The purposes of this study was to study Turkic clothing traditions as a way to shed light on cultural development via the interactions among different tribes along the Silk Road, the close correlations between the surroundings of the Turks and their costumes, and the root of Turkic culture through l...
The purposes of this study was to study Turkic clothing traditions as a way to shed light on cultural development via the interactions among different tribes along the Silk Road, the close correlations between the surroundings of the Turks and their costumes, and the root of Turkic culture through literature studies and empirical studies. The study results are as follows. First, the Turks were nomadic equestrian tribes in the north that dominated the cold dry steppes from the $6^{th}$ to $8^{th}$ century A.D., when they expanded their influence to Dongbei, China to the east, and Turkistan (Central Asia) to the west. The Turks formed a nomadic lifestyle and culture suited to a cold dry climate, and interacted with various other tribes via the Silk Road, while exchanging and sharing different cultural aspects. Second, given that the Turkic garments constitute a two-piece style, which is a category of the basic nomadic costume of northern tribes, and that the artifact materials manifest jackets, overcoats, pants and skirts, the garments are categorized into tops and bottoms. The tops are sub-categorized into jackets and overcoats. The bottoms are sub-categorized into pants and skirts. In light of the necklines of tops, jackets have round necklines, while overcoats have V-necklines, round necklines and lapel collars. The bottoms include narrow-legged pants, wide-legged pants and closed-hem pants. Drapery skirts are worn at the waist. Third, the Turkic V-neckline overcoat is comparable to the Huns' silk overcoat, which illustrates the ethnic link between the two tribes. Also, the Turkic narrow- and wide-legged pants are consistent with the Huns' silk pants discovered in Noin Ula. The Turkic costumes are mostly tight fitting, suitable for the nomadic lifestyle in a cold, dry climate. Also, additional patches must be attached to the crotch points of pants due to the equestrian lifestyle.
The purposes of this study was to study Turkic clothing traditions as a way to shed light on cultural development via the interactions among different tribes along the Silk Road, the close correlations between the surroundings of the Turks and their costumes, and the root of Turkic culture through literature studies and empirical studies. The study results are as follows. First, the Turks were nomadic equestrian tribes in the north that dominated the cold dry steppes from the $6^{th}$ to $8^{th}$ century A.D., when they expanded their influence to Dongbei, China to the east, and Turkistan (Central Asia) to the west. The Turks formed a nomadic lifestyle and culture suited to a cold dry climate, and interacted with various other tribes via the Silk Road, while exchanging and sharing different cultural aspects. Second, given that the Turkic garments constitute a two-piece style, which is a category of the basic nomadic costume of northern tribes, and that the artifact materials manifest jackets, overcoats, pants and skirts, the garments are categorized into tops and bottoms. The tops are sub-categorized into jackets and overcoats. The bottoms are sub-categorized into pants and skirts. In light of the necklines of tops, jackets have round necklines, while overcoats have V-necklines, round necklines and lapel collars. The bottoms include narrow-legged pants, wide-legged pants and closed-hem pants. Drapery skirts are worn at the waist. Third, the Turkic V-neckline overcoat is comparable to the Huns' silk overcoat, which illustrates the ethnic link between the two tribes. Also, the Turkic narrow- and wide-legged pants are consistent with the Huns' silk pants discovered in Noin Ula. The Turkic costumes are mostly tight fitting, suitable for the nomadic lifestyle in a cold, dry climate. Also, additional patches must be attached to the crotch points of pants due to the equestrian lifestyle.
돌궐의 포는 바지와 화가 거의 보이지 않는 것으로 보아 무릎 선을 지나 발목까지 내려오는긴 길이이다. 돌궐은 다양한 형태의 포를 보이고 있는데, 목선의 형태를 중심으로 직령의 옷깃이 서로 합쳐져 V-네크라인으로 된 직령합임포, 둥근 깃인 단령포, 젖혀진 깃인 번령포로 분류할 수 있다. 돌궐 상의의 유형 중 번령포가 가장 빈번하게 나타나고 있는데, 이를 통해 번령 포가 돌궐 의복에 있어 대표적인 형태였음을 짐작할 수 있다.
돌궐은 어떤 민족인가?
첫째, 흉노의 후예라는 설이 유력한 돌궐은 알타이산맥 서남부 지역을 발상지로하여 A.D. 6 세기부터 8세기까지 한랭건조기후를 특징으로 하는 초원대를 누비며 동쪽으로는 중국 둥베이(東北: 만주)까지, 서쪽으로는 투르키스탄(중앙 아시아)까지 세력을 확장한 북방계 유목기마민족이다. 즉, 돌궐족은 중앙아시아 지역을 비롯한 실크로드 주변 지역 민족들을 통합하여 지배하 였고, 돌궐(突厥)제국이라는 세계 대제국과 함께 투르크족이라는 민족 연합체를 성립하였며, 지배 종족 및 실크로드를 통해 연결된 다양한 민족들과 서로의 문화를 소통 및 공유, 교류하며 발전하였다.
돌궐 저고리의 길이를 정확히 알 수 없는 이유는 무엇인가?
돌궐 저고리의 길이는 대체로 치마 안으로 집어 넣어 외의로서 착용하거나, 포 안쪽으로 입는 내의로서 착용하였기 때문에 정확히 알 수는 없다. 그러나 허리선까지 올라오는 치마 안으로 집어넣어져 있음을 통해 그 길이는 대체로 허리선보다는 아래인 둔부선을 지나는 길이로 짐작할 수 있다.
참고문헌 (32)
강윤봉. (2010). 왕오천축국전 : 혜초의 대여행기. 서울: 두레아이들.
고마츠 히사오. (2005). 중앙유라시아의 역사 (이평래 역). 서울: 소나무.
국립제주박물관. (2008). 실크로드의 역사와 문화. 서울: 서경문화사.
국립중앙박물관. (편). (2010). 소그드의 역사와 문화 : 국립중앙박물관 국제학술대회 자료집. 서울 : 국립중앙박물관.
※ AI-Helper는 부적절한 답변을 할 수 있습니다.