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Abstract ▼ AI-Helper

This paper has the aim of showing how the cognitive theories applied to the reception theory of cinema, which also gives the constitutional concept and representation of the ‘historical poetics of cinema.’ This paper first introduces the concrete theories of cognitive psychology, cognitive anthropol...

This paper has the aim of showing how the cognitive theories applied to the reception theory of cinema, which also gives the constitutional concept and representation of the ‘historical poetics of cinema.’ This paper first introduces the concrete theories of cognitive psychology, cognitive anthropology, cultural studies in order to analyze the visuo-spatial cognition process involved in the understanding of Harry Potter and the Sorcerer’s Stone and Matrix. It also focuses on the viewers’ accessibility and ambient findability of the other history and cultures of the globalizing world. Viewers are enjoying an object on the screen as hyper reality, which parallels the cognitive process to identify and construct the subject-positions in the historical moment. While the cinema represents historical and cultural space, the viewers decode the metaphors of the visuo-spatial images and the signification of the language system from the cinematic multi-media contents. Visuo-spatial representations on the screen schematize viewers’ construction of the cognitive map for the historical and cultural poetics of cinema. This cognitive mapping is a vital element to connect the viewers’ emotional involvement in Harry’s fantasy world and Neo’s hyper-real matrix of ‘Artificial Intelligence.’ The schema theory helps the viewers to construct the cognitive map and to constitute the subjectposition in the world of hyper reality to which the viewers interface on the screen. To elaborate Harry Potter and the Sorcerer’s Stone and Matrix, this paper analyzes the boundary between the real and the magic and between the real and the hyper world in the context of love and death. It also stresses the digital technology and the digitalized representation. The two films commonly attempt to extend the visual and spatial conditions of the human culture and history.

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