'The later Chosun Period' has an important value in the history of Korean arts, since its historical background was the transitional time from Middle Age to Modern Age. The philosophical change, as it plays a fundamental role of a society as the spirit of times, became the driving force of developme...
'The later Chosun Period' has an important value in the history of Korean arts, since its historical background was the transitional time from Middle Age to Modern Age. The philosophical change, as it plays a fundamental role of a society as the spirit of times, became the driving force of development to a new society. Just as societal situation reflects on realities, so Arts reflects it. Artists beautify or criticise his society. It is the privilege that only artists have, and becomes the cornerstone of a new culture. The changing features of society needed Korean thinking methods as national subjectivity was strongly wanted on Chosun realities, shedding off from Chinese thinking methods. Those people's mind was expressed into Culture and Arts. Realism was gathering strength to recover, fix and reform the chaotic society in the later Chosun Period when ruling class was divided and two wars were broken out. Therefore, new and diverse activities were emerged from every field and realists laid emphasis not only on discovery about history and realities( i. e. politics, economics, society, etc.) but also on extensive study about several fields(i. e. Chinese Classics, geography, natural science, agriculture, etc). Realism was rooted at the conception " starting from realities" and tried to find a positive way, taking an interest in Chosun realities. It showed that the fundamental purpose of Chosun Realism was to stabilize society and increase living of people. To fulfill its purpose, realists increased income of farmers, developing farming technologies from agriculture based economy in the early Chosun period(i. e. rice transplantation, two crop farming, cultivation of hardy plants and commodity plants. etc.)Peasants left from their lands and turned into a commercial population. They promoted the growth of commercial class with market merchants and brought the flourish of private markets, activating the activity of merchants. So the interest of Chosun society was laid on common people who were taking charge of production, and Yoon, Du Suh expressed the love of common people as the main character of painting. As he was from southern area, Yoon was alienated and he was interested in pursuit of study. His study was believed to accomplish by keeping company with many literary men who surpassed their contemporary and later ages(i. e. OkDong Lee Suh, SungHo Lee Ik, Shim Deuk Kyung, Lee Ha Gon etc.) Especially, It was might guessed that Yoon had been interested in realism since he kept his academical relation with brothers families of OkDong Lee Suh and SungHo Lee Ik, his first wife, Chonju Lee was the great grand daughter of JiBong Lee Su Kwang and his great grand son was Jung Yak Yong. Yoon'painting has a relation with realism because of his academic pursuit and attitude. He expressed his painting which had been based on actuality and facts, seeing and observing objects. It was the basic spirit of realism. His genre painting reflected this spirit of realism. As his painting showed people' living as the main characters, Yoon's realistic features was appeared strongly and implied the development of genre painting. Though reality of his paintings fell behind Jo Young Suk and Kim Hong Do since they had traces of Jul Pa style( Chinese southern painting style) in handling of background and their background were against landscape, his painting had a progressive sense, showing reality of figure expression and people's living. It is highly appraised that he leaded the fashion of genre painting in the later Chosun period. Painting in the later Chosun period chose its subjects among living environment, shedding off from copying Chinese painting style. It had might been done by loving for our national things and keeping our tradition. Painting in the later Chosun period established its identity of Korean painting through transmission of tradition, future-oriented aesthetic sense, progressive activity and fine creativity of artists. Genre painting tradition in the later Chosun period had not been transmitted to us because of failure of modernization, but the transmission of our native tradition and artist's spirit of genre painting is very important and meaningful to development of Korean painting.
'The later Chosun Period' has an important value in the history of Korean arts, since its historical background was the transitional time from Middle Age to Modern Age. The philosophical change, as it plays a fundamental role of a society as the spirit of times, became the driving force of development to a new society. Just as societal situation reflects on realities, so Arts reflects it. Artists beautify or criticise his society. It is the privilege that only artists have, and becomes the cornerstone of a new culture. The changing features of society needed Korean thinking methods as national subjectivity was strongly wanted on Chosun realities, shedding off from Chinese thinking methods. Those people's mind was expressed into Culture and Arts. Realism was gathering strength to recover, fix and reform the chaotic society in the later Chosun Period when ruling class was divided and two wars were broken out. Therefore, new and diverse activities were emerged from every field and realists laid emphasis not only on discovery about history and realities( i. e. politics, economics, society, etc.) but also on extensive study about several fields(i. e. Chinese Classics, geography, natural science, agriculture, etc). Realism was rooted at the conception " starting from realities" and tried to find a positive way, taking an interest in Chosun realities. It showed that the fundamental purpose of Chosun Realism was to stabilize society and increase living of people. To fulfill its purpose, realists increased income of farmers, developing farming technologies from agriculture based economy in the early Chosun period(i. e. rice transplantation, two crop farming, cultivation of hardy plants and commodity plants. etc.)Peasants left from their lands and turned into a commercial population. They promoted the growth of commercial class with market merchants and brought the flourish of private markets, activating the activity of merchants. So the interest of Chosun society was laid on common people who were taking charge of production, and Yoon, Du Suh expressed the love of common people as the main character of painting. As he was from southern area, Yoon was alienated and he was interested in pursuit of study. His study was believed to accomplish by keeping company with many literary men who surpassed their contemporary and later ages(i. e. OkDong Lee Suh, SungHo Lee Ik, Shim Deuk Kyung, Lee Ha Gon etc.) Especially, It was might guessed that Yoon had been interested in realism since he kept his academical relation with brothers families of OkDong Lee Suh and SungHo Lee Ik, his first wife, Chonju Lee was the great grand daughter of JiBong Lee Su Kwang and his great grand son was Jung Yak Yong. Yoon'painting has a relation with realism because of his academic pursuit and attitude. He expressed his painting which had been based on actuality and facts, seeing and observing objects. It was the basic spirit of realism. His genre painting reflected this spirit of realism. As his painting showed people' living as the main characters, Yoon's realistic features was appeared strongly and implied the development of genre painting. Though reality of his paintings fell behind Jo Young Suk and Kim Hong Do since they had traces of Jul Pa style( Chinese southern painting style) in handling of background and their background were against landscape, his painting had a progressive sense, showing reality of figure expression and people's living. It is highly appraised that he leaded the fashion of genre painting in the later Chosun period. Painting in the later Chosun period chose its subjects among living environment, shedding off from copying Chinese painting style. It had might been done by loving for our national things and keeping our tradition. Painting in the later Chosun period established its identity of Korean painting through transmission of tradition, future-oriented aesthetic sense, progressive activity and fine creativity of artists. Genre painting tradition in the later Chosun period had not been transmitted to us because of failure of modernization, but the transmission of our native tradition and artist's spirit of genre painting is very important and meaningful to development of Korean painting.
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