This course examines the characteristics of the 19th century romantic German art song and examines Goethe's life and literary thought. In an analysis of the contents and characters of Goethe's novel Wilhelm Meister and four of his poems, he helped to understand poetry through the analysis of "Nur we...
This course examines the characteristics of the 19th century romantic German art song and examines Goethe's life and literary thought. In an analysis of the contents and characters of Goethe's novel Wilhelm Meister and four of his poems, he helped to understand poetry through the analysis of "Nur wer die Sehnsucht kennt" and found that the composers (Schubert, Schumann, Tchaikovsky) The characteristics of the song and the composition, composition, harmony, rhythm, rhythm, accompaniment and literary structure of the lyrics were studied and compared with those of the song "Nur wer die Sehnsucht kennt".
Wilhelm Meister (1777-1795) was composed of eight volumes, which are the "theatrical mission" conceived as an 'artistic novel', and in the sixth volume, a certain nun who read Goethe in her youth "Confessions of Beautiful Souls" are inserted as "Confessions of Beautiful Souls" in "Confessions of the Soul." 7 ~ 8 are "Class Periods" conceived as "Philosophical Cultural Novels".
Schubert is an A-A '(two-part format) and Tchaikovsky is an A-B-A (three-part format).
In composition and Mars, Schubert progresses sequentially and moves within 5 degrees, Schumann progresses in chromatic progression by 3 degrees and descends, and Tchaikovsky progresses to the second degree by chromatic progression.
In the melody and rhythm, all three composers are presented at the beginning of the song, and Schubert performs the rhythm in the climax part in a faithful sequential progression to the lyrics, while Schumann has the same melody in the same lyrics, And the rhythm is extended to the climax part. Tchaikovsky is progressive as a whole, progressing by 7 degrees and 6 degrees downward, and climaxing by increasing the pitch without increasing or decreasing the rhythm.
In the accompaniment form, Schubert is a melody type, an arpeggio type, a chord type, Schumann is a decentralized tone, Tchaikovsky has a lot of leap in the melody part,
As shown in the three composers' works, the composer's understanding of poet's inner side of poetry in the thought of the poet and music world is expressed by his own interpretation in musical form, composition and harmony, melody and rhythm.
The performer was able to understand the poet 's poetry before the actual performance and to understand the musical composition necessary for the vocal performance and to study the way of expressing the performance.
This course examines the characteristics of the 19th century romantic German art song and examines Goethe's life and literary thought. In an analysis of the contents and characters of Goethe's novel Wilhelm Meister and four of his poems, he helped to understand poetry through the analysis of "Nur wer die Sehnsucht kennt" and found that the composers (Schubert, Schumann, Tchaikovsky) The characteristics of the song and the composition, composition, harmony, rhythm, rhythm, accompaniment and literary structure of the lyrics were studied and compared with those of the song "Nur wer die Sehnsucht kennt".
Wilhelm Meister (1777-1795) was composed of eight volumes, which are the "theatrical mission" conceived as an 'artistic novel', and in the sixth volume, a certain nun who read Goethe in her youth "Confessions of Beautiful Souls" are inserted as "Confessions of Beautiful Souls" in "Confessions of the Soul." 7 ~ 8 are "Class Periods" conceived as "Philosophical Cultural Novels".
Schubert is an A-A '(two-part format) and Tchaikovsky is an A-B-A (three-part format).
In composition and Mars, Schubert progresses sequentially and moves within 5 degrees, Schumann progresses in chromatic progression by 3 degrees and descends, and Tchaikovsky progresses to the second degree by chromatic progression.
In the melody and rhythm, all three composers are presented at the beginning of the song, and Schubert performs the rhythm in the climax part in a faithful sequential progression to the lyrics, while Schumann has the same melody in the same lyrics, And the rhythm is extended to the climax part. Tchaikovsky is progressive as a whole, progressing by 7 degrees and 6 degrees downward, and climaxing by increasing the pitch without increasing or decreasing the rhythm.
In the accompaniment form, Schubert is a melody type, an arpeggio type, a chord type, Schumann is a decentralized tone, Tchaikovsky has a lot of leap in the melody part,
As shown in the three composers' works, the composer's understanding of poet's inner side of poetry in the thought of the poet and music world is expressed by his own interpretation in musical form, composition and harmony, melody and rhythm.
The performer was able to understand the poet 's poetry before the actual performance and to understand the musical composition necessary for the vocal performance and to study the way of expressing the performance.
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#19th century romantic German song features Wilhelm Meister Mignon Schubert's Wilhelm Meister Schumann's Wilhelm Meister Wilhelm Meister of Tchaikovsky Goethe's Life and Literature Thought
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