공공역사(Public History) 관점에서 본 프랑스 파리 국립이주사박물관의 역사 재현 : ‘알제리(Algeria) 이주민의 역사’를 중심으로 A Historical Reproduction of the National Museum of History of immigration in Paris from the viewpoint of Public History : Focusing on the History of Algerian immigrants원문보기
The role of the museum is no longer to preserve, collect and display artifacts. Museums are pursuing change as spaces that form social debates on social participation and common problems. In the French society, which consists of various migrants, the xenophobia, discrimination against migrant and so...
The role of the museum is no longer to preserve, collect and display artifacts. Museums are pursuing change as spaces that form social debates on social participation and common problems. In the French society, which consists of various migrants, the xenophobia, discrimination against migrant and social integration of the immigrants remain a problem to solve. In order to solve the problems, the National Museum of History of Immigration in Paris, France, was founded. This museum aimed to change the negative perceptions of immigrants and to inform the members of the society about the contributions of the immigrants to France. At the same time, it pursued to get out of the colonial symbolism. Thus, the goal of the National Museum of History of Immigration was not simply to inform history of immigrants, but to contribute to social change through the change of public perception. But the National Museum of History of Immigration was built in a colonial museum representing French colonialism in the past, and it was controversial whether a museum aiming at decolonization could overcome the colonial symbolism and represent the history of those who have emigrated to France. This paper purposes to examine the historical reproduction of the exhibition in National Museum of History of Immigration to examine the limits and possibilities of this museum. In particular, this paper looks at how the history of Algerian immigrants, who are recognized today as representative immigrants in France, is reproduced. First, look at the symbolism of the National Museum of History of Immigration and the political and social discussions surrounding the construction of this museum. Second, examine the historical reproduction of the Algerian immigrants through the permanent exhibition of the museum and the donation gallery, the participatory space in the museum. Third, analyze special exhibition with the theme of "Algeria's immigrants in France during the Algerian War" in 2012-2013. Understand the intent and meaning of this exhibition and analyze it’s structure and the contents. Fourth, evaluate the limits and possibilities of museums from the perspective of public history and suggest alternatives.
The role of the museum is no longer to preserve, collect and display artifacts. Museums are pursuing change as spaces that form social debates on social participation and common problems. In the French society, which consists of various migrants, the xenophobia, discrimination against migrant and social integration of the immigrants remain a problem to solve. In order to solve the problems, the National Museum of History of Immigration in Paris, France, was founded. This museum aimed to change the negative perceptions of immigrants and to inform the members of the society about the contributions of the immigrants to France. At the same time, it pursued to get out of the colonial symbolism. Thus, the goal of the National Museum of History of Immigration was not simply to inform history of immigrants, but to contribute to social change through the change of public perception. But the National Museum of History of Immigration was built in a colonial museum representing French colonialism in the past, and it was controversial whether a museum aiming at decolonization could overcome the colonial symbolism and represent the history of those who have emigrated to France. This paper purposes to examine the historical reproduction of the exhibition in National Museum of History of Immigration to examine the limits and possibilities of this museum. In particular, this paper looks at how the history of Algerian immigrants, who are recognized today as representative immigrants in France, is reproduced. First, look at the symbolism of the National Museum of History of Immigration and the political and social discussions surrounding the construction of this museum. Second, examine the historical reproduction of the Algerian immigrants through the permanent exhibition of the museum and the donation gallery, the participatory space in the museum. Third, analyze special exhibition with the theme of "Algeria's immigrants in France during the Algerian War" in 2012-2013. Understand the intent and meaning of this exhibition and analyze it’s structure and the contents. Fourth, evaluate the limits and possibilities of museums from the perspective of public history and suggest alternatives.
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