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Abstract ▼ AI-Helper

I study the problems representation, time and sequence in animation in comparison with those of painting and film in order to define the peculiarity of animation image. ‘The reality of imitative representation" or "the time-expression of movement" is recently a topic in the studies or experiments of...

I study the problems representation, time and sequence in animation in comparison with those of painting and film in order to define the peculiarity of animation image. ‘The reality of imitative representation" or "the time-expression of movement" is recently a topic in the studies or experiments of media or image. The topic is including the consideration of the developing media environment in which images are mediated and the aesthetical reception of mass-media arts. It is necessary for the aesthetical study of animation to take this change of paradigm into consideration and so to make up for its existing methodology. Animation has been classified into graphic art or film art and studied as a part of cinematism or video art, computer graphic image. The study on animation is in advance on the base of the studies on painting image, film image. It is focused on the representation of real or imitated object in painting as a subjective expression, film as a narrative sequence of still images and as montage of symbolic iconographical image and photo image based on reality. In addition, the outlook of the history of plastic arts and the studies on culture and film would be useful to set a foundation for a aesthetics of animation, and it could be suggestive to survey the analogies and the differences between the four media or genres too.

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