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NTIS 바로가기디지털콘텐츠학회 논문지 = Journal of Digital Contents Society, v.20 no.3, 2019년, pp.673 - 682
Lee, Minha
초록이 없습니다.
The Journal of Society for e-Business Studies Kim 23 3 173 2018 10.20462/TeBS.2018.2.19.1.173 “A Study for the Innovativeness of Blockchain”
Byun, Kyung-Rok, Byun, Hae-Won. Game Money Exchange System using Blockchain. 디지털콘텐츠학회 논문지 = Journal of Digital Contents Society, vol.19, no.12, 2437-2446.
Blockchain: Blueprint for a New Economy Swan 2015
Pazaitis, Alex, De Filippi, Primavera, Kostakis, Vasilis. Blockchain and value systems in the sharing economy: The illustrative case of Backfeed. Technological forecasting and social change, vol.125, 105-115.
Korean Local Government Studies Seo 8 3 23 2007 “A Study on Policy Implications of the democratization of Culture and Cultural Democracy”
Journal of the Korea Contents Association Kim 18 6 324 2018 “The Future of Blockchain Technology Leading Innovation in the Industrial Ecosystem”
Economy and Society Lee 120 313 2018 “Digital Democracy of Blockchain Beyond Libertarianism to Commonism”
Korean Association of Arts Management Moon 47 65 2018 10.52564/JAMP.2018.47.65 “A Study on the Applications of the Block Chain Technology in the Art Market”
Whitaker, Amy. Artist as Owner Not Guarantor: The Art Market from the Artist’s Point of View. Visual resources : VR, vol.34, no.1, 48-64.
Blockchain, Fractional Ownership and the Future of Creative Work[Online] Whitaker 2018
Journal of Basic Design and Art Lee 19 4 337 2018 10.47294/KSBDA.19.4.25 “Analysis of Application Trends in Blockchain :Focused on Art and Design”
Journal of the Korea Convergence Society Lee 9 10 209 2018 “A Proposal on Blockchain-based Artwork Trading System for Popularization of Fine Art”
Journal of Basic Design and Art Jo 6 5 642 2015 “A study of spectator participation in art and its social role -a focus on Joseph Beuys' Social Sculpture”
Humanities Contents Won 32 219 2014 “Characteristics of Lee Myung-bak Administration’s Cultural Policy and Search for the Timely Change”
Seung Jun, Han. “The Culture Day” : Policy for democratizing culture or cultural democracy?. 韓國 行政 學報, vol.51, no.1, 347-.
Cultural Development: Experiences and Policies Girard 1983
What Is Web 2.0: Design Patterns and Business Models for the Next Generation of Software[Online] O’Reily 2005
The Korean Journal of Arts Studies Jin 14 139 2016 “The Function and Meaning of Platform as the process of Art making : Open Source Art and Participatory Reproduction”
Korean Association of Arts Management Lee 44 139 2017 “A Study on Vision, Mission, User Communication and Exchange Behavior of Art Museum"s Online Platform : Implications through Tate Gallery”
Convergence Culture: Where Old and New Media Collide Jenkins 2006
Journal of Cybercommunication Academic Society You 35 4 253 2018 10.36494/JCAS.2018.12.35.4.253 “Vision and Value of Blockchain Media: Analysis on White Paper of Blockchain Media in Initial Coin Offering (ICO)”
Maecenas Website
McConaghy, Masha, McMullen, Greg, Parry, Glenn, McConaghy, Trent, Holtzman, David. Visibility and digital art: Blockchain as an ownership layer on the Internet. Strategic change, vol.26, no.5, 461-470.
How CryptoPunks’ Creators Charmed the Art World and Paved the Way for Blockchain Art [Online] Klein 2019
DADA website
The Blockchain Art Market Is Here [Online] Bailey 2017
Education Research Review Lee 29 3 51 2015 “A Study on the Employment Status of Arts College Graduates”
Journal of Research in Art Education Choi 16 2 51 2015 “Creating Drop-in Gallery Experience in Art Museums: The Educational Implication of Relational Aesthetics”
Monthly Art Magazine : Misulsegae Shim 64 68 2017 “Art Market, In the Midst of Crisis”
Is Art Blockchain’s Killer App?[Online] Bailey 2018
Thanks to Blockchain, You Too Could Own (Part of) a Warhol [Online] Williams 2018
Rare Pepe Blockchain Cards Have Produced More Value Than Most ICOs [Online] Redman 2017
Beyond Attendance: A Multi-Modal Understanding of Arts Participation Novak-Leonard 2011
Journal of Contemporary Art Studies Cho 19 1 217 2015 “The meaning of ‘Participation’ in the Post-Media Era”
Blockchain Could Help Artists Profit More from Their Creative Works [Online] Tapscott 2017
How Financial Products Drive Today’s Art World. [Online] Reyburn 2018
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