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Fashion & textile research journal = 한국의류산업학회지, v.21 no.6, 2019년, pp.717 - 729
정정희 (성균관대학교 의상학과) , 임은혁 (성균관대학교 의상학과)
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This study defines critical fashion designs and investigate its critical messages on fashion itself. The critical messages on fashion are categorized into two major issues of a fashion industry system and fashion consumer culture. This study contributes to the understanding of meaning and value for ...
| 핵심어 | 질문 | 논문에서 추출한 답변 |
|---|---|---|
| 현대 자본주의가 낳은 예술작품의 특징은? | 현대 자본주의가 낳은 예술작품의 상품화 및 상품의 예술화로 인해 최근 패션에서는 새로운 비전과 의미를 제안하고, 새로운 프로세스와 접근법으로 사회적 · 정치적 · 문화적 문제들을 다루고 있다(Pistilli, 2018). 예술계에서 패션을 오브제로 사용 하고, 패션계에서도 예술을 빠르게 받아들이고 표현하면서 현대미술과 유사한 접근 방식을 채택하고 있다. | |
| 택배업체 DHL의 로고가 찍힌 티셔츠로 ‘패션계의 마르셀 뒤샹’이라는 별칭얻은 사람은? | 예술계에서 패션을 오브제로 사용 하고, 패션계에서도 예술을 빠르게 받아들이고 표현하면서 현대미술과 유사한 접근 방식을 채택하고 있다. 일례로 뎀나 바잘리아(Demna Gvasalia)는 매우 빠른 속도로 진행되는 패션 비즈니스 시스템은 창의성과 비즈니스를 파괴하고, 끊임없는 악순환을 초래하고 있다고 비판하였다. 바잘리아는 타 브랜드의 디자인을 바로 상품화하여 노출하는 모방자(Copycats) 논쟁의 중심에 서기도 하였으며, 2016년 택배업체 DHL의 로고가 찍힌 티셔츠로 ‘패션계의 마르셀 뒤샹’이라는 별칭까지 얻었다. | |
| 예술계에서 패션을 어떻게 사용하는가? | 현대 자본주의가 낳은 예술작품의 상품화 및 상품의 예술화로 인해 최근 패션에서는 새로운 비전과 의미를 제안하고, 새로운 프로세스와 접근법으로 사회적 · 정치적 · 문화적 문제들을 다루고 있다(Pistilli, 2018). 예술계에서 패션을 오브제로 사용 하고, 패션계에서도 예술을 빠르게 받아들이고 표현하면서 현대미술과 유사한 접근 방식을 채택하고 있다. 일례로 뎀나 바잘리아(Demna Gvasalia)는 매우 빠른 속도로 진행되는 패션 비즈니스 시스템은 창의성과 비즈니스를 파괴하고, 끊임없는 악순환을 초래하고 있다고 비판하였다. |
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