21세기 문화산업의 발달과 함께 뮤지컬은 연극, 음악, 의상, 무용, 조명 등이 융합된 대중적인 성격을 띤 종합 예술로서 현대인들에게 적합한 공연 장르로 평가되고 있다. 그리고 뮤지컬이라는 공연 장르에서의 의상은, 인물의 특징과 극의 분위기 형성에 중요한 시각적 요소로서 극중 등장인물의 성격을 이미지화 하여 무대의 완성도에 기여한다. 이에 본 연구는 19세기 이탈리아 오페라 작곡가 주세페 베르디(Giuseppe Verdi) 의 그랜드 오페라 「아이다」를 각색한 뮤지컬 「아이다」의 무대의상을 연구하였다. 이미 공연되어지고 있는 디즈...
21세기 문화산업의 발달과 함께 뮤지컬은 연극, 음악, 의상, 무용, 조명 등이 융합된 대중적인 성격을 띤 종합 예술로서 현대인들에게 적합한 공연 장르로 평가되고 있다. 그리고 뮤지컬이라는 공연 장르에서의 의상은, 인물의 특징과 극의 분위기 형성에 중요한 시각적 요소로서 극중 등장인물의 성격을 이미지화 하여 무대의 완성도에 기여한다. 이에 본 연구는 19세기 이탈리아 오페라 작곡가 주세페 베르디(Giuseppe Verdi) 의 그랜드 오페라 「아이다」를 각색한 뮤지컬 「아이다」의 무대의상을 연구하였다. 이미 공연되어지고 있는 디즈니사의 뮤지컬 「아이다」의 무대의상은 이집트의 전통적 요소보다는 미래지향적인 요소에 초점을 맞추고 있다. 또한 각국에서 공연되어지고 있는 뮤지컬 「아이다」의 공연에서는 대부분 디즈니사의 의상이 공연되어질 뿐 뮤지컬을 위한 「아이다」의 의상에는 새로운 연구가 없는 실정이다. 이에 본 연구는 뮤지컬 「아이다」의 시대적 특징이 내포된 현대적인 이미지의 뮤지컬의상을 디자인 하였다. 뮤지컬 「아이다」의 연구를 위해 이집트의 문양과 장신구의 이미지를 도입하고, 뮤지컬 동작을 고려한 의상을 연구하였다. 또한 작품의 내용에 맞게 의상을 디자인하고 제작함으로써 디자인 개발과 제작에 있어서 전통의상의 새로운 표현방법을 모색하고, 나아가 뮤지컬 의상의 발전적 방향과 가능성을 제시하는데 그 목적을 두었다. 본 연구의 내용은 이론적인 연구와 작품제작으로 구성되어 있으며, 연구 방법으로는 문헌고찰, 해외 공연사진의 수집 분?
21세기 문화산업의 발달과 함께 뮤지컬은 연극, 음악, 의상, 무용, 조명 등이 융합된 대중적인 성격을 띤 종합 예술로서 현대인들에게 적합한 공연 장르로 평가되고 있다. 그리고 뮤지컬이라는 공연 장르에서의 의상은, 인물의 특징과 극의 분위기 형성에 중요한 시각적 요소로서 극중 등장인물의 성격을 이미지화 하여 무대의 완성도에 기여한다. 이에 본 연구는 19세기 이탈리아 오페라 작곡가 주세페 베르디(Giuseppe Verdi) 의 그랜드 오페라 「아이다」를 각색한 뮤지컬 「아이다」의 무대의상을 연구하였다. 이미 공연되어지고 있는 디즈니사의 뮤지컬 「아이다」의 무대의상은 이집트의 전통적 요소보다는 미래지향적인 요소에 초점을 맞추고 있다. 또한 각국에서 공연되어지고 있는 뮤지컬 「아이다」의 공연에서는 대부분 디즈니사의 의상이 공연되어질 뿐 뮤지컬을 위한 「아이다」의 의상에는 새로운 연구가 없는 실정이다. 이에 본 연구는 뮤지컬 「아이다」의 시대적 특징이 내포된 현대적인 이미지의 뮤지컬의상을 디자인 하였다. 뮤지컬 「아이다」의 연구를 위해 이집트의 문양과 장신구의 이미지를 도입하고, 뮤지컬 동작을 고려한 의상을 연구하였다. 또한 작품의 내용에 맞게 의상을 디자인하고 제작함으로써 디자인 개발과 제작에 있어서 전통의상의 새로운 표현방법을 모색하고, 나아가 뮤지컬 의상의 발전적 방향과 가능성을 제시하는데 그 목적을 두었다. 본 연구의 내용은 이론적인 연구와 작품제작으로 구성되어 있으며, 연구 방법으로는 문헌고찰, 해외 공연사진의 수집 분?
With the development of cultural enterprise in the 21st century, musical, a popular composite art fused with drama, music, costume, dance, and lighting, is being valued as the suitable performance for modern people. Moreover, the costume in a musical is an important visual factor that contributes to...
With the development of cultural enterprise in the 21st century, musical, a popular composite art fused with drama, music, costume, dance, and lighting, is being valued as the suitable performance for modern people. Moreover, the costume in a musical is an important visual factor that contributes to the level of stage completion by forming the character and overall atmosphere of the whole play. This research is carried out into the stage costume of the musical "Aida," an adapted version of Giuseppe Verdi's grand opera "Aida" from 19th century Italy. The costume of the musical "Aida" from the Walt Disney Company, which is already being staged, is intended to future oriented elements, rather than the traditional features of Egypt. In addition, the costume of the Walt Disney Company is mostly used in the musical "Aida" staged in various countries, and a new research on the costume does not exist. Thus, I designed a new costume which features a modern image with elements of the times of the musical "Aida." For this research, I introduced the image of Egyptian patterns and ornaments, and considered the movements of the musical for the costume. Moreover, through designing and producing the costume to be suitable for the content of the work, I hoped to contribute to the development of the new expressions of traditional costumes and further development of the stage costume of musical. This research consists of theoretic research and actual production of work. Study of documentary records, collection and analysis of overseas performances, news releases, video materials, and internet research were the methods of this study. Based on the theoretical background, I considered not only the concept, characteristic, and history of musical, but also the significance, role of the costume in a musical, and the elements of design. Besides, I also considered the effects of the elements of design on the stage costume, and the mutual relationship between those. I made a study of the stage costume on musical "Aida" with these theoretical backgrounds. To begin with, I studied the Egyptian period and dresses which are background scene of the musical "Aida," and the symbolical meaning of the patterns on the Egyptian ornaments. In addition to this, I included the plot and character analysis of the original "Aida." and the stage costume of the already staged plays. Based on the theoretical contemplation, I tried to expend artful expression area of musical custom by interpreting the musical "Aida" with modern way and developed creative musical custom focusing on functional and rhythmical beauty. Through the process of studying this research, I tried new interpretation on Egypt custom and produced total six works for four characters of "Aida", which are emphasized on modern sense suiting for personality and action of each character. The conclusion I derived from this research is as follows. Firstly, I tried to express a complex image of the tradition showed in the background of the original work and modern sense. Thus, I was able to harmonize the past and the present through re-analyzing the traditional Egyptian silhouette and the patterns of the ornaments of the new-kingdom period. Secondly, I came to realize that the color in stage costume reveals the characters' personality and mental state, and that introducing a suitable color to the situation and surrounding makes it possible to deliver various images. Thirdly, I was able to add more unrestricted dance movements with the use of materials, such as silk, chiffon, and satin. Moreover, with the use of lustrous materials, the silhouette was more emphasized, and the unique qualities of various materials were suitable for the expression of the images of characters. Lastly, incongruous shadow effect of texture by the light and affluent texture can be effectively expressed, and creative musical costume can be designed by developing materials with a variety of techniques such as quilting, beading, tacking, embroidery, fraying, appliqu. As I have studied sofar, in designing a stage costume for musical, the overall comprehension of the musical as a stage art, the circumstances of it, and the relation with the actors' bodies have to be considered. It is a field that needs various professional knowledge, and only when a musical is produced based on such theories, it will be possible to deliver the theme of the play more effectively, and express the various symbolical meanings. I sincerely hope that once the efforts to re-create the opera "Aida" into a musical has actively started, further researches on new stage costumes and experimental musical costumes with the materials improvement are continued.
With the development of cultural enterprise in the 21st century, musical, a popular composite art fused with drama, music, costume, dance, and lighting, is being valued as the suitable performance for modern people. Moreover, the costume in a musical is an important visual factor that contributes to the level of stage completion by forming the character and overall atmosphere of the whole play. This research is carried out into the stage costume of the musical "Aida," an adapted version of Giuseppe Verdi's grand opera "Aida" from 19th century Italy. The costume of the musical "Aida" from the Walt Disney Company, which is already being staged, is intended to future oriented elements, rather than the traditional features of Egypt. In addition, the costume of the Walt Disney Company is mostly used in the musical "Aida" staged in various countries, and a new research on the costume does not exist. Thus, I designed a new costume which features a modern image with elements of the times of the musical "Aida." For this research, I introduced the image of Egyptian patterns and ornaments, and considered the movements of the musical for the costume. Moreover, through designing and producing the costume to be suitable for the content of the work, I hoped to contribute to the development of the new expressions of traditional costumes and further development of the stage costume of musical. This research consists of theoretic research and actual production of work. Study of documentary records, collection and analysis of overseas performances, news releases, video materials, and internet research were the methods of this study. Based on the theoretical background, I considered not only the concept, characteristic, and history of musical, but also the significance, role of the costume in a musical, and the elements of design. Besides, I also considered the effects of the elements of design on the stage costume, and the mutual relationship between those. I made a study of the stage costume on musical "Aida" with these theoretical backgrounds. To begin with, I studied the Egyptian period and dresses which are background scene of the musical "Aida," and the symbolical meaning of the patterns on the Egyptian ornaments. In addition to this, I included the plot and character analysis of the original "Aida." and the stage costume of the already staged plays. Based on the theoretical contemplation, I tried to expend artful expression area of musical custom by interpreting the musical "Aida" with modern way and developed creative musical custom focusing on functional and rhythmical beauty. Through the process of studying this research, I tried new interpretation on Egypt custom and produced total six works for four characters of "Aida", which are emphasized on modern sense suiting for personality and action of each character. The conclusion I derived from this research is as follows. Firstly, I tried to express a complex image of the tradition showed in the background of the original work and modern sense. Thus, I was able to harmonize the past and the present through re-analyzing the traditional Egyptian silhouette and the patterns of the ornaments of the new-kingdom period. Secondly, I came to realize that the color in stage costume reveals the characters' personality and mental state, and that introducing a suitable color to the situation and surrounding makes it possible to deliver various images. Thirdly, I was able to add more unrestricted dance movements with the use of materials, such as silk, chiffon, and satin. Moreover, with the use of lustrous materials, the silhouette was more emphasized, and the unique qualities of various materials were suitable for the expression of the images of characters. Lastly, incongruous shadow effect of texture by the light and affluent texture can be effectively expressed, and creative musical costume can be designed by developing materials with a variety of techniques such as quilting, beading, tacking, embroidery, fraying, appliqu. As I have studied sofar, in designing a stage costume for musical, the overall comprehension of the musical as a stage art, the circumstances of it, and the relation with the actors' bodies have to be considered. It is a field that needs various professional knowledge, and only when a musical is produced based on such theories, it will be possible to deliver the theme of the play more effectively, and express the various symbolical meanings. I sincerely hope that once the efforts to re-create the opera "Aida" into a musical has actively started, further researches on new stage costumes and experimental musical costumes with the materials improvement are continued.
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