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NTIS 바로가기服飾 = Journal of the Korean Society of Costume, v.65 no.8, 2015년, pp.50 - 63
김태희 (경희대학교 의상학과) , 유영선 (경희대학교 의상학과)
The purpose of this study is to explore the potential of digital graffiti as a new creative tool in fashion through analysis of its expressive features and methods merged in fashion. The results from the analysis of fashion cases using digital graffiti may be summarized as follows. First, 'Mixing of...
핵심어 | 질문 | 논문에서 추출한 답변 |
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디지털 그라피티란 무엇인가? | 디지털 그라피티(digital graffiti)는 ‘디지털(digital)’과 ‘그라피티(graffiti)’의 합성어로써 그라피티와 디지털 아트의 컨버전스로 예술과 기술이 접목된 예술분야로 정의할 수 있다. | |
그라피티의 기원은 무엇이며 발전은 어떻게 이루어졌는가? | 그라피티(graffiti)의 기원은 고대의 동굴벽화에서부터 찾아볼 수 있으며 현대적 그라피티는 산업화에 따른 도시문화의 슬럼화와 황폐화를 그 태동으로 보고 있으며, 산업의 발전으로 생성된 스프레이 캔으로 건물 벽이나 지하철 차량, 열차 등에 그려지기 시작하면서 거리의 힙합(hip-hop) 문화를 생성하였다(Sung,1999; Choi, 2008). 힙합문화와 더불어 오늘날 그라피티는 패션, 음악, 댄스, 노래 등 문화 전반에 걸친 문화양식이자 하나의 정신으로 존재하는 문화 현상으로 전 세계에 광범위하게 퍼져 있다(Lee, 2013). | |
패션 퍼포먼스에서 나타난 디지털 그라피티의 특징은 무엇인가? | 패션 퍼포먼스에 나타난 디지털 그라피티는 주로 패션브랜드의 이미지를 담은 필름으로 만들어져 브랜드나 패션 컨셉과 관련된 장소에서 상영되어졌다. 특징적인 점은 장소특정성이 대표적인 표현특성으로 나타났고 비물질성, 가상현실의 특성이 더불어 나타났다. 그라피티 유형은 증강현실 그라피티가 주로 사용되었다. |
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