본 연구는 황순원 단편소설에서의 이야기의 수용양상과 그 의미를 분석하고 초기 소설에서의 옛 이야기와 보편적 주제의 의의를 밝히는 것을 목적으로 한다.
21세기의 현대소설은 옛이야기를 미발달된 하위 장르로 간주하고 있다. 또한 문학연구자들은 옛이야기의 소재가 개별적이고 창조적인 작품이 아니기 때문에 토론의 대상으로 취급하지 않으며 이야기의 스토리라인도 단순하며 도식적이라고 생각한다.
이와 같이 옛이야기가 스토리텔링이 더 이상 가능하지 않고 그 스토리텔러의 존재가 사라진 듯한 현실에서 필자는 소설가 황순원에 주목했다. ...
본 연구는 황순원 단편소설에서의 이야기의 수용양상과 그 의미를 분석하고 초기 소설에서의 옛 이야기와 보편적 주제의 의의를 밝히는 것을 목적으로 한다.
21세기의 현대소설은 옛이야기를 미발달된 하위 장르로 간주하고 있다. 또한 문학연구자들은 옛이야기의 소재가 개별적이고 창조적인 작품이 아니기 때문에 토론의 대상으로 취급하지 않으며 이야기의 스토리라인도 단순하며 도식적이라고 생각한다.
이와 같이 옛이야기가 스토리텔링이 더 이상 가능하지 않고 그 스토리텔러의 존재가 사라진 듯한 현실에서 필자는 소설가 황순원에 주목했다. 그의 소설 중 많은 부분이 사람들의 입에서 입으로 전해진 이야기나 설화 속에서 소재를 찾고 있으며 현대 소설에서 뿌리 내린 전통의 가치를 복원하기 위해 끊임없이 노력했기 때문이다.
황순원의 단편소설에서 또 하나 주목할 만한 것은 유난히 어린이들이 주인공으로 등장하는 이야기가 많다는 사실이다. 필자는 어린이들이 경험하는 세상 속에 포함되어 있는 사랑 · 죽음 · 그리움 · 폭력 · 살인과 같은 인간의 본질적 문제 등을 동심의 눈을 통해서 이야기하고 있는 작품에 주목하여 옛 이야기의 전통적인 요소들을 찾아 분석하였다.
황순원 단편소설에는 동물들의 이야기도 많이 등장하고 있다. 그 동물담 요소도 설화적 모티프를 원용한 것임을 유추해 볼 수 있다. 이처럼 황순원의 단편소설은 과거의 경험으로 신화, 전설, 어린이 이야기, 동물 이야기 등을 끊임없이 떠올리게 한다. 그를 ‘겨레의 기억의 전수자’라 불리게 하는 요인이 된 것도 그 때문이다.
바로 이 연구는 황순원의 단편소설에 나타난 이러한 설화적 이야기 양상을 고찰하면서 작가가 한평생 추구한 생명 존중과 휴머니즘이라는 주제의식 및 현실인식의 의미를 살펴보고자 했다.
본 연구는 황순원 단편소설에서의 이야기의 수용양상과 그 의미를 분석하고 초기 소설에서의 옛 이야기와 보편적 주제의 의의를 밝히는 것을 목적으로 한다.
21세기의 현대소설은 옛이야기를 미발달된 하위 장르로 간주하고 있다. 또한 문학연구자들은 옛이야기의 소재가 개별적이고 창조적인 작품이 아니기 때문에 토론의 대상으로 취급하지 않으며 이야기의 스토리라인도 단순하며 도식적이라고 생각한다.
이와 같이 옛이야기가 스토리텔링이 더 이상 가능하지 않고 그 스토리텔러의 존재가 사라진 듯한 현실에서 필자는 소설가 황순원에 주목했다. 그의 소설 중 많은 부분이 사람들의 입에서 입으로 전해진 이야기나 설화 속에서 소재를 찾고 있으며 현대 소설에서 뿌리 내린 전통의 가치를 복원하기 위해 끊임없이 노력했기 때문이다.
황순원의 단편소설에서 또 하나 주목할 만한 것은 유난히 어린이들이 주인공으로 등장하는 이야기가 많다는 사실이다. 필자는 어린이들이 경험하는 세상 속에 포함되어 있는 사랑 · 죽음 · 그리움 · 폭력 · 살인과 같은 인간의 본질적 문제 등을 동심의 눈을 통해서 이야기하고 있는 작품에 주목하여 옛 이야기의 전통적인 요소들을 찾아 분석하였다.
황순원 단편소설에는 동물들의 이야기도 많이 등장하고 있다. 그 동물담 요소도 설화적 모티프를 원용한 것임을 유추해 볼 수 있다. 이처럼 황순원의 단편소설은 과거의 경험으로 신화, 전설, 어린이 이야기, 동물 이야기 등을 끊임없이 떠올리게 한다. 그를 ‘겨레의 기억의 전수자’라 불리게 하는 요인이 된 것도 그 때문이다.
바로 이 연구는 황순원의 단편소설에 나타난 이러한 설화적 이야기 양상을 고찰하면서 작가가 한평생 추구한 생명 존중과 휴머니즘이라는 주제의식 및 현실인식의 의미를 살펴보고자 했다.
The purpose of this study is to analyze the acceptance patterns and meanings of stories in Hwang, Soon-Won's short stories, and to reveal the significance of the old stories and the universal themes in early novels.
Contemporary novels in the 21st century regarded the old story as an undeveloped...
The purpose of this study is to analyze the acceptance patterns and meanings of stories in Hwang, Soon-Won's short stories, and to reveal the significance of the old stories and the universal themes in early novels.
Contemporary novels in the 21st century regarded the old story as an undeveloped lower story. Literary researchers also did not treat the old story as an object of discussion because the material of the old story is not an individual creative work, and the storyline of the story is simple as well as the ending is easy to be instructive and diagrammatic.
In this reality where story telling is no longer possible and the storyteller's existence seems to have disappeared, we must pay attention to novelist Hwang Soon-won. Because many of his novels are looking for the folk material in the story or legend that was passed from the mouth to the mouth of the people, and he is constantly trying to restore the branches of tradition that were dispensed with in modern novels.
If you thoroughly analyze the whole of Hwang Soon-won's short story novels which is 104 pieces left over from his life, you can see that various works composed of various tales with richly narrative atmosphere are made for each work. In a short novel by Hwang Soon-won, these tales are deeply embedded. Among his works, "scales", "lost people", "mountain child", "eyes", "Irido", "widows", "rather than my neck", "dumé", "starfish", "Irido" belong.
Another remarkable fact in Hwang Soon-won's short story is the fact that Hwang Soon-won's short story has a lot of stories about children who appear as purity. Hwang Soon-won is not only a work that created a pure world of childhood, but also a work that symbolizes the experience of childhood from the perspective of an adult. Therefore, Hwang Soon-won's novel can be said to have a Children's mind orientation, though there is a difference in concentration. In addition, he is talking through the eyes of a child with intrinsic problems such as love, death, nostalgia, violence, and murder included in the world that children experience.
As Hwang Soon-won himself has said, many of his short novels are about children's stories, and there are a lot of stories about children, such as "Star", "rooster sacrifice", "Showers", "a child inside alley", "hawk". In addition to the fact that the child appears as a main character, the stories of children look at the world with child eyes and accept the traditional elements of old story.
Also, when you read Hwang Soon-won's novel, you can feel that there are a lot of animal stories. If you analyze Hwang Soon-won's short story, there are more than ten works from animals to animals. There are "Moknum Village's dog", "Bulls", "Crane", "toad", "Geese", "Wart", "Calf", "Sora", "Bulls" and "Butterfly". Thus, Hwang Soon-won's novel features countless animal stories. Many animals are used as the main symbolic device of Hwang Soon-won's novel, or as an object factor of the story itself. From this, it can be inferred that Hwang Soon-won's novels contain many old story's motifs.
Hwang, Soon-Won is constantly recalling myths, legends, children 's stories and animal stories as a past experience through the creation of novels. This works are what makes Hwang Soon-won the "master of memory of the people".
Conclusively, it can be said that this study is that Through the analysis of Hwang, Soon-Won's short novels with old story, it's meaningful to consider the awareness of the subject and awareness of the reality of human life and humanism pursued through the life of the writer.
The purpose of this study is to analyze the acceptance patterns and meanings of stories in Hwang, Soon-Won's short stories, and to reveal the significance of the old stories and the universal themes in early novels.
Contemporary novels in the 21st century regarded the old story as an undeveloped lower story. Literary researchers also did not treat the old story as an object of discussion because the material of the old story is not an individual creative work, and the storyline of the story is simple as well as the ending is easy to be instructive and diagrammatic.
In this reality where story telling is no longer possible and the storyteller's existence seems to have disappeared, we must pay attention to novelist Hwang Soon-won. Because many of his novels are looking for the folk material in the story or legend that was passed from the mouth to the mouth of the people, and he is constantly trying to restore the branches of tradition that were dispensed with in modern novels.
If you thoroughly analyze the whole of Hwang Soon-won's short story novels which is 104 pieces left over from his life, you can see that various works composed of various tales with richly narrative atmosphere are made for each work. In a short novel by Hwang Soon-won, these tales are deeply embedded. Among his works, "scales", "lost people", "mountain child", "eyes", "Irido", "widows", "rather than my neck", "dumé", "starfish", "Irido" belong.
Another remarkable fact in Hwang Soon-won's short story is the fact that Hwang Soon-won's short story has a lot of stories about children who appear as purity. Hwang Soon-won is not only a work that created a pure world of childhood, but also a work that symbolizes the experience of childhood from the perspective of an adult. Therefore, Hwang Soon-won's novel can be said to have a Children's mind orientation, though there is a difference in concentration. In addition, he is talking through the eyes of a child with intrinsic problems such as love, death, nostalgia, violence, and murder included in the world that children experience.
As Hwang Soon-won himself has said, many of his short novels are about children's stories, and there are a lot of stories about children, such as "Star", "rooster sacrifice", "Showers", "a child inside alley", "hawk". In addition to the fact that the child appears as a main character, the stories of children look at the world with child eyes and accept the traditional elements of old story.
Also, when you read Hwang Soon-won's novel, you can feel that there are a lot of animal stories. If you analyze Hwang Soon-won's short story, there are more than ten works from animals to animals. There are "Moknum Village's dog", "Bulls", "Crane", "toad", "Geese", "Wart", "Calf", "Sora", "Bulls" and "Butterfly". Thus, Hwang Soon-won's novel features countless animal stories. Many animals are used as the main symbolic device of Hwang Soon-won's novel, or as an object factor of the story itself. From this, it can be inferred that Hwang Soon-won's novels contain many old story's motifs.
Hwang, Soon-Won is constantly recalling myths, legends, children 's stories and animal stories as a past experience through the creation of novels. This works are what makes Hwang Soon-won the "master of memory of the people".
Conclusively, it can be said that this study is that Through the analysis of Hwang, Soon-Won's short novels with old story, it's meaningful to consider the awareness of the subject and awareness of the reality of human life and humanism pursued through the life of the writer.
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#설화, 옛이야기
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