$\require{mediawiki-texvc}$

연합인증

연합인증 가입 기관의 연구자들은 소속기관의 인증정보(ID와 암호)를 이용해 다른 대학, 연구기관, 서비스 공급자의 다양한 온라인 자원과 연구 데이터를 이용할 수 있습니다.

이는 여행자가 자국에서 발행 받은 여권으로 세계 각국을 자유롭게 여행할 수 있는 것과 같습니다.

연합인증으로 이용이 가능한 서비스는 NTIS, DataON, Edison, Kafe, Webinar 등이 있습니다.

한번의 인증절차만으로 연합인증 가입 서비스에 추가 로그인 없이 이용이 가능합니다.

다만, 연합인증을 위해서는 최초 1회만 인증 절차가 필요합니다. (회원이 아닐 경우 회원 가입이 필요합니다.)

연합인증 절차는 다음과 같습니다.

최초이용시에는
ScienceON에 로그인 → 연합인증 서비스 접속 → 로그인 (본인 확인 또는 회원가입) → 서비스 이용

그 이후에는
ScienceON 로그인 → 연합인증 서비스 접속 → 서비스 이용

연합인증을 활용하시면 KISTI가 제공하는 다양한 서비스를 편리하게 이용하실 수 있습니다.

해외 디지털 패션브랜드에 나타난 패션디자인 요소의 특징에 관한 연구
Analysis of Digital Fashion Design Elements Focusing on Overseas Digital Fashion Brands 원문보기

패션비즈니스 = Fashion business, v.27 no.1, 2023년, pp.77 - 109  

홍윤정 (연세대학교 패션디자인학과)

Abstract ▼ AI-Helper 아이콘AI-Helper

This study attempted to understand current status of overseas virtual fashion brands and analyze attributes of common digital fashion brands. Based on brand analysis criteria of previous studies, digital fashion brands were analyzed for brand concept, price range, characteristic elements, and attrib...

주제어

#디지털 패션브랜드   #디지털 패션 디자인   #메타버스   #가상패션  

표/그림 (53)

참고문헌 (79)

  1. @vaneszs.h in Republiqe. (n.d). [Photograph], Vogue.？Retrieved August 3, 2022, from https://vogue.sg/republiqe-digital-fashion/？ 

  2. Abad, M. (2020, June 18). Tribute brand is making？'Countless' clothes for the cyber age. Paper. Retrieved？August 3, 2022, from https://www.papermag.com/tribute-brand-digital-clothing-interview-2646199820.html？ 

  3. Acceleration Studies Foundation. (2007). Metaverse？roadmap, pathway to the 3d web-A cross-industry？public foresight project. Retrieved August 3, 2022,？from https://www.metaverseroadmap.org/overview/？ 

  4. An, K. S. (2008). The study on futurism image expressed？in the early 21st century fashion. Journal of Korea？Design Knowledge, 8, 185-193. doi:10.17246/jkdk.2008..8.021？ 

    상세보기 crossref

  5. Ariella in Republiqe. (n.d). [Photograph]. Vogue.？Retrieved August 3, 2022, from https://vogue.sg/republiqe-digital-fashion/？ 

  6. Auroboros AR Look. (n.d). [Photograph], Auroboros.？Retrieved August 3, 2022, from www.auroboros.co.uk？ 

  7. Auroboros's Sci-fi fantasy digital wear. (n.d).？[Photograph], Economy Chosun. Retrieved August 3,？2022, from http://economychosun.com/client/news/view.php?boardNameC03&t_num13613115？ 

  8. Bang, E. H. (2022). A study on factors influencing brand？selection of metaverse users: Focusing on fashion？collaboration in ZEPETO (Unpublished master's？thesis). Yonsei University, Seoul, Korea. Retrieved from？http://www.riss.kr/link?idT16071863&outLinkK？ 

  9. Castells, M. (2010). The rise of the network society (2nd？ed.). West Sussex, England; Wiley-Blackwell.？ 

  10. Chia, J., & Fong, N. (2021. July 14). 7 digital fashion？houses to know. Female. Retrieved August 3, 2022,？from https://www.femalemag.com.sg/gallery/fashion/digital-fashion-brands-clothes-garments-virtual-sustainable/？ 

  11. Cho, E. S., & Cho Y. S. (2022). The influence of the consumer culture of the MZ generation on the fashion？metaverse system. 2022 Spring Conference on The？Korea Society of Fashion Design (pp.139-141). Seoul:？The Korea Society of Fashion Design.？ 

  12. Choi, B. (2022, June 2). 패션산업, '메타버스 마인드셋'을？입다! [Fashion industry wear metaverse mindset!].？News2day. Retrieved August 3, 2022, from？https://www.news2day.co.kr/article/20220601500031？ 

  13. Chun, J. H., & Ha, J. S. (2006). A study on formative？features of fashion design in digital era. Journal of？The Korean Society of Clothing and Textiles, 30(11),？1560-1571. Retrieved from https://kiss.kstudy.com/thesis/thesis-view.asp?key2577558？ 

  14. Dai, X., & Choi, S. A. (2022). A study on the concept？and characteristics of metaverse and metaverse fashion.？2022 Spring Conference on The Korea Society of？Fashion Design (pp.165-166). Seoul: The Korea？Society of Fashion Design.？ 

  15. Dressx. (n.d.). Dressx Vision. Retrieved August 3, 2022,？from https://dressx.com/pages/about？ 

  16. DressX Application. (n.d). [Photograph]. DressX. Retrieved August 3, 2022, from https://nft.dressx.com/？ 

  17. DressX AR Look. (n.d). [Photograph]. DressX. Retrieved？August 3, 2022, from https://nft.dressx.com/？ 

  18. DressX VR Look. (n.d). [Photograph]. DressX. Retrieved？August 3, 2022, from https://nft.dressx.com/？ 

  19. Ellen Macarthur Foundation. (2021, November 23). A？digital-only, multi-brand fashion platform: DRESSX. Retrieved August 3, 2022, from https://ellenmacarthurfoundation.org/circular-examples/dressx？ 

  20. Faiss, I. (2021, February 25). Regina Turbina/Replicant.？Fashion 1. Artificial intelligence makes fashion, style in？progress. Retrieved August 3, 2022, from？https://www.style-in-progress.com/en/digital-fashion/regina-turbina-replicant-fashion-kuenstliche-intelligenzmacht-mode/？ 

  21. Happy99. (n.d.). Ssense. Retrieved August 3, 2022, from？https://www.ssense.com/ko-kr/women/designers/happy99？ 

  22. Happy99's AR Look. (2020). [Photograph]. Nylon,？Retrieved August 3, 2022, from https://www.nylon.com/fashion/meet-nathalie-nguyen-the-artist-model-behind-virtual-streetwear-brand-happy99？ 

  23. Happy99's Digital Fashion Design. (n.d.). [Photograph].？Happy99. Retrieved August 3, 2022, from https://happy99.online/？ 

  24. Happy99's Digital Object. (n.d.). [Photograph]. Happy99,？Retrieved August 3, 2022, from https://happy99.online/？ 

  25. Han, S. J., & Kim, E. Y. (2016). Fashion Design. Paju:？Kyomunsa.？ 

  26. Heo, S., & Lee, Y. (2013). The interaction expressed in？21st century's digital fashion: Focused on the？luminescence digital fashion designs. Journal of the？Korean Society of Costume, 63(4), 17-29.？doi:10.7233/jksc.2013.63.4.017？ 

    원문보기 상세보기 crossref

  27. Huh, J. S., & Ro, M. K. (2013). Formative？characteristics of the futuristic image expressed in？contemporary fashion: Focusing on fashionable？technology. Journal of the Korean Society of Fashion？Design, 13(3), 177-193. Retrieved from https://www.earticle.net/Article/A204424？ 

  28. Kang, J., & Kwon, G. (2021). A study on the expression？types and internal meanings of ecology images？appeared in modern digital fashion. The Research？Journal of the Costume Culture, 29(3), 422-436.？doi:10.29049/rjcc.2021.29.3.422？ 

    원문보기 상세보기 crossref

  29. Kim, J. Y. (2009). A study on the modeling？characteristics of futurism fashion-Focusing on the？fashion collections during 2006~2009 years. Journal of？Korea Design Knowledge, 11, 30-41. Retrieved from？https://www.dbpia.co.kr/journal/articleDetail?nodeIdNODE01775239？ 

  30. Kim. K., Seong, O., & Kim, S. (2022). Analysis of？virtual fashion style preferences and purchasing？behavior of metaverse platform 'Zepeto' users. Journal？of Fashion Business, 26(3), 33-49. doi:10.12940/jfb.2022.26.3.33？ 

    원문보기 상세보기 crossref

  31. Kim, S. Y. (2020). Case and meaning of gamification by？the convergence of fashion and game: Focusing on？luxury fashion brands. The Korean Society of Science？& Art, 38(4), 17-32. doi:10.17548/ksaf.2020.09.30.17？ 

    상세보기 crossref

  32. Kim, S. Y. (2022). User brand experience based on the？interaction in metaverse: Focused on ZEPETO？(Unpublished master's thesis). Hongik University,？Seoul, Korea. Retrieved from http://www.riss.kr/link?idT16361465？ 

  33. Kim, W. B., Huh, H. J., & Choo, H. J. (2022). Case？study on fashion brand flagship store in metaverse:？Focusing on fashion brand in ZEPETO. Journal of the？Korean Society of Clothing and Textiles, 46(3), 545-563. doi:10.5850/JKSCT.2022.46.3.545？ 

    원문보기 상세보기 crossref

  34. Kim, Y. I., Kim, E. K., Kim, J. Y., Kim, H. S., Moon,？Y. E., Lee, Y. J., Lee, J. H., & Choo, S. Y. (2009).？Color language of fashion. Paju: Kyomunsa.？ 

  35. Kim, Y. K., & Yoo. Y. S. (2011). A study on expressional characteristics of design of digital？naturalism appeared in fashion. Journal of Basic？Design & Art, 12(2), 113-124. Retrieved from？https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiIdART001549395？ 

  36. Lee, D. B. (2022, July 26). 가상 패션 브랜드 오로보로스, "인스타그램.메타버스에서 입는 명품 옷 만들어요"？[Virtual fashion brand Auroboros, "We make luxury？clothes for Instagram and Metaverse"]. Chosunbiz？Retrieved August 3, 2022, from https://biz.？chosun.com/distribution/fashion-beauty/2022/07/26/GYNDJQIIU5CIXMEHMH6M352Q2A/？ 

  37. Lee, E. J., & Lee, J. H. (2021). Interactive characteristics？and development direction of augmented reality in？fashion communication. Journal of Fashion Design, 21(1), 21-36. doi:10.18652/2021.21.1.2？ 

    상세보기 crossref

  38. Lee, H., & Ku, Y. (2020). Classification and？characteristics of augmented reality contents of fashion？brands. Fashion & Textile Research Journal, 22(3),？310-322. doi:10.5805/SFTI.2020.22.3.310？ 

    원문보기 상세보기 crossref

  39. Lee, J. H. [Jaehong]. (2022. August 2). 게임스토리텔링？[Game Storytelling]. ETNEWS, Retrieved August 3,？2022, from https://www.etnews.com/20220802000058？ 

  40. Lee, J. S. [Jongsuk]. (2022. July 14). 패션업계, 'NFT' 시장 잇따라 진출 [Fashion industry enters 'NFT' market one after another]. Apparelnews, Retrieved August 3,？2022, from http://m.apparelnews.co.kr/news/news_view/?cat&idx199151？ 

  41. Lee, K. H., Jea, K. Y., & Choi, J. H. (2016). Color？psychology & fashion styling workbook.. Paju:？Kyomunsa.？ 

  42. Marketplace of Replicant. (n.d). [Photograph]. Replicant. Retrieved August 3, 2022, from https://en.replicant.fashion/？ 

  43. Metaverse Market Research Report. (2022). Market？Research Future. Retrieved February 26, 2023, from？https://www.marketresearchfuture.com/reports/metaverse-market-10744？ 

  44. Min, E. S. (2016, December 1). 한국 패션 리더십 4.0 시？대 돌입 [Korea's Fashion Leadership 4.0 Era Enters].？Fashionbiz. Retrieved August 3, 2022, from？http://www.fashionbiz.co.kr/article/view.asp?cate6&sub_num106&idx157621？ 

  45. Mycky Brown in a Tribute AR Look. (2020).？[Photograph]. Paper. Retrieved August 3, 2022, from？https://www.papermag.com/tribute-brand-digital-clothing-interview-2646199820.html?rebelltitem35#rebelltitem35？ 

  46. Nam, Y. J. (2021). The types and values of fashion？based on virtual reality technology in the age of？digital transformation. Journal of Basic Design & Art,？22(5), 117-128. doi:10.47294/KSBDA.22.5.9？ 

    상세보기 crossref

  47. Nicola Formichetti in a Tribute AR Look. (2020).？[Photograph]. Paper. Retrieved August 3, 2022, from？https://www.papermag.com/tribute-brand-digital-clothing-interview-2646199820.html?rebelltitem35#rebelltitem35？ 

  48. Oh, S. M. [Sumin]. (2022). Effects of appearance？similarity and fashion item reality on intention to use metaverse (Unpublished master's thesis). Seoul？University, Seoul, Korea. Retrieved from？http://www.riss.kr/link?idT16161734？ 

  49. Oh, S. K. [Sangkyu]. (2022, July 20). 산업용 메타버스가？주목되는 이유 [Why industrial metaverse are getting？attention]. EnergyEconomyNews, Retrieved August 3,？2022, from https://m.ekn.kr/view.php?key20220719010003145？ 

  50. Onufrowicz, M. (2021, February 12). AUROBOROS is？the tech fashion house creating celestial cyber couture.？Dazed. Retrieved August 3, 2022, from？https://www.dazeddigital.com/fashion/article/51913/1/auroboros-celestial-couture-alexander-mcqueen-vr-technology-digital-fashion？ 

  51. Park, J. H. (2022. July 20). 메타, 디지털 패션 스타트업과？함께 가상의류 출시 [Meta launches virtual clothing？with digital fashion start-up]. Decenter. Retrieved？August 3, 2022, from https://decenter.kr/NewsView/268LGQV62X？ 

  52. Park, J. S. (2021, June 21). 메타버스(Metaverse)와 스마트？팩토리 [Metaverse and smartfactory]. Edaily, Retrieved？August 3, 2022, from https://www.edaily.co.kr/news/read?newsId01207046629081064&mediaCodeNo257&OutLnkChkY？ 

  53. Park, K. S. (2021). A case study of virtual fashion？industry of fashion brands through convergence with？metaverse, The Korean Society of Science & Art,？39(4), 161-178. doi:10.17548/ksaf.2021.09.30.161？ 

    상세보기 crossref

  54. Park, M., & Ko, H. Z. (2017). (A) study on digital？fashion from the aesthetic perspective of media. The？Research Journal of the Costume Culture, 25(1),？48-63. doi:10.7741/rjcc.2017.25.1.048？ 

    원문보기 상세보기 crossref

  55. Park, Y. (2022). Digital fashion product value and？purchase behavior on the metaverse platform (Unpublished master's thesis). Yonsei University, Seoul,？Korea. Retrieved from http://www.riss.kr/link?idT16071864？ 

  56. Palumbo, J. (2021, December 15). Digital dress codes:？What will we wear in the metaverse?. CNN.？Retrieved August 3, 2022, from https://edition.cnn.com/style/article/metaverse-digital-fashion/index.html？ 

  57. Radin, S. (2020, August 18). Nathalie Nguyen's Happ99？is the anti-fashion brand made of digital -only？designs. Nylon. Retrieved August 3, 2022, from？https://www.nylon.com/fashion/meet-nathalie-nguyenthe-artist-model-behind-virtual-streetwear-brand-happy99？ 

  58. Replicant. (n.d.). Replicant. Retrieved August 3, 2022,？from https://en.replicant.fashion/？ 

  59. Replicant AR Look. (n.d). [Photograph]. Replicant. Retrieved August 3, 2022, from https://en.replicant.fashion/？ 

  60. Republiqe. (n.d). Republiqe, Retrieved August 3, 2022,？from https://republiqe.co？ 

  61. Republiqe's Bubblz AR Collection. (n.d). [Photograph].？Vogue. Retrieved August 3, 2022, from？https://vogue.sg/republiqe-digital-fashion/？ 

  62. Republiqe's Furr VR Collection. (n.d). [Photograph].？Vogue. Retrieved August 3, 2022, from？https://vogue.sg/republiqe-digital-fashion/？ 

  63. Rijmenam, M. V. (2022, August 10). Digital Fashion:？The Next Frontier in Fashion. The Digital Speaker.？Retrieved August 20, 2022, from https://www.thedigitalspeaker.com/digital-fashion-next-frontier-fashion/？ 

  64. Sarmakari, N. (2021). Digital 3D fashion designers:？Cases of Atacac and the fabricant. Fashion Theory.？doi:10.1080/1362704X.2021.1981657？ 

    상세보기 crossref

  65. Sarmakari, N., & Vanska, A. (2022). 'Just hit a button!' - fashion 4.0 designers as cyborgs, experimenting and？designing with generative algorithms. International？Journal of Fashion Design, Technology and Education,？15(2), 211-220. doi:10.1080/17543266.2021.1991005？ 

    상세보기 crossref

  66. Sarah Wasko in a Tribute AR Look. (2020).？[Photograph]. Paper. Retrieved August 3, 2022, from？https://www.papermag.com/tribute-brand-digital-cloth？ing-interview-2646199820.html?rebelltitem38#rebelltitem38？ 

  67. Shin, H. (2022). Characteristics of application of？augmented reality technology according to the digital？transformation in the fashion industry. The Journal of？the Convergence on Culture Technology, 8(1),？597-603. doi:10.17703/JCCT.2022.8.1.597？ 

    원문보기 상세보기 crossref

  68. Shin, J. Y., & Jeong, I. S. (2021, August 29). 패션 NFT,？거대한 시장이 온다 [Fashion NFT, big market？coming]. CoinDesk Korea. Retrieved August 3, 2022,？from http://www.coindeskkorea.com/news/articleView.html?idxno75023？ 

  69. The fabricant. (n.d.). Always digital, Never Physical.？Retrieved August 3, 2022, from https://www. thefabricant.com/？ 

  70. The Fabricant AR Look. (n.d.). [Photograph]. The？Fabricant. Retrieved August 3, 2022, from？www.thefabricant.com/？ 

  71. The Fabricant Studio. (n.d.). [Photograph]. The Fabricant.？Retrieved August 3, 2022, from www. thefabricant.com/？ 

  72. The Fabricant VR Look. (n.d.). [Photograph]. The？Fabricant. Retrieved August 3, 2022, from www. dezeen.com？ 

  73. The dematerialised AR Look 1. (n.d.). [Photograph]. The？dematerialized. Retrieved August 3, 2022, from？thedematerialised.com？ 

  74. The dematerialised AR Look 2. (n.d.). [Photograph]. The？dematerialized. Retrieved August 3, 2022, from？thedematerialised.com？ 

  75. The dematerialised AR Look 3. (n.d.). [Photograph]. The？dematerialized. Retrieved August 3, 2022, from？thedematerialised.com？ 

  76. Tribute. (n.d..). Trbute-brand. Retrieved October 3, 2022, from https://www.tribute-brand.com/tributetext/tribute-brand？ 

  77. Vogue business team. (2022, September 23). Highlights？from the Vogue business metaverse atelier with epic？games. Vogue Business. Retrieved October 3, 2022,？from https://www.voguebusiness.com/events/highlights-from-the-vogue-business-metaverse-atelier-with-epic-games？ 

  78. Woo, J. Y., & Lee, J. H. (2021). Strategic analysis of？digital native fashion brand from Storyscaping？Perspective. Journal of Fashion Design, 21(2), 37-55.？doi:10.18652/2021.21.2.3？ 

    상세보기 crossref

  79. Yun, H., & Ko, E. (2021). Comparative analysis of seven digital fashion weeks. Journal of Fashion？Business, 25(3), 36-50. doi:10.12940/jfb.2021.25.3.36 

    원문보기 상세보기 crossref

저자의 다른 논문 :

관련 콘텐츠

오픈액세스(OA) 유형

FREE

Free Access. 출판사/학술단체 등이 허락한 무료 공개 사이트를 통해 자유로운 이용이 가능한 논문

이 논문과 함께 이용한 콘텐츠

저작권 관리 안내
섹션별 컨텐츠 바로가기

AI-Helper ※ AI-Helper는 오픈소스 모델을 사용합니다.

AI-Helper 아이콘
AI-Helper
안녕하세요, AI-Helper입니다. 좌측 "선택된 텍스트"에서 텍스트를 선택하여 요약, 번역, 용어설명을 실행하세요.
※ AI-Helper는 부적절한 답변을 할 수 있습니다.

선택된 텍스트

맨위로