본 논문은 실행에 근거한 연구로, 기억의 신비와 복잡함을 탐구할 수 있는 유일한 형태인 애니메이션 다큐멘터리에 관한 실험을 탐색하는 데 목적을 둔다. 애니메이션 다큐멘터리란 역사적으로 자리잡아 영향을 받은 내러티브의 맥락에서 한 개인의 기억을 밝혀낼 수 있는 하나의 매체라고 할 수 있다. 애니메이션과 다큐멘터리간의 혼인은 새로운 형태의 영화를 탄생하게 했다. 그렇다면 이 새로운 형태를 어떻게 범주화할 것인가? 이것은 애니메이션 단편영화인가 아니면 다큐멘터리 단편영화인가? 실제로 이것은 애니메이션과 다큐멘터리의 본질에 대해 질문하는 문제를 제기한다. 슈이보 왕 (Shuibo Wang)의 작품 이래로 더 많은 젊은 중국의 아티스트들은 시각적 나레이션에 있어서 상징을 통한 (정치적인 팝 트렌드와 관련된 상징) 실험을 해왔는데 이것은 중국 현대 예술분야에서 구조주의와 기호학을 반영하는 것이라고 보여질 수도 있다. 사례연구로 본 논문에서는 애니메이션 단편 "케첩 (Ketchup)"이 6세 소년의 기억을 통해서 어떻게 청춘의 문제와 사회적 혼란을 드러내는 지에 대해서 밝힐 것이다. 그간 영화제와 학회에서 청중은 이 "케첩"이 사실에 근거해서 만든 작품이라는 사실을 알고 충격을 받았으며, 또한 그런 중대한 사건이 어떻게 해서 거의 잊혀지게 되었는지에 대해서도 궁금함을 표시했다. 사실상 이 망각이라는 것은 기억의 층의 한 부분이다. 애니메이션 다큐멘터리는 우리의 기억이 어떻게 형성되는지를 탐험하는 새로운 방법을 제공할 것이다.
본 논문은 실행에 근거한 연구로, 기억의 신비와 복잡함을 탐구할 수 있는 유일한 형태인 애니메이션 다큐멘터리에 관한 실험을 탐색하는 데 목적을 둔다. 애니메이션 다큐멘터리란 역사적으로 자리잡아 영향을 받은 내러티브의 맥락에서 한 개인의 기억을 밝혀낼 수 있는 하나의 매체라고 할 수 있다. 애니메이션과 다큐멘터리간의 혼인은 새로운 형태의 영화를 탄생하게 했다. 그렇다면 이 새로운 형태를 어떻게 범주화할 것인가? 이것은 애니메이션 단편영화인가 아니면 다큐멘터리 단편영화인가? 실제로 이것은 애니메이션과 다큐멘터리의 본질에 대해 질문하는 문제를 제기한다. 슈이보 왕 (Shuibo Wang)의 작품 이래로 더 많은 젊은 중국의 아티스트들은 시각적 나레이션에 있어서 상징을 통한 (정치적인 팝 트렌드와 관련된 상징) 실험을 해왔는데 이것은 중국 현대 예술분야에서 구조주의와 기호학을 반영하는 것이라고 보여질 수도 있다. 사례연구로 본 논문에서는 애니메이션 단편 "케첩 (Ketchup)"이 6세 소년의 기억을 통해서 어떻게 청춘의 문제와 사회적 혼란을 드러내는 지에 대해서 밝힐 것이다. 그간 영화제와 학회에서 청중은 이 "케첩"이 사실에 근거해서 만든 작품이라는 사실을 알고 충격을 받았으며, 또한 그런 중대한 사건이 어떻게 해서 거의 잊혀지게 되었는지에 대해서도 궁금함을 표시했다. 사실상 이 망각이라는 것은 기억의 층의 한 부분이다. 애니메이션 다큐멘터리는 우리의 기억이 어떻게 형성되는지를 탐험하는 새로운 방법을 제공할 것이다.
This is a practice-based research, aiming to explore the experiments of Animated Documentary, which is a unique form can explore the mysteries and complexity of memories. Animated Documentary is a medium through which one can reveal an individual's memories within the context of a narrative that is ...
This is a practice-based research, aiming to explore the experiments of Animated Documentary, which is a unique form can explore the mysteries and complexity of memories. Animated Documentary is a medium through which one can reveal an individual's memories within the context of a narrative that is historically situated and influenced. The marriage of animation and documentary gave birth to a new form of film. How to category this new form? Is it an animated short or documentary short? In fact, this raises issue that questioning the nature of animation and documentary. From Shuibo Wang's works, more young Chinese artists began to experiment with symbols (related to the Political Pop Trend) in visual narration, which could also be seen as a reflection of structuralism and semiology in the contemporary Chinese art field. As a case study, this paper demonstrates how animated short "Ketchup" revealed the problems of youth and social turmoil through the memories of a six-year boy. On the Festivals and conferences, the publics were shocked to know "Ketchup" based on true memories, and they were more curious why the crucial things almost be forgotten. Actually forget fulness is one of the layers of memories and Animated Documentary will offer a new way to explore how our memories are shaped.
This is a practice-based research, aiming to explore the experiments of Animated Documentary, which is a unique form can explore the mysteries and complexity of memories. Animated Documentary is a medium through which one can reveal an individual's memories within the context of a narrative that is historically situated and influenced. The marriage of animation and documentary gave birth to a new form of film. How to category this new form? Is it an animated short or documentary short? In fact, this raises issue that questioning the nature of animation and documentary. From Shuibo Wang's works, more young Chinese artists began to experiment with symbols (related to the Political Pop Trend) in visual narration, which could also be seen as a reflection of structuralism and semiology in the contemporary Chinese art field. As a case study, this paper demonstrates how animated short "Ketchup" revealed the problems of youth and social turmoil through the memories of a six-year boy. On the Festivals and conferences, the publics were shocked to know "Ketchup" based on true memories, and they were more curious why the crucial things almost be forgotten. Actually forget fulness is one of the layers of memories and Animated Documentary will offer a new way to explore how our memories are shaped.
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문제 정의
The first point will set up a hidden bridge between reality and imagination: memory. By analyzing the exemplary works of Animated Documentary, this paper will reveal the advantages of reliving memories, especially autobiographical ones, through Animated Documentary.
This keeps Animated Documentary paving new ways outside existing boundaries. This paper focuses on the dynamic elements and power across fields and aims to analyze the ways in which they construct the potential of Animated Documentary.
제안 방법
Even though in some festivals some audiences did not regard Sunrise Over Tiananmen Square as an animation, this work explores a new method for the Chinese School of animation. From the 1960s to 1980s the most notable animated works from China at international festivals told fairytale stories and were expressed with traditional ink painting and brush style.
Our first documentary work seemed to be a failure. Fortunately, using the few hundred photos that we had we were able to finish the project by using stop-motion animation. This experience helped us to figure out that Animated Documentary had the potential to offer us more freedom and imaginary perspective.
In 1953, Norman McLaren's Neighbours won the Academy Award for Best Documentary (Short Subject). Produced at the National Film Board of Canada in Montreal, the film uses a technique known as pixilation in addition to expressing violent scenes humorously. Also Neighbours raised an important question about the categorization of Animated Documentary by critics.
Thanks to the recommendation of Michał Bobrowski, I had a chance to watch The Chronicle of Oldřich S. (Kronika Oldřicha S., dir. Rudolf Šmid, 2012, Czech Republic), which for me formed an interesting dialogue with Sunrise Over Tiananmen Square, and revealed a new perspective by reflecting on 25 years in 17-minutes.
This trilogy is a series of experimental animations with traits of documentary. The trilogy includes Ketchup, PiGu (屁股), A Kiss of A Mosquito on My Foot (蚊子叮脚心), based on the memories of a young boy growing up and with the problems of youth and social turmoil.
대상 데이터
The recording of the daily lives of workers revealed the story of “Century City”（世纪城） 29), an area in the west side of Beijing.
“Animation or documentary?” This question was also raised regarding Shuibo Wang’s Sunrise over Tiananmen Square. This work is a visual autobiography of Shuibo Wang himself who grew up in China during the historic upheavals of the 1960s, 1970s and 1980s. As a personal exploration of China's recent history, Shuibo Wang presented this work through a rich collage of original artwork, archival and family photographs, and animation.
참고문헌 (18)
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Michel Foucault, The Order of Things: An Archaeology of the Human SciencesVintage; Reissue edition, March 29, 1994.
Douwe Draaisma, Why Life Speeds Up as You Get Older, Cambridge University Press, 2004.
Douwe Draaisma, Forgetting: Myths, Perils and Compensations, Yale University Press; Tra edition, April 28, 2015.
Douwe Draaisma, Metaphors of Memory: A History of Ideas about the Mind, Cambridge University Press , January 8, 2001.
Daniel L. Schacter, Searching For Memory: The Brain, The Mind, And The Past, Basic Books; Reprint, 1997.
Annabelle Honess Roe, Animated Documentary, Palgrave Macmillan, June 14, 2013.
Judith Kriger, Animated Realism: A Behind The Scenes Look at the Animated Documentary Genre, Focal Press; 1 edition, November 29, 2011.
DelGaudio, Sybil. If Truth Be Told, Can Toons Tell It? Documentary and Animation. Film History 9:2 (1997) p. 189-199.
Driessen, Kees. More Than Just Talking Mice. IDFA Magazine. 2007.
Robinson, Chris. Waking Life: The Truth is in the Animation. Montage Magazine. 2004.
Wendy. Waltz With Bashir. Times Online. May 14, 2008.
Robinson, Chris. Waking Life: The Truth is in the Animation. Montage Magazine 2004.
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