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NTIS 바로가기The Research Journal of the Costume Culture = 복식문화연구, v.28 no.5, 2020년, pp.573 - 590
임염방 (한양대학교 의류학과) , 장호 (한양대학교 의류학과) , 이연희 (한양대학교 의류학과)
The purpose of this study was to develop contemporary Qipao design that emphasized creative feminine beauty with a unique sense beyond the concept of traditional Qipao design. This would be achieved using the expressive technique of human liberation from the oppression of the unconscious world a sup...
핵심어 | 질문 | 논문에서 추출한 답변 |
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W. 하프만은 초현실주의를 어떻게 구분하는가? | W. 하프만은 초현실주의를 ‘추상적 초현실주의’와 ‘사실적 초현실주의’로 구분하고 있다(Zhang & Kim, 2013). 초기 호안 미로(Joan Miro), 파울 클레(Paul Klee) 등이 추구한 추상적 초현 실주의는 현실의 재현을 거부하고 의식의 통제에서 벗어나 자동기술법, 오토마티즘(automatism)을 실험하고자 하였다. | |
초현실주의자들은 오토마티즘을 활용하여 어떤 기법들을 개발하였는가? | 추상적 초현실주의 작가들은 주로 활용한 자동기술법 오토마티즘은 무의식의 세계를 작품에 투영하려는 초현실주의의 대표적인 표현기법으로, 의식, 고정 관념, 이성 등의 영향을 배제하고 무념무상의 상태에서 자발적으로 움직임과 형태를 그리는 것을 의미한다(Kim, 2010). 초현실주의자들은 오토마티즘을 활용하여 포토몽타주(photomontage), 데칼코마니(décalcomanie), 프로타주(frottage) 등의 다양한 기법을 개발하였으며, 현대 미술에도 많은 영향을 주었다(Choi, 2013). | |
살바도르 달리는 누구의 영향으로 인해 무의식의 세계와 꿈을 표출하고자 하였는가? | , 2015). 그는 지그문트 프로이트의 영향으로 무의식의 세계와 꿈을 표출하고자 하였으며 ‘편집증적 비판 방법(Paranoiac critical method)’을 개발하였다(Hong & Bae, 2018). 작품 ‘기억의 영속성(The persistence of memory)’(Fig. |
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