최소 단어 이상 선택하여야 합니다.
최대 10 단어까지만 선택 가능합니다.
다음과 같은 기능을 한번의 로그인으로 사용 할 수 있습니다.
NTIS 바로가기Poetics today, v.29 no.1, 2008년, pp.79 - 101
Duttlinger, Carolin
This article explores Walter Benjamin's famous concept of the aura in relation to his writings on photography. Although Benjamin's “Artwork” essay charges photography with the decline of the aura of the traditional artwork, his essay on photography complicates this historical narrative, associating aura with early portrait photography but also with its successor, the commercial studio portrait. The childhood photograph of Franz Kafka, whose melancholy air serves Benjamin as an example of a paradoxical, post-auratic aura, recurs in his childhood memoirs, where the narrator projects himself into this picture. Benjamin's writings on photography thus develop an alternative concept of aura, one which transcends fixed historical or technological categories through the model of an imaginary encounter between viewer and image. This conception has far-reaching consequences not only for the theory of photography but also for its role within literature, as is suggested by Benjamin's empathetic engagement with the Kafka photograph and its incorporation into his own life story.
Benjamin, Walter 1972 Berliner Kindheit um Neunzehnhundert, in Gesammelte Schriften, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 4: 235-304 (Frankfurt am Main: Suhrkamp).
1974a “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit,” in Gesammelte Schriften, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 1: 471-508 (Frankfurt am Main: Suhrkamp).
1974b “Das Paris des Second Empire bei Baudelaire,” in Gesammelte Schriften, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 1: 511-604 (Frankfurt am Main: Suhrkamp).
1974c “Über einige Motive bei Baudelaire,” in Gesammelte Schriften, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 1: 605-53 (Frankfurt am Main: Suhrkamp).
1977a “Franz Kafka: Zur zehnten Wiederkehr seines Todestages,” in Gesammelte Schriften, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 2: 409-38 (Frankfurt am Main: Suhrkamp).
1977b “Kleine Geschichte der Photographie,” in Gesammelte Schriften, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 2: 368-85 (Frankfurt am Main: Suhrkamp).
1985 “Haschisch Anfang März 1930,” in Gesammelte Schriften, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 6: 587-91 (Frankfurt am Main: Suhrkamp).
1989 Berliner Kindheit um neunzehnhundert: Fassung letzter Hand, in Gesammelte Schriften, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 7: 385-433 (Frankfurt am Main: Suhrkamp).
1999a “Franz Kafka: On the Tenth Anniversary of His Death,” in Selected Writings, translated by Rodney Livingstone, edited by Michael W. Jennings, 2: 794-818 (Cambridge, MA: Belknap).
1999b “Hashish, Beginning of March 1930,” in Selected Writings, edited by Michael W. Jennings, 2: 327-30 (Cambridge, MA: Belknap).
1999c “Little History of Photography,” in Selected Writings, edited by Michael W. Jennings, 2: 507-30 (Cambridge, MA: Belknap).
2000 Berliner Kindheit um neunzehnhundert: Gießener Fassung, edited by Rolf Tiedemann (Frankfurt am Main: Suhrkamp).
2002 Berlin Childhood around 1900 (1934 version), in Selected Writings, edited by Michael W. Jennings, 3: 387-413 (Cambridge, MA: Belknap).
2003a “On Some Motifs in Baudelaire,” in Selected Writings, edited by Michael W. Jennings, 4: 314-55 (Cambridge, MA: Belknap).
2003b “The Paris of the Second Empire in Baudelaire,” in Selected Writings, edited by Michael W. Jennings, 4: 3-92 (Cambridge, MA: Belknap).
2003c “The Work of Art in the Age of Its Technological Reproducibility,” in Selected Writings, edited by Michael W. Jennings, 4: 251-83 (Cambridge, MA: Belknap).
2006 Berlin Childhood around 1900, translated by Howard Eiland (Cambridge, MA: Belknap).
Brecht, Bertolt 1993Journals, translated by Hugh Robinson, edited by John Willett (London: Methuen).
Dubois, Philippe 1983L'acte photographique (Paris: Nathan).
Duttlinger, Carolin 2004 “Traumatic Photographs: Remembrance and the Technical Media in W. G. Sebald's Austerlitz,” in W. G. Sebald: A Critical Companion, edited by J. J. Long and Anne White-head, 155-71 (Edinburgh: Edinburgh University Press).
2007 Kafka and Photography (Oxford: Oxford University Press).
Fürnkäs, Josef 2000 “Aura,” in Benjamins Begriffe, edited by Michael Opitz and Erdmut Wizisla, 1: 95-146 (Frankfurt am Main: Suhrkamp).
Hamilton, Peter, and Roger Hargreaves 2001The Beautiful and the Damned: The Creation of Identity in Nineteenth Century Photography (Aldershot, U.K.: Lund Humphries).
10.2307/488138 Hansen, Miriam 1987 “Benjamin, Cinema, and Experience: `The Blue Flower in the Land of Technology,'” New German Critique40: 179-224.
Krauss, Rolf H. 1998Walter Benjamin und der neue Blick auf die Photographie (Ostfildern, Germany: Cantz).
Opitz, Michael, and Erdmut Wizisla, eds. 2000Benjamins Begriffe (Frankfurt am Main: Suhrkamp).
Rosenblum, Naomi 1997A World History of Photography, 3rd ed. (New York: Abeville).
Schöttker, Detlev 2004 “Benjamins Bilderwelten: Objekte, Theorien, Wirkungen,” in Schrift-Bilder-Denken: Walter Benjamin und die Künste, edited by Detlev Schöttker, 10-29 (Frankfurt am Main: Suhrkamp).
Sebald, W. G. 2001Austerlitz, translated by Anthea Bell (London: Hamish Hamilton).
Silverman, Kaja 1996The Threshold of the Visible World (New York and London: Routledge).
Stoessel, Marleen 1983Aura: Das vergessene Menschliche; Zu Sprache und Erfahrung bei Walter Benjamin (Munich: Hanser).
Tiedemann, Rolf 1971 “Aura,” in Historisches Wörterbuch der Philosophie, edited by Joachim Ritter, 1: 652-53 (Darmstadt: Wissenschaftliche Buchgesellschaft).
2000 “Nachwort,” in Benjamin 2000: 113-26.
Witte, Bernd 1991Walter Benjamin: An Intellectual Biography, translated by James Rolleston (Detroit, MI: Wayne State University Press).
※ AI-Helper는 부적절한 답변을 할 수 있습니다.