This study attempted to investigate the method of analyzing Lining paper originated from the antique works of pictorial art and calligraphy and observed the general characteristics of the paper. The term, Lining paper, was 1st named by classifying its use, and it was mostly used for the most basic w...
This study attempted to investigate the method of analyzing Lining paper originated from the antique works of pictorial art and calligraphy and observed the general characteristics of the paper. The term, Lining paper, was 1st named by classifying its use, and it was mostly used for the most basic work of Mounting, the final stage of paintings and calligraphic works. This study compared five pieces of paintings and calligraphic works from the 18th century with paintings and calligraphic works produced between the 19th and the 20th century as the contrast remains and investigated the physical properties, colors, fiber morphologies, paper-making and converting properties of Lining paper separated from the original place. The results of the study can be summarized as follows: What was used for Lining of paintings and calligraphic works in the 18th century was all the paper produced with Oebal-choji made from paper mulberry bast fiber. Lining paper used for paintings and calligraphic works in the 18th century all had nods and transparent films, which are the features of paper mulberry fibers. There were large deviations between the remains in terms of the fiber length of Lining used for each piece of the remains, but since the fiber length with a single piece of the remains were in a similar range, it was found that paper mulberry fiber produced in the same area was used to manufacture paper. By examining two different scroll-typed pieces of the remains, the number of Lining was found to increase as the size of paintings and calligraphic works was larger, and the 1st Lining paper of the silk ground out of the two remains had lower grammage and density than the 1st Lining paper of the paper ground. It was judged to reduce the estrangement according to the difference of the rates of contract and expansion resulted by the heterogeneity between the ground and the material of Lining paper after the process of Lining. On the other hand, the 1st Lining paper used for the Lining of paintings and calligraphic works in the 19th century was found to use paper mulberry fiber as well as monofilament such as wood fiber. Like the 1st paper folded its back on the silk ground out of the scroll-typed remains from the 18th century, using paper mixed with monofilament was judged to reduce the estrangement after the process of Lining. As a result of analyzing the additives of Lining paper, Ca, Fe, Al and Si and so on were detected, which were judged to function like Hobun or China clay added in manufacturing paper at present. Since paper with such an additive added can function to absorb humidity thanks to its additives, it was supposed that those additives had positive effects on the size stability of paper. With this analysis of Lining paper of the remains along with data accumulated by examining the general characteristics of paper from each era, it is anticipated that the characteristics of paper stated in the ancient documents can be found to reproduce paper in the ancient methods, further providing basic data for the development of paper proper to preserve and restore remains.
This study attempted to investigate the method of analyzing Lining paper originated from the antique works of pictorial art and calligraphy and observed the general characteristics of the paper. The term, Lining paper, was 1st named by classifying its use, and it was mostly used for the most basic work of Mounting, the final stage of paintings and calligraphic works. This study compared five pieces of paintings and calligraphic works from the 18th century with paintings and calligraphic works produced between the 19th and the 20th century as the contrast remains and investigated the physical properties, colors, fiber morphologies, paper-making and converting properties of Lining paper separated from the original place. The results of the study can be summarized as follows: What was used for Lining of paintings and calligraphic works in the 18th century was all the paper produced with Oebal-choji made from paper mulberry bast fiber. Lining paper used for paintings and calligraphic works in the 18th century all had nods and transparent films, which are the features of paper mulberry fibers. There were large deviations between the remains in terms of the fiber length of Lining used for each piece of the remains, but since the fiber length with a single piece of the remains were in a similar range, it was found that paper mulberry fiber produced in the same area was used to manufacture paper. By examining two different scroll-typed pieces of the remains, the number of Lining was found to increase as the size of paintings and calligraphic works was larger, and the 1st Lining paper of the silk ground out of the two remains had lower grammage and density than the 1st Lining paper of the paper ground. It was judged to reduce the estrangement according to the difference of the rates of contract and expansion resulted by the heterogeneity between the ground and the material of Lining paper after the process of Lining. On the other hand, the 1st Lining paper used for the Lining of paintings and calligraphic works in the 19th century was found to use paper mulberry fiber as well as monofilament such as wood fiber. Like the 1st paper folded its back on the silk ground out of the scroll-typed remains from the 18th century, using paper mixed with monofilament was judged to reduce the estrangement after the process of Lining. As a result of analyzing the additives of Lining paper, Ca, Fe, Al and Si and so on were detected, which were judged to function like Hobun or China clay added in manufacturing paper at present. Since paper with such an additive added can function to absorb humidity thanks to its additives, it was supposed that those additives had positive effects on the size stability of paper. With this analysis of Lining paper of the remains along with data accumulated by examining the general characteristics of paper from each era, it is anticipated that the characteristics of paper stated in the ancient documents can be found to reproduce paper in the ancient methods, further providing basic data for the development of paper proper to preserve and restore remains.
※ AI-Helper는 부적절한 답변을 할 수 있습니다.