Ludwig van Beethoven is a great German composer. He created the 32 piano sonatas which are at unique and top position in history of music. He developed Piano Sonata to a new level, and improved the artistic expression of sonata. The saying that without Beethoven there would not be the fast developme...
Ludwig van Beethoven is a great German composer. He created the 32 piano sonatas which are at unique and top position in history of music. He developed Piano Sonata to a new level, and improved the artistic expression of sonata. The saying that without Beethoven there would not be the fast development of Sonata is not exaggerated. The first part, through introducing Beethoven’s lifetime, stages of composing of Piano Sonata and form of his Piano Sonata, states the background of Beethoven’s Piano Sonata composing. There are three stages in Beethoven’s composing of Piano Sonata. At preliminary stage (1795-1800), Beethoven composed thirteen Piano Sonatas. The style is a continuing of Haydn and Mozart’s. The difference is that Beethoven adds some change in strength, harmony, tonality and rhythm. At middle stage (1801-1814), Beethoven reached his climax of composing, which includes 14 Piano Sonatas. Meanwhile it is also his mature period of Piano Sonatas, during which he began to consciously extend the artistic expression of sonatas. Besides the change of strength and harmony, he concerns more on the creating of inner mood in music, and many of the inner music motives are paradoxical. At late stage (1816-1822), five sonatas were composed. The style is not only a continuing of middle stage works, but also adds more personal mood in the works. All the moods expressed are shown in form of fugue, which becomes a most characteristic in late stage Piano Sonatas. The second part, through theoretical description of an introduction, exposition, the development (section), recapitulation and coda, states the form of Beethoven’s medium-term Piano Sonata. In the third part, the 3 especial Piano Sonatas, Op. 27 No.2/Op.57/Op.81a which are chosen from 14 Sonatas in Beethoven's medium-term music, are analyzed. The first movement of Op.27 No.2: Beethoven's sonata is basically made up of sonata form and allegro, and Op.27 No2 is seldom, which is made up of after trilogy type and adagio, that is why I study it. The first movement of Op.57 is a sonata form with 58 bars, and it is a solid evidence that Beethoven takes coda seriously, moreover, the fate motivation has been run through music, starting with ff, and then pp, ending with ppp. The first movement of Op.81 is a sonata form with 16 bars’ introduction and 94 bars’ coda. The “Das Lebewohl” which lasts whole music is expressed by Adagio in introduction and Allegro in the exposition, Through analysis, this paper proves that without Beethoven there would not be the fast development in the field of Piano Sonatas.
Ludwig van Beethoven is a great German composer. He created the 32 piano sonatas which are at unique and top position in history of music. He developed Piano Sonata to a new level, and improved the artistic expression of sonata. The saying that without Beethoven there would not be the fast development of Sonata is not exaggerated. The first part, through introducing Beethoven’s lifetime, stages of composing of Piano Sonata and form of his Piano Sonata, states the background of Beethoven’s Piano Sonata composing. There are three stages in Beethoven’s composing of Piano Sonata. At preliminary stage (1795-1800), Beethoven composed thirteen Piano Sonatas. The style is a continuing of Haydn and Mozart’s. The difference is that Beethoven adds some change in strength, harmony, tonality and rhythm. At middle stage (1801-1814), Beethoven reached his climax of composing, which includes 14 Piano Sonatas. Meanwhile it is also his mature period of Piano Sonatas, during which he began to consciously extend the artistic expression of sonatas. Besides the change of strength and harmony, he concerns more on the creating of inner mood in music, and many of the inner music motives are paradoxical. At late stage (1816-1822), five sonatas were composed. The style is not only a continuing of middle stage works, but also adds more personal mood in the works. All the moods expressed are shown in form of fugue, which becomes a most characteristic in late stage Piano Sonatas. The second part, through theoretical description of an introduction, exposition, the development (section), recapitulation and coda, states the form of Beethoven’s medium-term Piano Sonata. In the third part, the 3 especial Piano Sonatas, Op. 27 No.2/Op.57/Op.81a which are chosen from 14 Sonatas in Beethoven's medium-term music, are analyzed. The first movement of Op.27 No.2: Beethoven's sonata is basically made up of sonata form and allegro, and Op.27 No2 is seldom, which is made up of after trilogy type and adagio, that is why I study it. The first movement of Op.57 is a sonata form with 58 bars, and it is a solid evidence that Beethoven takes coda seriously, moreover, the fate motivation has been run through music, starting with ff, and then pp, ending with ppp. The first movement of Op.81 is a sonata form with 16 bars’ introduction and 94 bars’ coda. The “Das Lebewohl” which lasts whole music is expressed by Adagio in introduction and Allegro in the exposition, Through analysis, this paper proves that without Beethoven there would not be the fast development in the field of Piano Sonatas.
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