. So, this study examines and considers the training method of Stanislavsky, that of Meyerhold and that of Grotowski among the performance training method suggested up to now since the birth of initial actor, and considers the actual training conditions of play actor who acts in Chungbuk and Junnam including Pusan, and the necessity of Performance Training why the performance training must be done, and also examines on which there is the method which can be easily met around our livings as the performance training is not difficult and special. As its results, if the contents on this study is summarized. Firstly, many persons already recognize the importance on the training of actor. Secondly, it is the continuous work which the actor must develop himself through the mental and physical training, which he performs the acting, and thus is not done suddenly, but must be made through the long period as like the artist belonging to other scopes. Thirdly, the special training is not required for the performance trining but can be done anywhere around us, and thus it does not require much time. For accomplishing these purposes, this study suggests the actor training methods through the game as the method which can be easily done in the living. The actual method of actor training suggested by this study largely divides into 5 types, and firstly, Ready Exercise including the physical training before the starting of actual games, secondly, games for view power which the actor can develop the ability as he watches, hears and pays attention to. thirdly, games for the attentions which he can not be out of the performance even in the short times. fourthly, games for increasing the imagination which the situations in the play book is made as the actual situations. fifthly, even if the play book is analyzed and understood, we have suffered from the difficulties in the actual experssion, and thus it is divided into the games which increases the expression which can supplement it. And, the appendix 1 has the table of character analysis necessary to the character-making of actor and the appendix 2 has the cast selection table which becomes the basis in the selection of actor by the director.
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