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Abstract ▼ AI-Helper

This study has attempted to inquiry on the theoretical approach of the visual expressional form and the narrative structure of visual representation of digital films. For this, this paper has limited the issues to the viewpoint of the conceptual definition and theories. The following is the resear...

This study has attempted to inquiry on the theoretical approach of the visual expressional form and the narrative structure of visual representation of digital films. For this, this paper has limited the issues to the viewpoint of the conceptual definition and theories. The following is the research things. First of all, the visual image of digital films is represented the invisible and visible form simultaneously, in a co-existence as the materiality of technology and the immateriality of narrative. As a results, it fragments the narrative spatio-temporal structure through the repetitive cohesion and separation. And the digital films arrange the narrative elements to the virtual space time and delete the gap between the inner story-duration and the outer discourse-duration. And it structuralizes the event to the non-lenear, parallel form and sutures the spectators and the narrative through the multiple plot and polymodality.

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