The purpose of this study is to examine how the author Kim Dong-Ni experienced, understood and accepted a place, and how he embodies such place in a novel. Kim Dong-Ni's world of work is indicating essential relationship with place. Kim Dong-Ni is revealing the author's consciousness and writing int...
The purpose of this study is to examine how the author Kim Dong-Ni experienced, understood and accepted a place, and how he embodies such place in a novel. Kim Dong-Ni's world of work is indicating essential relationship with place. Kim Dong-Ni is revealing the author's consciousness and writing intention through a place in a novel. He tried to make it figurative a place of discovery and acceptance in the human destiny in a novel rather than the temporal and historical place. Nevertheless, the existing research on Kim Dong-Ni's place is being understood or evaluated independently without being connected with the contemporary reality, characters, and author's consciousness. Accordingly, a research on Kim Dong-Ni's place will need to be advanced with suggestion of a place where Kim Dong-Ni's internal world becomes a motive, as well as a place that is made by historical, social and ideological motive. C. N. Schulz mentions that a human being forms own place oneself after passing through the process of understanding nature. A man-made place is embodied even in narrative space. Kim Dong-Ni is forming a man-made place(place in a novel) with the intentional directivity within novel. Its direction is consistent with his literary view called oneness between a human being and nature. His author's consciousness can be grasped by analyzing identity of a place in Kim Dong-Ni's novel through applying E. Relph's theory of insideness and outsideness. A transfiguration in place of Kim Dong-Ni's novel is being progressed from the external and logical place to the internal and feeling-based place. This transfiguration aspect is consistent with direction of proceeding with advancing to true place to which Kim Dong-Ni's literature points. This study analyzes author‘s consciousness at that time through a transfiguration in identity of place by period. First of all, in Chapter Ⅱ, the novels in the Japanese colonial period are being addressed. Identity of place called 'existential outsideness' is occupying Kim Dong-Ni's novel in this period. The existential outsideness is a situation that a human being is rejected by place. The existential outsideness implies the loss of unreality and membership for the world. Alienation and indifference, which a human being experiences from a place of ideal land, imply existential outsideness. Place in Kim Dong-Ni’s novel during this period is being estranged from historical reality called the Japanese colonial period. The place is revealing alienation and nothingness, which are happened between reality and ideal place. The meaning of this place is speaking for the historically gloomy national reality called the Japanese colonial period, and for author's inside of coming from death and loneliness that he had experienced from the early childhood. Chapter Ⅲ is addressing the works during the period of liberation and 6.25 Korean War. Due to a change in the contemporary reality that was brought by the liberation and the war, even Kim Dong-Ni's world of novel passes through transfiguration. This transfiguration is being revealed in place of Kim Dong-Ni's novel. Identity of place in this period is ‘objective outsideness.’ Kim Dong-Ni separates sensational himself from reality through attitude of experiencing deliberately and cooly the reality called the liberation and 6.25 Korean War. In this period, Kim Dong-Ni reconstituted logical, rational, and efficient place by being separated from sensitivity of the Subject. A place in a novel during this period was distant from the realization of the place that Kim Dong-Ni mostly pursues. Therefore, Kim Dong-Ni is doing the objective narration that was intentionally excluded sensitivity from a place in a novel. The objective outsideness in Kim Dong-Ni's novel during this period is positioned in the prior stage of proceeding with advancing to the stage of insideness, which begins to express Kim Dong-Ni's internal world. Chapter Ⅳ addressed the works from the end of the 1950s to the end of the 1960s as the period of stabilization after the war. In a place of Kim Dong-Ni's novel in this period, the ‘empathetic insideness’ is formed. In a novel of this period, the places are being revealed that contain a human being's image of responding to the external disposition, a human being's image of seeking for relief with escaping from the external disposition, and a human being's image of making a reflective confession with confirming identity. The empathetic insideness in this period is positioned in the prior place of proceeding with advancing to the ultimate form of life, which is Kim Dong-Ni's literary view. Kim Dong-Ni established the grouping stage of proceeding with advancing to the inside from this outside in this period. As Chapter Ⅴ is the last period, there is a mention on places that are embodying specifically Kim Dong-Ni's consistent literary view. The place of novel in this period shows the image of being assimilated into one part of nature by recognizing a human being's limitation, accepting its limitation, and developing. Identity, which a human being feels a sense of unity with place, is 'existential insideness.' Just a human being, who exists in true place, can proceed with rightly discovering and implementing own identity. Implementation of this identity in Kim Dong-Ni's novel is completed in nature called Gyeongju. Kim Dong-Ni is completing own literary realization by acquiring(a sense of oneness with place) a true place called Gyeongju where a Yeoshin(與神)-based human being makes new humanism born. This study shows that Kim Dong-Ni consistently practices the literary view called the Ultimate Form of Life, but that its implementation is being differently revealed in a place of novel historically. Even the literary selection as saying of the identity of alienation and nothingness under the Japanese colonial period, the national idea under several ideologies in the period of liberation, the loss and dispair caused by the ideology after the 6.25 Korean War, the entry into the internal introspection in the period of stabilization after the war, and the oneness between a human being and nature in the last period was ultimately identity of place that was spread in the process of advancing to the Ultimate Form of Life. The place of Kim Dong-Ni's novel is showing the image of being assimilated into one part of nature by recognizing a human being's limitation, accepting its limitation, and developing. This image is being completed in nature called Gyeongju. The transfiguration of a place in Kim Dong-Ni's novel was the result of Kim Dong-Ni's responsive or positive literary orientation that was spread under such diverse dispositions as the historical, realistic and ideological disposition.
The purpose of this study is to examine how the author Kim Dong-Ni experienced, understood and accepted a place, and how he embodies such place in a novel. Kim Dong-Ni's world of work is indicating essential relationship with place. Kim Dong-Ni is revealing the author's consciousness and writing intention through a place in a novel. He tried to make it figurative a place of discovery and acceptance in the human destiny in a novel rather than the temporal and historical place. Nevertheless, the existing research on Kim Dong-Ni's place is being understood or evaluated independently without being connected with the contemporary reality, characters, and author's consciousness. Accordingly, a research on Kim Dong-Ni's place will need to be advanced with suggestion of a place where Kim Dong-Ni's internal world becomes a motive, as well as a place that is made by historical, social and ideological motive. C. N. Schulz mentions that a human being forms own place oneself after passing through the process of understanding nature. A man-made place is embodied even in narrative space. Kim Dong-Ni is forming a man-made place(place in a novel) with the intentional directivity within novel. Its direction is consistent with his literary view called oneness between a human being and nature. His author's consciousness can be grasped by analyzing identity of a place in Kim Dong-Ni's novel through applying E. Relph's theory of insideness and outsideness. A transfiguration in place of Kim Dong-Ni's novel is being progressed from the external and logical place to the internal and feeling-based place. This transfiguration aspect is consistent with direction of proceeding with advancing to true place to which Kim Dong-Ni's literature points. This study analyzes author‘s consciousness at that time through a transfiguration in identity of place by period. First of all, in Chapter Ⅱ, the novels in the Japanese colonial period are being addressed. Identity of place called 'existential outsideness' is occupying Kim Dong-Ni's novel in this period. The existential outsideness is a situation that a human being is rejected by place. The existential outsideness implies the loss of unreality and membership for the world. Alienation and indifference, which a human being experiences from a place of ideal land, imply existential outsideness. Place in Kim Dong-Ni’s novel during this period is being estranged from historical reality called the Japanese colonial period. The place is revealing alienation and nothingness, which are happened between reality and ideal place. The meaning of this place is speaking for the historically gloomy national reality called the Japanese colonial period, and for author's inside of coming from death and loneliness that he had experienced from the early childhood. Chapter Ⅲ is addressing the works during the period of liberation and 6.25 Korean War. Due to a change in the contemporary reality that was brought by the liberation and the war, even Kim Dong-Ni's world of novel passes through transfiguration. This transfiguration is being revealed in place of Kim Dong-Ni's novel. Identity of place in this period is ‘objective outsideness.’ Kim Dong-Ni separates sensational himself from reality through attitude of experiencing deliberately and cooly the reality called the liberation and 6.25 Korean War. In this period, Kim Dong-Ni reconstituted logical, rational, and efficient place by being separated from sensitivity of the Subject. A place in a novel during this period was distant from the realization of the place that Kim Dong-Ni mostly pursues. Therefore, Kim Dong-Ni is doing the objective narration that was intentionally excluded sensitivity from a place in a novel. The objective outsideness in Kim Dong-Ni's novel during this period is positioned in the prior stage of proceeding with advancing to the stage of insideness, which begins to express Kim Dong-Ni's internal world. Chapter Ⅳ addressed the works from the end of the 1950s to the end of the 1960s as the period of stabilization after the war. In a place of Kim Dong-Ni's novel in this period, the ‘empathetic insideness’ is formed. In a novel of this period, the places are being revealed that contain a human being's image of responding to the external disposition, a human being's image of seeking for relief with escaping from the external disposition, and a human being's image of making a reflective confession with confirming identity. The empathetic insideness in this period is positioned in the prior place of proceeding with advancing to the ultimate form of life, which is Kim Dong-Ni's literary view. Kim Dong-Ni established the grouping stage of proceeding with advancing to the inside from this outside in this period. As Chapter Ⅴ is the last period, there is a mention on places that are embodying specifically Kim Dong-Ni's consistent literary view. The place of novel in this period shows the image of being assimilated into one part of nature by recognizing a human being's limitation, accepting its limitation, and developing. Identity, which a human being feels a sense of unity with place, is 'existential insideness.' Just a human being, who exists in true place, can proceed with rightly discovering and implementing own identity. Implementation of this identity in Kim Dong-Ni's novel is completed in nature called Gyeongju. Kim Dong-Ni is completing own literary realization by acquiring(a sense of oneness with place) a true place called Gyeongju where a Yeoshin(與神)-based human being makes new humanism born. This study shows that Kim Dong-Ni consistently practices the literary view called the Ultimate Form of Life, but that its implementation is being differently revealed in a place of novel historically. Even the literary selection as saying of the identity of alienation and nothingness under the Japanese colonial period, the national idea under several ideologies in the period of liberation, the loss and dispair caused by the ideology after the 6.25 Korean War, the entry into the internal introspection in the period of stabilization after the war, and the oneness between a human being and nature in the last period was ultimately identity of place that was spread in the process of advancing to the Ultimate Form of Life. The place of Kim Dong-Ni's novel is showing the image of being assimilated into one part of nature by recognizing a human being's limitation, accepting its limitation, and developing. This image is being completed in nature called Gyeongju. The transfiguration of a place in Kim Dong-Ni's novel was the result of Kim Dong-Ni's responsive or positive literary orientation that was spread under such diverse dispositions as the historical, realistic and ideological disposition.
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