The purpose of this study is to analyze and investigate the background and characteristics of Op. 13, No. 8, a representative of L. v. Beeethoven's(1770∼1827) 32 piano sonatas in order to help a desirable performance. Bofore analyzing Op. 13 No. 8, Beethoven piano sonatas were classified into early,...
The purpose of this study is to analyze and investigate the background and characteristics of Op. 13, No. 8, a representative of L. v. Beeethoven's(1770∼1827) 32 piano sonatas in order to help a desirable performance. Bofore analyzing Op. 13 No. 8, Beethoven piano sonatas were classified into early, middle and late period. The musical content and value of Sonata ¨Pathetique¨ was reviewed. The form, melody, harmony and tonality were investihated by movements. This music Beethoven himself named ‘Grande Sonata Pathetique’ is composed of three movements. First time for Piano sonata, the prelude in Grave is of great consequence in the first movement. Mostly the passionate and tragic feeling is observed. Unlike the classical sonatas, the tonality frequently changes and the length of development is short. The powerful performance of C minor forms the sense of pathos at the beginning of this music. The second movement in long, lyrical Cantabile has A-B-A-C-A Rondo form. This movement is characterized that the main melody flows on the upper line, the inner part is full of harmony and its form is elaborate, the melody is beautiful and pedal point is used. The third movement is like sonething that the 1st and 2nd movement are synthesized. This movement is Romantical Rondo and composed of A-B-A-C-A-B-A. Arpeggio appears on the lower part bringing about the cheerful feeling unlike other music. This tune of Op. 13, No. 8, though an early work, shows the originality of Beethoven and his change of attitude towards Romanticism getting out of Classicism. This music contains Beethoven’s radical proposition, the overcome of destiny, good, despair and joy and those are well matched. In conclusion, the analysis of ¨Pathetique” helps right understanding of the general characteristics of Beethoven’s early sonatas.
The purpose of this study is to analyze and investigate the background and characteristics of Op. 13, No. 8, a representative of L. v. Beeethoven's(1770∼1827) 32 piano sonatas in order to help a desirable performance. Bofore analyzing Op. 13 No. 8, Beethoven piano sonatas were classified into early, middle and late period. The musical content and value of Sonata ¨Pathetique¨ was reviewed. The form, melody, harmony and tonality were investihated by movements. This music Beethoven himself named ‘Grande Sonata Pathetique’ is composed of three movements. First time for Piano sonata, the prelude in Grave is of great consequence in the first movement. Mostly the passionate and tragic feeling is observed. Unlike the classical sonatas, the tonality frequently changes and the length of development is short. The powerful performance of C minor forms the sense of pathos at the beginning of this music. The second movement in long, lyrical Cantabile has A-B-A-C-A Rondo form. This movement is characterized that the main melody flows on the upper line, the inner part is full of harmony and its form is elaborate, the melody is beautiful and pedal point is used. The third movement is like sonething that the 1st and 2nd movement are synthesized. This movement is Romantical Rondo and composed of A-B-A-C-A-B-A. Arpeggio appears on the lower part bringing about the cheerful feeling unlike other music. This tune of Op. 13, No. 8, though an early work, shows the originality of Beethoven and his change of attitude towards Romanticism getting out of Classicism. This music contains Beethoven’s radical proposition, the overcome of destiny, good, despair and joy and those are well matched. In conclusion, the analysis of ¨Pathetique” helps right understanding of the general characteristics of Beethoven’s early sonatas.
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