본 연구는 발레에서 대표적인 기본동작이지만 난이도가 높은 아라베스크회전동작에 대해 무용학적 관점보다는 운동학적, 운동역학적 관점에서 분석을 수행하였다. 바닥에서 두 다리의 회전력을 얻어 한 발은 발끝으로 서고, 뒤로 뻗친 다리는 수평을 유지하여 우아하고 아름다운 긴 선을 나타내며 균형을 유지하면서 회전할 수 있는 능력을 갖는 것은 무용수의 기본과제이다. 정확한 동작수행과 동작이해를 바탕으로 한 적절한 표현, 그리고 무용수가 갖는 고유한 특성(능력)이 조화를 이루어야 수행할 수 있기 때문에 본 연구에서는 어느 수준까지 일관성 있게 수행할 수 있는 숙련자를 4명을 대상으로 지면반력분석을 통하여 발현되는 힘의 양상을 파악하고, ...
본 연구는 발레에서 대표적인 기본동작이지만 난이도가 높은 아라베스크회전동작에 대해 무용학적 관점보다는 운동학적, 운동역학적 관점에서 분석을 수행하였다. 바닥에서 두 다리의 회전력을 얻어 한 발은 발끝으로 서고, 뒤로 뻗친 다리는 수평을 유지하여 우아하고 아름다운 긴 선을 나타내며 균형을 유지하면서 회전할 수 있는 능력을 갖는 것은 무용수의 기본과제이다. 정확한 동작수행과 동작이해를 바탕으로 한 적절한 표현, 그리고 무용수가 갖는 고유한 특성(능력)이 조화를 이루어야 수행할 수 있기 때문에 본 연구에서는 어느 수준까지 일관성 있게 수행할 수 있는 숙련자를 4명을 대상으로 지면반력분석을 통하여 발현되는 힘의 양상을 파악하고, 영상분석을 통하여 시간, 각도, 회전각도, 동작의 궤적 등 동작에 대한 연구를 다각적으로 수행함으로써 무용수의 체계적인 훈련과 연습을 위한 동작 단계별 구조 및 ?
본 연구는 발레에서 대표적인 기본동작이지만 난이도가 높은 아라베스크회전동작에 대해 무용학적 관점보다는 운동학적, 운동역학적 관점에서 분석을 수행하였다. 바닥에서 두 다리의 회전력을 얻어 한 발은 발끝으로 서고, 뒤로 뻗친 다리는 수평을 유지하여 우아하고 아름다운 긴 선을 나타내며 균형을 유지하면서 회전할 수 있는 능력을 갖는 것은 무용수의 기본과제이다. 정확한 동작수행과 동작이해를 바탕으로 한 적절한 표현, 그리고 무용수가 갖는 고유한 특성(능력)이 조화를 이루어야 수행할 수 있기 때문에 본 연구에서는 어느 수준까지 일관성 있게 수행할 수 있는 숙련자를 4명을 대상으로 지면반력분석을 통하여 발현되는 힘의 양상을 파악하고, 영상분석을 통하여 시간, 각도, 회전각도, 동작의 궤적 등 동작에 대한 연구를 다각적으로 수행함으로써 무용수의 체계적인 훈련과 연습을 위한 동작 단계별 구조 및 ?
This study is performed the kinetical and kinematical analysis, rather than the dance-oriented viewpoint about Tour en arabesque that has high level of difficulty in the face of being the typically basic movement in ballet. It is the basic subject of a dancer to have ability that can rotate while ma...
This study is performed the kinetical and kinematical analysis, rather than the dance-oriented viewpoint about Tour en arabesque that has high level of difficulty in the face of being the typically basic movement in ballet. It is the basic subject of a dancer to have ability that can rotate while maintaining the balance with one foot standing with the tip of the foot by obtaining the rotational power of two legs on the floor, and with the leg, which stretched to the back, showing an elegantly and beautifully long line by maintaining the balance. Because this movement can be performed only with being harmonized by the proper representation, and the peculiar characteristic (ability) that a dancer has, based on the correct movement performance and movement understanding through technical acquirement, this study is performed the analyses to offer the accurate information on the structure and the function by movement stage, aiming at a dancer's systematic training and practice, by grasping the aspects of the force, which are revealed through the ground reaction force, targeting 4 experts who can consistently perform up to a certain level, and by diversifiedly performing a research on movements such as time, angle, rotational angle, and the trace in movement, through cinematographic analysis. The result of the analyses are as follows : 1. In the preliminary stage, it is a critical factor that allows Fz value of pushing the ground to be large by evenly distributing weight to the sole of the foot, with putting the center in the middle of two feet, straightly stretches the body and the head by allowing the stretching angle in two legs to be equal, and makes the body alignment well attained. 2. In a bid to perform the correctly step-forward movement, it is important to stretch the stepping foot (right foot) after allowing ankle (100～110 angle) and knee angle (150～155 angle) to be curved, with straightly stretching the upper body, in a state that the heel of left foot was not lifted. At this time, it is important for the left foot to be endeavored to maintain the balance of the body to the utmost. 3. In the standing stage, it is important in the manifestation of force that vertically pushes the ground from the left foot aiming to smoothly perform the standing movement, and is vital to make the rotational force in a bid to smoothly maintain the rotation together with the standing movement, by manifesting the reaction force (negative Fx) in the direction of Fx. At this time, the upper body needs to be straightly stretched, and the right leg needs to maintain the completely stretching state. 4. In the rotational stage, it needs to be smooth in the vertical axis in the right foot in a state of maintaining to be stretched the leg that stretched up backward, and in the rotational trace following a direction that two arms turn to the left, and it is a critical factor that maintains the timing and the right force (Fx, Fy value) when the left leg, which causes the rotation at this time, separates from the ground. 5. In the finishing stage, aiming to maintain the balance after the rotation, it is a critical factor to attain the central axis in the state that Fz value of pushing the ground gets bigger, and that Fx, Fy value is 0, to allow the supporting right leg to be completely stretched (ankle angle, knee angle, hip joint), and to maintain the pull-up posture in a horizontal state of the leg that stretched up backw
This study is performed the kinetical and kinematical analysis, rather than the dance-oriented viewpoint about Tour en arabesque that has high level of difficulty in the face of being the typically basic movement in ballet. It is the basic subject of a dancer to have ability that can rotate while maintaining the balance with one foot standing with the tip of the foot by obtaining the rotational power of two legs on the floor, and with the leg, which stretched to the back, showing an elegantly and beautifully long line by maintaining the balance. Because this movement can be performed only with being harmonized by the proper representation, and the peculiar characteristic (ability) that a dancer has, based on the correct movement performance and movement understanding through technical acquirement, this study is performed the analyses to offer the accurate information on the structure and the function by movement stage, aiming at a dancer's systematic training and practice, by grasping the aspects of the force, which are revealed through the ground reaction force, targeting 4 experts who can consistently perform up to a certain level, and by diversifiedly performing a research on movements such as time, angle, rotational angle, and the trace in movement, through cinematographic analysis. The result of the analyses are as follows : 1. In the preliminary stage, it is a critical factor that allows Fz value of pushing the ground to be large by evenly distributing weight to the sole of the foot, with putting the center in the middle of two feet, straightly stretches the body and the head by allowing the stretching angle in two legs to be equal, and makes the body alignment well attained. 2. In a bid to perform the correctly step-forward movement, it is important to stretch the stepping foot (right foot) after allowing ankle (100～110 angle) and knee angle (150～155 angle) to be curved, with straightly stretching the upper body, in a state that the heel of left foot was not lifted. At this time, it is important for the left foot to be endeavored to maintain the balance of the body to the utmost. 3. In the standing stage, it is important in the manifestation of force that vertically pushes the ground from the left foot aiming to smoothly perform the standing movement, and is vital to make the rotational force in a bid to smoothly maintain the rotation together with the standing movement, by manifesting the reaction force (negative Fx) in the direction of Fx. At this time, the upper body needs to be straightly stretched, and the right leg needs to maintain the completely stretching state. 4. In the rotational stage, it needs to be smooth in the vertical axis in the right foot in a state of maintaining to be stretched the leg that stretched up backward, and in the rotational trace following a direction that two arms turn to the left, and it is a critical factor that maintains the timing and the right force (Fx, Fy value) when the left leg, which causes the rotation at this time, separates from the ground. 5. In the finishing stage, aiming to maintain the balance after the rotation, it is a critical factor to attain the central axis in the state that Fz value of pushing the ground gets bigger, and that Fx, Fy value is 0, to allow the supporting right leg to be completely stretched (ankle angle, knee angle, hip joint), and to maintain the pull-up posture in a horizontal state of the leg that stretched up backw
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