One of the main points related to the contemporary novels is whether the themes of discourse such as ‘daily occurrence’, ‘urbanism’, ‘consumption’, and ‘ideology’ are dealt with on the basis of reflective recognition of reality. In relation to this, this paper shows that Yee-Hyun, Jung and Ae-ran, K...
One of the main points related to the contemporary novels is whether the themes of discourse such as ‘daily occurrence’, ‘urbanism’, ‘consumption’, and ‘ideology’ are dealt with on the basis of reflective recognition of reality. In relation to this, this paper shows that Yee-Hyun, Jung and Ae-ran, Kim’s novels critically embody the reality dominated by the mega-capital and the daily occurrence of capitalism where dominating logic of violence and oppression is camouflaged in ‘goods’. Yee-Hyun, Jung reveals the oppression of system and order on the center of ‘capital’ through the urban experience of daily occurrence ‘daily occurrence’, ‘urbanism’, ‘ideology’ of metropolis are the reality itself dominated by sacredness of capital and semiologic symbolism of consumption, Yee-Hyun, Jung’s political experiments of the embodiment of daily occurrence is of effective meaning in that they point out the critical and political subjects in the contemporary times. Contemporary metropolis continuously produces people accustomed with the daily occurrence of capitalism, and the produced subject ambiguously recognize their birth orgin. Subject just exists as a sign like overflooding goods. Ae-ran, Kim reveals that the origin of the tragic subject lies in‘metropolis’, ‘consumption’, and ‘ideology’. Writer draws out the tragic subjects deep in daily occurrence, keeping in critical position with realistic ‘daily occurrence’. Yee-Hyun, Jung and Ae-ran, Kim confront with ‘daily occurrence’ dominated by absolute order of capitalism through their novels. They reveal he tragic aspect of daily occurrence where subject as a passive consume] lives through the critical discourse to overcome the contradiction of ‘daily occurrence’. Yee-Hyun, jung and Ae-ran, Kim’s strategy of narrative comes from the critical thinking which intends to fill the gap between the novel, the world of imagination, and practical reality, but never cross the boundary between them.
One of the main points related to the contemporary novels is whether the themes of discourse such as ‘daily occurrence’, ‘urbanism’, ‘consumption’, and ‘ideology’ are dealt with on the basis of reflective recognition of reality. In relation to this, this paper shows that Yee-Hyun, Jung and Ae-ran, Kim’s novels critically embody the reality dominated by the mega-capital and the daily occurrence of capitalism where dominating logic of violence and oppression is camouflaged in ‘goods’. Yee-Hyun, Jung reveals the oppression of system and order on the center of ‘capital’ through the urban experience of daily occurrence ‘daily occurrence’, ‘urbanism’, ‘ideology’ of metropolis are the reality itself dominated by sacredness of capital and semiologic symbolism of consumption, Yee-Hyun, Jung’s political experiments of the embodiment of daily occurrence is of effective meaning in that they point out the critical and political subjects in the contemporary times. Contemporary metropolis continuously produces people accustomed with the daily occurrence of capitalism, and the produced subject ambiguously recognize their birth orgin. Subject just exists as a sign like overflooding goods. Ae-ran, Kim reveals that the origin of the tragic subject lies in‘metropolis’, ‘consumption’, and ‘ideology’. Writer draws out the tragic subjects deep in daily occurrence, keeping in critical position with realistic ‘daily occurrence’. Yee-Hyun, Jung and Ae-ran, Kim confront with ‘daily occurrence’ dominated by absolute order of capitalism through their novels. They reveal he tragic aspect of daily occurrence where subject as a passive consume] lives through the critical discourse to overcome the contradiction of ‘daily occurrence’. Yee-Hyun, jung and Ae-ran, Kim’s strategy of narrative comes from the critical thinking which intends to fill the gap between the novel, the world of imagination, and practical reality, but never cross the boundary between them.
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