Beethoven wrote a very original-style music beyond classical music and the tradition getting out of the formalism, traditionalism, judgment, objectivity, difinitude, simplicity of classical music, and in particular, the piano sonata of his writings can be said to be the best of a sonata form structu...
Beethoven wrote a very original-style music beyond classical music and the tradition getting out of the formalism, traditionalism, judgment, objectivity, difinitude, simplicity of classical music, and in particular, the piano sonata of his writings can be said to be the best of a sonata form structure. It can be said that his early, middle and latter periods of piano sonatas reflect his artistic character as it is, and that they have excellent values in the contents and that they have excellent values in the contents and that they show most certainly the progress of the artistic development because being written through his life. Sonata shows more clearly his internal growth and maturity than any other writing does, also his gradual changes and ceaseless progress. We can se in Beethoven's sonata that the form and structure are perfect than those of any other composer's writings, and his piano sonata shows the perfect sonata form than any other performance style. The piano sonata of Op.81a that was researched and analysed in this treatise is the final music of Bethoven's middle period of 1809 and 1810, and includes the musical features of this period. In particular, this is the music to show the tendency of romantic music, and can be called the music that shows well his personality and musical features, and that had lots of effects on romantic program music, not being inclined to classical sonata form as we can see from the fact of Beethoven's having given the title to the music, though being unable to be called the program music. So, this research aims at examining the features and the position in the musical history of Op.81a, and being of help to the performance with the dep understanding and the correct interpretation for this music.
Beethoven wrote a very original-style music beyond classical music and the tradition getting out of the formalism, traditionalism, judgment, objectivity, difinitude, simplicity of classical music, and in particular, the piano sonata of his writings can be said to be the best of a sonata form structure. It can be said that his early, middle and latter periods of piano sonatas reflect his artistic character as it is, and that they have excellent values in the contents and that they have excellent values in the contents and that they show most certainly the progress of the artistic development because being written through his life. Sonata shows more clearly his internal growth and maturity than any other writing does, also his gradual changes and ceaseless progress. We can se in Beethoven's sonata that the form and structure are perfect than those of any other composer's writings, and his piano sonata shows the perfect sonata form than any other performance style. The piano sonata of Op.81a that was researched and analysed in this treatise is the final music of Bethoven's middle period of 1809 and 1810, and includes the musical features of this period. In particular, this is the music to show the tendency of romantic music, and can be called the music that shows well his personality and musical features, and that had lots of effects on romantic program music, not being inclined to classical sonata form as we can see from the fact of Beethoven's having given the title to the music, though being unable to be called the program music. So, this research aims at examining the features and the position in the musical history of Op.81a, and being of help to the performance with the dep understanding and the correct interpretation for this music.
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